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S E A R C H D V D B e a v e r |
(aka 'Nightcap')
Claude Chabrol's Merci Pour le Chocolat is a light confection with a
tasty Isabelle Huppert performance at its center. Working from a 1948 recipe by
a sometime scriptwriter for Alfred Hitchcock Presents, Chabrol knocks off a
witty psychological thriller—more gothic than noir. Excerpt from J. Hoberman's review at The Village Voice located HERE. |
Posters etc.
Theatrical Release: August 2nd, 2000 - Montreal Film Festival
Comparison:
Artificial Eye - Region 2 - PAL vs. Remstar - Region 1 - NTSC vs. MK2 - Region 2 - PAL vs. Cohen Media - Region 'A' - Blu-ray
Big thanks to Per-Olof Strandberg for the Artificial Eye Screen Caps and Eric Cotenas for the MK2!
1) Artificial Eye - Region 2 - PAL - LEFT2) Remstar - Region 1 - NTSC - SECOND 3) MK2 - Region 2 - PAL - THIRD 4) Cohen - Region 'A' - Blu-ray RIGHT
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Box Covers |
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Distribution |
Artificial Eye Region 2 - PAL |
Remstar Region 1 - NTSC |
MK2 Region 2 - PAL |
Cohen - Region 'A' - Blu-ray |
Runtime | 1:36:24 (4% PAL speedup) | 1:36:15 (4% PAL speedup) | 1:36:21 (4% PAL speedup) | 1:41:10.856 |
Video |
1:1.78 Aspect Ratio
16X9 enhanced
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Original Aspect Ratio
16X9 enhanced
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1.62:1 Original Aspect Ratio
16X9 enhanced
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1080P Dual-layered Blu-ray Disc Size: 31,917,804,307 bytes Feature: 30,358,392,576 bytesCodec: MPEG-4 AVC Video Total Video Bitrate: 34.06 Mbps |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
Artificial Eye
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Bitrate:
Remstar
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Bitrate:
MK2
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Bitrate:
Blu-ray
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Audio | French (Dolby Digital 2.0) |
French (Dolby Digital 2.0), French (Dolby Digital 5.1) |
French Dolby Digital 5.1 |
LPCM
Audio French 2304 kbps 2.0 / 48 kHz / 2304 kbps
/ 24-bit LPCM Audio English 1536 kbps 2.0 / 48 kHz / 1536 kbps / 16-bit |
Subtitles | English (Forced) | English, None | None | English, None |
Features |
Release
Information: Studio: Artificial Eye Aspect
Ratio:
Edition
Details: Chapters 16 |
Release Information: Studio: Remstar / First Run Aspect Ratio: Aspect Ratio 1.63:1 Edition Details: • Filmography |
Release
Information: Studio: MK2 Aspect
Ratio:
Edition
Details: Chapters 16 |
Release Information: Studio: Cohen Media Aspect Ratio: 1.85:1 1080P Dual-layered Blu-ray Disc Size: 46,479,131,353 bytesFeature: 29,980,647,744 bytesCodec: MPEG-4 AVC Video Total Video Bitrate: 28.03 Mbps
Edition Details: • 2014 Re-Release Trailer (1:53) Blu-ray Release Date: September 30th, 2014Transparent Blu-ray Case Chapters 10 |
Comments |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.
ADDITION: Cohen Media - Region 'A' - Blu-ray (September 2014): This looks very dark and a little green to me. It is framed correctly in the 1.66:1 aspect ratio. It seems sharper than the SDs with more realistic skin tones. I can only presume this restoration is accurate - although it does seem imperfect. My suspicions are raised. There may be some minor digitization - more notable in the beginning. The 1080P presentation does look good in-motion, but the dark cast is.... questionable.
