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S E A R C H D V D B e a v e r |
directed by Michael Rae
USA 1978
Although hassled by the law and the local bullies, young Billy Duncan (singer Kim Milford, CORVETTE SUMMER) doesn't have revenge on his mind when he discovers an laser weapon in the desert. As cool as it is to blow things up, Billy's also got a sweet (and hot) girlfriend in Cathy (Cheryl Smith, LEMORA: LADY DRACULA). In his sleep, however, he is causing mayhem in his small California town with the laser; and he soon being hunted by the government - in the form of your standard "Man in Black" (Gianni Russo, THE GODFATHER) - and the stop-motion aliens who obliterated the enemy alien owner of the laser gun. As Billy starts to undergo an alien transformation, he is in danger of obliterating the entire town. Keenan Wynn and Roddy McDowall also star. |
Posters
Theatrical Release: 1 March 1978 (USA)
Reviews More Reviews DVD Reviews
DVD Comparison:
Cult Video - Region 0 - NTSC vs. 88 Films - Region 0 - PAL
Big thanks to Eric Cotenas for all the Screen Caps!
(Cult Video - Region 0 - NTSC - LEFT vs. 88 Films - Region 0 - PAL - RIGHT)
DVD Box Covers |
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Distribution |
Cult Video Region 0 - NTSC |
88 Films Region 0 - PAL |
Runtime | 1:22:00 | 1:18:42 (4% PAL speedup) |
Video |
1.65:1 Original Aspect Ratio |
1.67:1 Original Aspect Ratio
16X9 enhanced |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
Cult Video
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Bitrate:
88 Films
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Audio | English Dolby Digital 2.0 mono |
English Dolby Digital 2.0 mono |
Subtitles | None | |
Features |
Release Information: Studio: Cult Video Aspect Ratio:
Edition Details: Chapters 26 |
Release Information: Studio: 88 Films Aspect Ratio:
Edition Details: Chapters 8 |
Comments |
88 Films'
single-layer, anamorphic 1.67:1 transfer - which opens with
a logo for The Samuel Goldwyn Company (who had US rights in
the eighties) - is not much of an improvement at all over
the American 4:3 letterbox transfer other than being more
HDTV-friendly. Edge-enhancement outlines and haloes are
pronounced on both transfers and detail is generally poor
(the original photography also doesn't seem to have been all
that impressive even in the context of Charles Bands' other
seventies and early eighties productions). The Dolby Digital
2.0 mono audio tracks are comparable with clear dialogue and
a nice rendering of the electronic score and laser sound
effects. |
DVD Menus
(Cult Video - Region 0 - NTSC -
LEFT vs. 88 Films - Region 0 - PAL - RIGHT)
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Screen Captures
(Cult Video - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)
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(Cult Video - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)
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(Cult Video - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)
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(Cult Video - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)
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(Cult Video - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)
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(Cult Video - Region 0 - NTSC - TOP vs. 88 Films - Region 0 - PAL - BOTTOM)
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