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Directed by Hal Asby
USA 1975
Shampoo gives us a day in the life of George (Warren Beatty), a Beverly Hills hairdresser and lothario who runs around town on the eve of the 1968 presidential election trying to make heads or tails of his financial and romantic entanglements. His attempts to scrape together the money to open his own salon are continually sidetracked by the distractions presented by his lovers—played brilliantly by Goldie Hawn, Julie Christie, and Lee Grant (in an Oscar-winning performance). Beatty dreamed up the project, cowrote the script with Robert Towne, and enlisted Hal Ashby as director, and the resulting carousel of doomed relationships is an essential seventies farce, a sharp look back at the sexual politics and self-absorption of the preceding decade. *** A frankly adult comedy about the sex lives of the aimless and the rich, Shampoo is also a pointed commentary on the demise of 1960s idealism at the dawn of the Nixon era. It is Election Day, 1968, and randy Beverly Hills hairdresser George Roundy (Warren Beatty) is too worried about attending to all of his women's tonsorial and sexual needs, while trying to swing a bank loan to fund his own salon, to notice the fateful Presidential race. As George juggles the demands of girlfriend Jill (Goldie Hawn) and mistress Felicia (Lee Grant), not to mention Felicia's daughter (Carrie Fisher), he meets Felicia's husband Lester (Jack Warden) to get money for the salon and discovers that his beloved ex-girlfriend Jackie (Julie Christie) is now Lester's mistress. Lester asks George to escort Jackie to a banquet for Nixon supporters, leading to a series of climactic confrontations at the dinner and a Hollywood orgy that expose the conflicting demands of sex, love, and security among these terminally narcissistic L.A. denizens. As Nixon's victory speech drones in the background the following day and Paul Simon's mournful '60s music plays on the soundtrack, George's free-wheeling world collapses around him for reasons that he can barely begin to comprehend. Produced and co-written (with Chinatown scribe Robert Towne) by its star Warren Beatty, Shampoo became Beatty's second critical and popular success as a producer after Bonnie and Clyde, and it bolstered Hal Ashby's track record as director. Shampoo earned Grant an Oscar for Best Supporting Actress, as well as a Supporting Actor nomination for Warden and Beatty's first nomination as writer. With Nixon's 1974 Watergate disgrace adding an extra edge to the humor for 1975 audiences, this tragic bedroom farce became one of the highest-grossing films in Columbia Pictures' history at the time. |
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Theatrical Release: February 11th, 1975
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Review: Criterion - Region 'A' / 'B' - Blu-ray
Box Cover |
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Distribution | Criterion - Spine #947 - Region 'A' / 'B' - Blu-ray | |
Runtime | 1:50:15.317 | |
Video |
1.85:1 1080P Dual-layered Blu-rays Disc One: 48,455,988,788 bytesFeature: 36,502,364,160 bytes Video Bitrate: 35.96 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate Blu-ray: |
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Audio |
LPCM Audio English 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit |
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Subtitles | English (SDH), None | |
Features |
Release Information: Studio: Criterion
1.85:1 1080P Dual-layered Blu-rays Disc One: 48,455,988,788 bytesFeature: 36,502,364,160 bytes Video Bitrate: 35.96 MbpsCodec: MPEG-4 AVC Video
Edition Details: • New conversation between critics Mark Harris and Frank Rich (30:12) • Excerpt from a 1998 appearance by producer, cowriter, and actor Warren Beatty on The South Bank Show (12:41) • PLUS: An essay by Rich
Chapters 11 |
Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.
Criterion new
Blu-ray
is described as a "New 4K digital restoration".
Shampoo was shot in 35mm but DoP László Kovács and Ashby gave the
film a very textured, thick, look not unlike the director's
The Last Detail, two years earlier. Colors carry some richness
but it is the grain that is the most noticeable feature of the HD
visuals. The 1080P image is clean and shows some depth appearing
consistent and very film-like. It is in the 1.85:1 aspect ratio on a
dual-layered disc with a max'ed out bitrate. |
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
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