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(aka "Metropolis" )
directed by Fritz Lang
Germany 1984
Before the multiple restoration efforts (starting with Enno Patalas in 1986), Fritz Lang's masterpiece METROPOLIS was largely viewable in cinema club and library 16mm prints. In 1984, composer Giorgio Moroder (FLASHDANCE) turned Lang's film into a cult hit with his rock-scored, color-tinted, sound effects-enhanced Dolby Stereo edition. The original intertitles and some additional subtitles (intertitles superimposed over the action rather than on black) were derived from a combination of the film's script, a novelization, and various prints, and the tints were reportedly based on Lang's instructions; as such, it could qualify as a sort of restoration even though it recovered no additional footage, and featured added visual effects. The score features some of Moroder's best work as well as some of his worst. In the best moments, music and image come together and transform Lang's film literally into an eighties music video; and in some rarer moments, the modern music accompanies the action as suitably as the vintage cues that traditionally accompanied silent films (at least, for those of us who have only seen films like these in 16mm and videotape). In many other instances, vocal numbers awkwardly fade out at the ends of scenes, while Jon Anderson's otherwise fine "Cage of Freedom" seems ill-suited to the sequence it underscores ("overscores" might be a better description). Of Moroder's American scoring work to this point, his synth passages most resemble his work on Paul Schrader's CAT PEOPLE (more so the album versions of the cues than the film versions) - and perhaps THE NEVERENDING STORY - almost equating Lang's future world with the fantasy lands of the former two films. The standout instrumental cue underscores the Robot Maria's Grace Jones-like debut at Fredersen's lavish party, while the standout Moroder-scored vocals include Billy Squier's "On Your Own", Bonnie Tyler's "Here She Comes", and Cycle V's "Blood from a Stone" (with all respect to Pat Benatar, the thrice-used "Here's My Heart" is one of the less interesting songs). |
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Theatrical Release: 10 August 1984
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DVD Review: Eureka Video (Steelbook Edition) - Region 2 - NTSC
Big thanks to Eric Cotenas for the Review!
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Distribution |
Eureka Video Region 2 - NTSC |
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Runtime | 1:23:00 | |
Video |
1.33:1 Original Aspect Ratio |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | Music-only Dolby Digital 5.1; Music-only Dolby Digital 2.0 stereo | |
Subtitles | none | |
Features |
Release Information: Studio: Eureka Video Aspect Ratio:
Edition Details: Chapters 15 |
Comments |
Eureka's
dual-layered, progressive NTSC Region 2 DVD of the Giorgio
Moroder version of METROPOLIS is newly mastered from HD, but
don't expect the image to be on-par with the restorations of the
Lang original. Moroder's version was created using materials
available before any of the restoration attempts; and, one might
argue, that the scratches, dings, and frame wobbling are part of
the texture of Moroder's version (and the restoration technology
of the time).
Eureka's steelbook edition is limited, and a regular keepcase
edition will be released in October (HERE). |
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CLICK to order from: |
Distribution |
Eureka Video Region 2 - NTSC |
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