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directed by Adam Bartlett, John Pata
USA 2012
On his day off, slacker Charlie
Russell (Joe Belknap) receives a frantic phone call from his
long-distance girlfriend Samantha MacReady (Mary Lindberg) about
an attack on Minneapolis, and that she and her co-workers are
going to attempt to get out of the quarantined city. Stuck in
Toledo, Charlie hits upon the idea for them to find their way
back to each other in Wausau, Wisconsin where they had their one
year anniversary. An indeterminate amount of time later, Charlie
has teamed up with Thomas (Aaron Christensen), Meredith
(Michelle Courvais), Dustin (Sam Lenz), and Drew (Jess Ader) and
is making his way to Wausau across treacherous terrain in which
fellow survivors can be just as dangerous as the teaming
"infected" (and even more vile). As Charlie recalls or
reimagines the brighter days of his relationship with Samantha,
it turns out that the other members of the group might have
reason to be uneasy with him as the story he's sold them about
Wausau doesn't gel with the arrangement he has made with
Samantha, and he seems to have adapted to the violence required
for their survival with alarming gusto. Could the other members
of his team be the titular DEAD WEIGHT? |
Theatrical Release: 30 March 2012 (USA)
Reviews More Reviews DVD Reviews
DVD Review: Horizon Movies - Region 0 - NTSC
Big thanks to Eric Cotenas for the Review!
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Distribution |
Horizon Movies Region 0 - NTSC |
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Runtime | 1:29:40 | |
Video |
1.78:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | English Dolby Digital 5.1; English Dolby Digital 2.0 stereo | |
Subtitles | none | |
Features |
Release Information: Studio: Horizon Movies Aspect Ratio:
Edition Details: Chapters 10 |
Comments |
Horizon Movies'
dual-layer disc provides an okay progressive, anamorphic
widescreen SD rendering of this 1080p high definition production
(shot with the Sony PMW-F3 camcorder) with the present day
scenes looking more washed out than the flashbacks which sport
more saturated colors (I can't be sure if the edge enhancement
was part of the DVD encoding or part of the camera's or editing
program's post-processing). Although the sound design is not as
layered as a studio production, the Dolby Digital 5.1 track is
the recommended listening option since it does lend a more
subtly enveloping sense of desolation to the body of the film. |
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Distribution |
Horizon Movies Region 0 - NTSC |
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