Audio is lossless and quite adept using a linear PCM stereo. The subtitles ARE removable although not a menu choice - only via the remote. The disc is region 'A'-locked. Nice to have the English commentary by Wade Major and Andy Klein - which has some merits discussing Chabrol's style and intentions, deep focus, framing etc.. There is also a liner notes booklet and re-release trailer.***
'ADDITION: MK2 - May 2010': The original MK2 edition seems to be the best picture-wise of the available editions as it is presented in its original 1.66:1 aspect ratio and sports a Dolby Digital 5.1 soundtrack. Unlike other MK2 Chabrol titles, MERCI POUR LE CHOCOLAT is not English-friendly. Also unlike others in the series, it is not a dual-layer disc; rather, it is a double-sided disc that presents a single-layer anamorphic transfer of the film on side A with introduction by Joel Magny (narration over a series of slides and clips) and the rest of the supplements on side B including a 42 minute selected scenes commentary by Chabrol. Some of the extras were ported over to the Artificial Eye edition in the UK (with the exception of the selected commentary and the Dutronc interview) and translated but that edition was ruinously cropped to 1.78:1. The UK disc also featured large burnt-in subtitles and 2.0 stereo audio only. The two North American editions were PAL-converted and non-anamorphic. The Canadian Remstar had 5.1 and 2.0 tracks as well as optional subtitles while the US First Run edition had burnt-in subtitles and a 2.0 track but was not a port of the UK edition as it was in the 1.66:1 ratio (the Canadian edition was also 1.66:1). The 2001 MK2 edition seems to be out of print but a check at Amazon shows that it has been reissued a few times with the latest being in 2008 which is still available HERE. ***
ON THE ARTIFICIAL EYE vs. the REMSTAR: Both of these DVDs have fatal flaws that cannot be disregarded. Starting with the Artificial Eye - it has been cropped from the intended ratio of 1.66:1 to suit 1.78 widescreen systems. Heads are chopped here and there (see large capture # 3). It has burned-in subtitles which are quite large and intrusive. It does have some decent Extra features but the cropping is noticeable on Chabrol's tight framing. Now, the Remstar - Looking at the times it is a PAL->NTSC transfer with only minimal examples of 'ghosting' (see last capture). It is non-anamorphic, and non-progressive but it is fairly close to the 1.66 intended aspect ratio. Both a 2.0 and 5.1 French track are optional - no extras to speak of - and I found the subtitles as large and intrusive as the Artificial Eye but at least they are optional. The Remstar virtually has no extras. The lesser of two evils is the Remstar but it is a very strange disc with limitations in the image but include a 5.1 bump option in the audio. I suggest Remstar get their priorities correct when engaging in DVD production. NOTE: We are just off on a few of the frames but the glaring points of comparison are still easy to discern. Gary Tooze |
Menus
(Artificial Eye - Region 2 - PAL - LEFT vs. Remstar - Region 1 - NTSC - RIGHT)
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MK2 - Region 2 - PAL
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Cohen- Region 'A' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
1) Artificial Eye - Region 2 - PAL - TOP2) Remstar - Region 1 - NTSC - SECOND 3) MK2 - Region 2 - PAL - THIRD 4) Cohen - Region 'A' - Blu-ray BOTTOM
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1) Artificial Eye - Region 2 - PAL - TOP2) Remstar - Region 1 - NTSC - SECOND 3) MK2 - Region 2 - PAL - THIRD 4) Cohen - Region 'A' - Blu-ray BOTTOM
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1) Artificial Eye - Region 2 - PAL - TOP2) Remstar - Region 1 - NTSC - SECOND 3) MK2 - Region 2 - PAL - THIRD 4) Cohen - Region 'A' - Blu-ray BOTTOM
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1) Artificial Eye - Region 2 - PAL - TOP2) Remstar - Region 1 - NTSC - SECOND 3) MK2 - Region 2 - PAL - THIRD 4) Cohen - Region 'A' - Blu-ray BOTTOM
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1) Artificial Eye - Region 2 - PAL - TOP2) Remstar - Region 1 - NTSC - SECOND 3) MK2 - Region 2 - PAL - THIRD 4) Cohen - Region 'A' - Blu-ray BOTTOM
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1) Artificial Eye - Region 2 - PAL - TOP2) Remstar - Region 1 - NTSC - SECOND 3) MK2 - Region 2 - PAL - THIRD 4) Cohen - Region 'A' - Blu-ray BOTTOM
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NOTE: Not exact frame (notice combing in Remstar)
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More Blu-ray captures
Recommended Reading in French Cinema (CLICK COVERS or TITLES for more information)
The Films in My Life |
French Cinema: A Student's Guide by Philip Powrie, Keith Reader |
Agnes Varda by Alison Smith | Godard on Godard : Critical Writings by Jean-Luc Godard |
Claude Chabrol (French Film Directors)
by Guy Austin |
Robert Bresson (Cinematheque Ontario Monographs, No.
2) by James Quandt |
The Art of Cinema by Jean Cocteau |
French New Wave
by Jean Douchet, Robert Bonnono, Cedric Anger, Robert Bononno |
French Cinema: From Its Beginnings to the Present by Remi Fournier Lanzoni |
Check out more in "The Library"
Box Covers |
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Distribution |
Artificial Eye Region 2 - PAL |
Remstar Region 1 - NTSC |
MK2 Region 2 - PAL |
Cohen - Region 'A' - Blu-ray |
Report Card:
Image: |
Blu-ray |
Sound: |
Blu-ray |
Extras: | MK2 |