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The Burning [Blu-ray]
(Tony Maylam, 1981)
Review by Gary Tooze
Production: Theatrical: Miramax Films Video: Shout! Factory / Arrow Video
Disc: Region: 'A' / Region 'B' (as verified by the Momitsu region FREE Blu-ray player)Runtime: 1:31:29.442 / 1:31:26.481 Disc Size: 39,849,868,169 bytes / 41,929,198,719 bytes Feature Size: 25,931,882,496 bytes / 26,847,825,408 bytes Video Bitrate: 30.00 Mbps / 30.34 Mbps Chapters: 12 / 12 Case: Standard Blu-ray case / Steelbook caseRelease date: May 21st, 2013 / October 10th, 2016
Video (both): Aspect ratio: 1.85:1 Resolution: 1080p / 23.976 fps Video codec: MPEG-4 AVC Video
Audio: DTS-HD Master Audio English 2074 kbps 2.0 / 48 kHz / 2074 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit) Commentaries:
DTS-HD Master Audio English 1581 kbps 2.0 / 48 kHz / 1581
kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
LPCM Audio English 768 kbps 1.0 / 48 kHz / 768 kbps / 16-bit
LPCM Audio English 1536 kbps 2.0 / 48 kHz / 1536 kbps /
16-bit
Subtitles (both): English (SDH), none
Extras: • Commentary by Tony Maylam and Alan Jones • Commentary by Shelley Bruce and Bonnie Deroski • Blood n' Fire Memories (18:01) • Slash and Cut (12:04) • Cropsy Speaks (11:19) • Summer Camp Nightmare (6:45) • Behind the Scenes Footage (7:56) • Theatrical Trailer (1:27) • Make-up and Special Effects Gallery • Poster and Stills Gallery DVD of the Feature
•
Audio commentary with director Tony Maylam and critic Alan
Jones
Bitrate:
Description: What starts out as a harmless prank turns into a terrible tragedy when the caretaker at a summer camp winds up horrifically burned. Permanently disfigured, he returns to the campgrounds seeking revenge against the teenagers responsible. His weapon: a huge pair of garden shears!
The Film: Apart from early appearances by Jason Alexander and Holly Hunter, an interesting score by Rick Wakeman, and some typically... effective work by effects icon Tom Savini, this slasher film is also among the more frightening of its kind. The plot concerns a summer-camp caretaker named Cropsy (Lou David) who is horribly burned by mischievous teen campers during a botched practical joke. Years later, he leaves the hospital as a disfigured gloppy mess with an axe (actually, hedgeclippers) to grind. After dispatching a local prostitute, Cropsy heads out to the wilderness to terrorize a group of campers. They're the usual bunch of horny, obnoxious teenagers, but there are some interesting performances by Larry Joshua as a mean-spirited bully and Brian Backer (of Fast Times at Ridgemont High) as a put-upon nerd. The campers visit an island and, in a scene heavily cut by the ratings board prior to release, several of them die in a horrifying mass slaughter aboard a boat. The remaining teens are brutally picked off one by one until Cropsy is finally defeated. Excerpt from MRQE located HEREAlthough Harvey Weinstein claims he had the idea for THE BURNING before FRIDAY THE 13TH, the result is a more polished retread as young campers and their counselors pay the price for an accident that left Cropsy the camp janitor burned beyond recognition and out for revenge with a pair of shears. Like FRIDAY THE 13TH, THE BURNING had its gory Tom Savini make-up effects cut for an R-rating and the resulting film was rather innocuous though it started to gain a cult following once viewers became aware of uncut releases abroad. Initially released in the US as a cut, R-rated, fullframe release on videotape from Thorn/EMI, THE BURNING (the first Miramax production and the feature debuts of Holly Hunter, Jason Alexander, and Fisher Stevens) and then in a plethora of European tape and DVD release of varying degrees of completeness and varying quality, THE BURNING was not seen uncut legitimately in the United States until MGM released an unmatted Amazon.com exclusive VHS that sold out quickly. What distinguishes the film from many of its slasher ilk is the professional direction from Tony Maylam (hired after the Weinstein's saw his Genesis concert film), the cinematography of DP Harvey Harrison (Nicolas Roeg's THE WITCHES, second unit on GOLDENEYE), Rick Wakeman's electronic score (although the best tracks were written solely for the soundtrack album), and the F13-topping gore and savagery of the kills of characters generally more likable than those of post-SCREAM recursive slashers and simple retreads. Image : NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. The Burning on Blu-ray from Shout Factory looks improved over the previous digital release - that we reviewed, the 2007 MGM DVD, HERE. For an 80's slasher flic - it looks quite good with stronger colors, a bit of depth and no artefacts that exist in the SD. There isn't a preponderance of noise in the darker sequences and detail, in close-ups, is acceptable. This is dual-layered with a high bitrate - I doubt it could look any better and is probably a strong replication of the original theatrical appearance. The visuals are clean, no speckles, and the 1080P supports a worthy presentation.
