Monster Pictures' ULTIMATE
ZOMBIE FEAST is an uneven but interesting collection of
international zombie shorts that most of us would probably
not get to see otherwise.
The collection kicks off with Barend de Voogd and Rob van
der Velden's ZOMBEER (2008) from the Netherlands. When tipsy
brewmaster Herman topples into a vat of beer, he
contaminates it and sets loose a zombie rampage. The short
isn't as amusing as it would like to be, but it surprises by
starting out modestly in boxed in locations with a handful
of actors and extras before giving way under the ending
credits to full-scale zombie siege (albeit captured on shaky
cam). This indirectly gives a segue to the Rafa Martínez and
Inaki San Román's Spanish ZOMBIES & CIGARETTES (2009) in
which awkward teenage hero must work up the courage to tell
a girl he likes her while they dodge fast-moving zombies
that have invaded the mall where they work. Well-mounted
with a lot of enthusiasm (and the badass character is nicely
parodied here and gets just what he deserves for all of the
posturing). From the UK comes Joseph Avery and Matt
Simpson's more somber PLAGUE (2009) in which an Eastern
European gun runner flees to the UK to start a new life only
to arrive in the middle of a zombie apocalypse. Not really
as deeply philosophical as it would like to be, but good
film festival fodder. Also from the UK comes Duncan Laing's
BITTEN (2008), a brief but grim story of a woman slowly
undergoing a zombie transformation. Is she paying for her
sins?
Decidedly different in tone from the others thus far is the
American ARISE (2010) from Jay Reiter, an unoriginal
head-banging tale of a shop worker killing zombies
(including his jerk of a boss). Also from America is Monica
Winter Vigil's brief but moving NOT EVEN DEATH (2009) in
which a husband holds his zombified wife prisoner in the
basement and tries to get her to remember her human life
while the outside world searches for a cure for the
epidemic. Randy Smith and Craig Peach's FEAR OF THE LIVING
DEAD (2009) - also American - starts off nice as we follow
the ax-wielding seemingly lone female survivor of a zombie
outbreak as she searches abandoned houses for food and
supplies, but it stumbles when she meets another survivor.
Once the editing and the camerawork settles down for
exposition, the acting is awkward and the camera wobbles
distractingly (not sure if this is for lack of a tripod or a
half-hearted stab at the shakycam aesthetic). The zombie
attacks are quaintly charming with what looks like
zombiefied extras recruited from the suburban neighborhood
setting, giving it the feel of a video rental-era regional
horror flick.
The Canadian KIDZ (2010) from Bren Lynne features a band of
child survivors of a zombie outbreak. It's played for laughs
and seems like the kind of thing you'd find in the extras
section of a Troma DVD (although the climactic bit with kids
killing zombie kids probably would not go over well on this
side of the border). Scott Kragelund, Paul Cranefield, and
Erik Van Sant's THE BOOK OF ZOMBIE (2007) is the longest
short on disc one at just over an hour. Also hailing from
the states, it pits non-believers against Mormon hordes
("Don't apologize to Jesus, apologize to Darwin!"). It's not
the most ambitious of the films on disc one, but the most
entertaining.
Disc 2 kicks off with the Sat Johal, Tony Jopia, and John
Payne's British ZOMBIE HARVEST (2003), in which an infected
doctor on the run from the military "stumbles" onto a
country farm. The tone veers from corny, scatological comedy
to apocalyptic horror so jarringly that it could be two
different shorts stuck together (see BLACK SHEEP instead).
We're back to the states for Dan Gingold's THE SKIN OF YOUR
TEETH (2009). This one's also set on a farm where survivors
of yet another zombie epidemic are holding up while trying
to arguing over whether to stick it out or move on. It
starts out nicely, with some stark photography of
atmospheric locations, but it too soon veers off into
running zombie territory when it might have explored
(possibly at feature length) the characters' feelings of
isolation.
David M Reynolds' ZOMBLIES (2009) from the UK is the longest
short on the second disc. A unit of DOG
SOLDIERS/OUTPOST/DEATHWATCH-esque soldiers travels into the
walled off portion of the UK overrun by zombies to rescue
another unit that has disappeared while collecting samples
and discover that the virus has mutated. Well-shot and
edited, but sometimes amateurishly-acted, the film is a
series of tiresome action setpieces (heavily relying on CGI
gore) that plays more like a video game - including the
scoring - or a demo reel than story. Tor Fruergaard's Danish
IT CAME FROM THE WEST (2007) is not only a zombie western,
it's acted by puppets. Tired of the Dark Butcher carving up
their numbers, the Indians call up the dead to wreak
vengeance. Meanwhile, bullied Virgil lives in his cowboy
father Jack's shadow, but gets his chance to prove his
manhood when zombies invade the local saloon. Not exactly a
Sergio Leone hommage - despite the scope framing and the
scoring - but funny, entertaining, and gory (and
surprisingly not politically incorrect).
Gregory Morinhas' PARIS BY NIGHT OF THE LIVING DEAD (2009)
is another short that is more demo reel than narrative. A
bride and groom get married and spend their honeymoon
killing zombies (and blowing up Paris monuments). From
India, we have Tarunabh Dutta's SAVAGES (2009), another of
the longer shorts that is just as much EVIL DEAD and
BLAIR
WITCH PROJECT rip-off as it is a zombie film. Four teenagers
travel up a mountain into a dead zone (ignoring the
biohazard signs and the still-steaming canisters of toxic
waste) and are never heard from again. Cheaply-made with
gauzy digital video photography, the short's chief asset is
its setting. The collection closes out with the British DEAD
HUNGRY (2009) by William Bridges, an amusing short focusing
on the romantic antics of two brain-hungry zombies (the few
terrorized humans take shelter and can be overheard
bickering and mucking up their siege situation offscreen).
Not great, but a nice capper.