|S E A R C H D V D B e a v e r|
The Time Machine [Blu-ray]
(George Pal, 1960)
Review by Gary Tooze
Theatrical: George Pal Productions
Video: Warner Video
Region: FREE! (as verified by the Oppo Blu-ray player)
Disc Size: 22,292,282,993 bytes
Feature Size: 19,419,310,080 bytes
Video Bitrate: 19.95 Mbps
Case: Standard Blu-ray case
Release date: July 8th, 2014
Aspect ratio: 1.78:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
DTS-HD Master Audio English 3370 kbps 5.1 / 48 kHz / 3370 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit)
Dolby Digital Audio German 192 kbps 1.0 / 48 kHz / 192 kbps
/ DN -4dB
English (SDH), English, French, German, Spanish, none
• Behind the Scenes: The Time Machine - a Journey Back (47:43)
• Theatrical trailer (2:32)
Description: In George Pal's version of the H.G. Wells classic, Rod Taylor stars as George, a young scientist fascinated with the concept of time travel. On December 31, 1899, George seats himself in his jerry-built time machine and thrusts himself forward into 1917. A dyed-in-the-wool pacifist, George is distressed to see that World War I is raging all about him. He moves past the 1920s and 1930s into the 1940s, only to be confronted by another, even more terrible war. Next he stops in 1966, just as London is destroyed in a nuclear explosion. Retreating to his Time Machine, George is sealed in his cellar by molten lava. By the time he and his machine manage to escape their tomb, the year is 802,701. Looking around, George observes a seemingly idyllic world populated by gentle people. But he also notices that the citizens of the future, known as "Elois," behave more like mindless sheep than human beings. Befriending the lovely Weena Yvette Mimieux, George learns to his dismay that humankind has forgotten all that it has learned through the centuries, preferring instead to frolic endlessly under the sun. Plot holes and inconsistencies abound in The Time Machine, but the film's true selling points was its Oscar-winning special effects; in this respect, producer-director Pal succeeded beyond anyone's wildest dreams. Another plus: the haunting musical score by Russell Garcia.
Set in the Victorian era, George Pal's production of The Time Machine
(1960) is a faithful adaptation of the H.G. Wells novel in most respects
except one - it omits the author's cynical observations about the
British class system. Yet it's the main premise that has captivated
audiences for years: A scientist (Rod Taylor) creates a time-traveling
machine that carries him forward into the year 802,701 where he finds a
strange new world populated by the Elois, a passive, peace-loving race,
and their predators, the Morlocks, a cannibalistic tribe that lives
underground and is light sensitive.
Opening at the end of the 19th century, The Time Machine begins in a small English home, where four men await the arrival of their host for dinner. They are each fashionably dressed, and as they wait they smoke cigars, sip wine, and offer few words to one another. Around them, a large collection of clocks ticks away the time; their host, a man named George Wells, has a deep and abiding fascination with time, an interest the other men seem to find mildly annoying. After they are invited to sit for dinner without George, he bursts into the room, his clothes torn and dirty, his skin muddied and red. He sits, swallows a glass of wine, and begins telling the men where he has been: a post-apocalyptic future in which the earth has grown new species of plants, there is nary a trace of technology, and the only humans – descendants of those who survived a nuclear holocaust in the 20th century – have divided themselves into two distinct groups. The first are the Eloi, all of whom are young, clad in pastoral clothing, and intolerably careless; they have little knowledge or intellectual curiosity, dine on food they themselves have not picked, and regard George’s incessant questioning as bothersome, even after he saved one of their own from drowning. When George asks a young Eloi man to show him their books, he is disheartened to find a few lonesome shelves stocked with texts that crumble in his fingers.Excerpt from Not Coming to a Theatre Near You located HERE
Image : NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.
The Time Machine arrives on Blu-ray from Warner. Like the past DVD, the film exports a fairly thick appearance on digital. The image quality shows some grit and minor grain. Unfortunately, the presentation remains flat - but the texture support is significantly more advanced over SD. This is only single-layered and has a modest bitrate for the 1 3/4 hour film. I suppose companies like Criterion and Twilight Time have raised the bar with consistent max'ed out bitrates. Contrast is acceptable but the visuals lack crisp definition. I don't doubt at all that this is more a factor of the original appearance although a more robust transfer could have benefitted the 1080P presentation. This is in the 1.78:1 aspect ratio. This Blu-ray has a clean and consistent image. Colors show some depth and there was no noise noticible.
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Warner bump from the original 4-Track Stereo (Westrex Recording System) audio to a healthy DTS-HD Master 5.1 surround at 3370 kbps. Sound effects are not intense but do get some pleasing and subtle separations. The fairly punctuating score by Russell Garcia (The Fugitive and Perry Mason episodes) sounds potent and appealing via the robust lossless track.There are two foreign-language DUBs and some subtitle options and my Oppo has identified it as being a region FREE disc playable on Blu-ray machines worldwide.
Warner include the 48-minute documentary Behind the Scenes: The Time Machine - a Journey Back as found on past DVDs. This is an interesting piece hosted by Rod Taylor with tidbits by Alan Young and Whit Bissell. The "Journey Back" portion as a kind of 'sequel' near the end adds some special significance. There is also a trailer.
June 21st, 2014