Not too much difference - the Arrow has a slightly higher bitrate and is brighter. Image quality is very similar.
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
More Shout! Factory - Region 'A' - Blu-ray Captures
Audio :Audio comes in a, now, standard DTS-HD Master 2.0 at 2074 kbps. The screams and aggressive effects export some extra bass and overall it sounds solid. The electro-pop-y score is by Rick Wakeman and, for the most part, suits the film expression building suspense and a sense of immanency. There are optional English subtitles and m y Momitsu has identified it as being a region 'A'-locked.
Arrow go linear PCM - mono track at 16-bit and although authentically flat doesn't carry much depth. The electro-pop-y score by Rick Wakeman still sounds pretty good in the uncompressed. There are optional English (SDH) subtitles on the region 'B'-locked Blu-ray.
Extras : The Burning package is loaded with extras starting with 2 commentaries - the first by director Tony Maylam and Alan Jones, the second by actresses Shelley Bruce and Bonnie Deroski. Blood n' Fire Memories runs 18-minutes and is a detailed look at the creation of the film's make-up effects with special effects artists Tom Savini. Slash and Cut is a 12-minute interview with editor Jack Sholder. Cropsy Speaks spends 11.5 minutes with actor Lou David and Summer Camp Nightmare is a 7-minute interview with actress Leah Ayres. We get 8-minutes of Behind the Scenes Footage, a theatrical trailer as well as a Make-up and Special Effects Gallery and a Poster and Stills Gallery. There is a DVD of the Feature included in the Blu-ray case.
Arrow add all the extras (interviews, behind-the-scenes etc.) of the Shout! Factory and then some - with a new audio commentary with The Hysteria Continues (this may be a Podcast available on iTunes) and a new, dozen-minute, interview with composer Rick Wakeman about the music in The Burning. No DVD but the Steelbook does offer a Collector's booklet featuring new writing on the film by Justin Kerswell (first pressing only.) The Steelbook is a limited edition and may already be sold out.
Shout! Factory - Region 'A' - Blu-ray
Arrow - Region 'B' - Blu-ray
BOTTOM LINE:
Just a shade superior to the Shout! Factory with the inclusion of the new commentary and additional interview. It also comes in the cool steelbook case. One of the seminal slasher films in the genre - often revered as a classic. To those appreciative- this is the definitive home theatre edition to have available on the shelf. Gary Tooze May 16th, 2013 October 13th, 2016
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About the Reviewer: Hello, fellow Beavers! I have been interested in film since I viewed a Chaplin festival on PBS when I was around 9 years old. I credit DVD with expanding my horizons to fill an almost ravenous desire to seek out new film experiences. I currently own approximately 9500 DVDs and have reviewed over 5000 myself. I appreciate my discussion Listserv for furthering my film education and inspiring me to continue running DVDBeaver. Plus a healthy thanks to those who donate and use our Amazon links.
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