French drama based on a script by Krzysztof Kieslowski, completed just before his death. In 1980s Paris a man, fresh from his release from prison, is rejected by his wife. After a violent confrontation he throws himself from the apartment window, an act witnessed by his three young daughters. In present day Paris the three daughters, now grown up, live their own lives. Sophie (Emmanuelle Beart), the eldest, is married with young children but suspects her husband of having an affair. The youngest, Anne (Marie Gillain), is a student involved in a messy relationship with one of her tutors. Middle sister Celine (Karin Viard) lives a solitary and joyless life, caring for their difficult mother. When a young man starts to take an interest in her, she little suspects the true motive behind his approaches.

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Director Danis Tanovic picks up where the late-Krzysztof Kieslowski left off by taking on the second installment of Kieslowski's "Heaven," "Hell," and "Purgatory" trilogy (the first was adapted by Run Lola Run director Tom Tykwer) with this tale of a family whose dark past returns with a vengeance. Loosely modeled by screenwriter Krzysztof Piesiewicz on the second act of Dante's Inferno, Hell tells the story of sisters Sophie (Emmanuelle Béart), Céline (Karin Viard), and Anne (Marie Gillain), whose lives were turned upside down when their father was imprisoned and their mother was rendered a wheelchair-bound mute. As the estranged sisters are slowly brought back together by a mysterious and handsome stranger who is somehow involved with the tragic events of the past, the questions that had for years gone unanswered slowly begin to drift into focus