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S E A R C H D V D B e a v e r |
(aka "Confidentially Yours" aka "Finally, Sunday")
François Truffaut's final film is comedy thriller with a
Hitchcockian theme. Shot in the style of a classic
American thriller - in crisp black and white - a company
boss is accused of murdering his wife and her lover, and
the evidence seems to support this. Whilst he is hiding
from the police, his secretary takes on the role of
detective and she uncovers illicit love affairs,
prostitution rings and skeletons in everyone's closets
before she uncovers the real culprit. *** Quite possibly my favorite of Truffaut's films - and unfortunately his swansong. It was his fun and fast paced ode to Noir and Hitchcock appropriately filmed in black and white. Starring his muse of the time, Fanny Ardent, who works out exceedingly well in her role. Unlike Hitch's apparent disdain for his female characters Truffaut applauds his ladies with an obvious romantic adoration. Vivement Dimanche! shows us one of the directors most unrecognized strengths - his versatility. One can almost sense a slight experimental vein in the creation process, perhaps harkening back to his Nouvelle Vague roots. Regardless, an intangible beauty in a prolific listing of film credits. |
P
ostersTheatrical Release: 10 August 1983
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Comparison:
MK2 - Region 2 - PAL vs. Artificial Eye - Region 'B' - Blu-ray
Big thanks to Per-Olof Strandberg for the MK2 Review!
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MK2 - Region 2 - PAL
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Comments |
NOTE: These Blu-ray captures were taken directly from the Blu-ray disc.
ADDITION: Artificial Eye - Region 'B' - Blu-ray (November 14'): What a beautiful looking film in 1080P! Like the other AE Truffaut Blu-ray this advances noticeably beyond the old SD transfer looking tighter and showing more information in the frame. The contrast is a strong point and Confidentially Yours is gorgeous in-motion.
Audio comes via a linear PCM 2.0 channel stereo track at 1536 kbps in the original French. It is predictably flat but exports some crispness in the higher end and a shade of depth. Georges Delerue, again, (Shoot the Piano Player, Jules et Jim, The Last Metro, Day For Night) did the score and it also benefits from the uncompressed rendering sounding particularly strong and buoyant. There are optional English subtitles (they are optional!) on the Region 'B'-locked Blu-ray disc.
Supplements replicate some of what was on the mk2 DVD with the Toubiana intro, the Jean-Louis Trintignant commentary - French with optional English subtitles, and a trailer. I love this film - Ardant was made for 'dark cinema' - it would have been grand to have her in the 40's and 50's. This gets a strong recommendation! ***
ON THE DVD: It seems
that Nestor Almendros has shot this film on High Contrasted material, that
makes
a very big shifting with black and white. There's also used some filters
to make the picture
more soft, to make the appearance look like old film-noir films. |
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Recommended Reading on Truffaut / French Cinema (CLICK COVERS or TITLES for more information)
The Films in My Life |
François Truffaut by Annette Insdorf |
HITCHCOCK (REVISED EDITION)
by Helen G. Scott, Francois Truffaut |
The French New Wave: An Artistic School by Michel Marie, Richard John Neupert, Richard Neupert |
A History of the French New Wave Cinema by Richard Neupert |
French New Wave
by Jean Douchet, Robert Bonnono, Cedric Anger, Robert Bononno |
French Cinema: From Its Beginnings to the Present by Remi Fournier Lanzoni |
Truffaut: A Biography by Antoine do Baecque and Serge Toubiana |
Check out more in "The Library"