Sasha (Viktoria Spesivtseva) desperately wants to have a baby. When her married lover goes back to his wife, Sasha decides to target a foreigner for a one night stand in order to achieve her goals. Fortunately, Cemal (Ushan Çakir) has been dragged from Istanbul to Kiev by his uncle (Güven Kiraç) and randy cousin (co-director Mehmet Bahadir Er) for his bachelor party and is immediately struck by the sight of the seemingly cold and aloof Sasha (who he initially believes wants to harvest his organs when she insists he wash up so she can poke holes in his condoms). Their assignation is interrupted, however, when Sasha's mother (Olena Stefanska) shows up to tell her that her grandmother (Margaryta Kosheleva) has escaped from the nursing home again, and Sasha drags Cemal along in search of the old woman. Despite not sharing the same culture or language - apart from some common words in English - the two bond over a series of misunderstandings and misadventures that leave Cemal reluctant to return to Istanbul to get married. When Sasha discovers that Cemal is soon-to-be-wed, will she proceed with her plan or return his burgeoning affection?

A Turkish/Ukranian production - the second from the married directing team of Mehmet Bahadir Er and Maryna Gorbach after BLACK DOGS BARKING - LOVE ME makes its viewers fall in love with two characters whose immediate social and cultural backgrounds seem to be cynical about the very idea of love. While Sasha is more concerned with having a baby than in a partner, her mother upon seeing her with Cemal refers to him as a "wog" and asks if he is at least rich. Cemal is already apprehensive about getting married, but he balks at his uncle and cousin impressing upon him the marriage and children are more or less a convention and basically "what happens in Kiev stays in Kiev." Hampered by language barriers, the couple reveal their feelings to one another through deeds and a few words learned in each other's language sometimes insufficient like the Turkish and Russian translations of "thank you" or misused/misunderstood like "Lubish" (love). The ending is refreshingly bittersweet rather than escapist on one extreme or cynical on the other.