directed by Ermanno Olmi, Abbas Kiarostami, Ken Loach
Italy / UK / Iran 2005
Three highly acclaimed directors join
together to direct three interwoven stories that take place during a
journey from Central Europe to Rome. The characters connect through
casual encounters and set forth a story of love, chance and sacrifice.
One older businessman finds solace and a new insight into life when he
is forced to wait at the train station due to bad weather. A young man
is reminded of life’s obligations but is also introduced to love. And
three Scottish youths on their way to the football match of their dreams
are forced to open their eyes and see the bigger picture. One single
train journey sparks many changes for many people. This is a film about
privilege and exclusion, and the reality of the value of just one
ticket.
The making of ‘Tickets’ started with a conversation between director Abbas Kiarostami and producers Carlo Cresto-Dina and Babak Karimi.
Kiarostami suggested the idea of a trilogy of feature-length
documentaries to be directed by three different directors. When asked to
name the directors he would have liked to have on board, he immediately
mentioned Ermanno Olmi and Ken Loach. A fax was sent to the two masters,
who both immediately replied with an almost identical phone call: 'I am
in! The three of us can make tremendous work together'.
Poster
Theatrical Release: Germany 14 February 2005 (Berlin International Film Festival)
Reviews More Reviews DVD Reviews
DVD Review: Artificial-Eye - Region 2 - PAL
Big thanks to Per-Olof Strandberg for the Review!
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Distribution |
Artificial-Eye Region 2 - PAL |
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Runtime | 1:44:52 (4% PAL speedup) | |
Video |
1:1.85 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | Italian; Albanian; English (Dolby Digital 2.0) | |
Subtitles | English (for foreign language dialogue), English (entire film), None | |
Features |
Release Information: Studio: Artificial-Eye Aspect Ratio:
Edition Details: Chapters 12 |
Comments: |
Almost as visible as the work of these three personal directors,
there's a difference in the
style of the cinematographers that they collaborated with.
The Dolby Digital 2.0 sound is flawless, even tough I don't
understand the policy at
Artificial-Eye, to constantly dump the original 5.1 sound. I'm
sure that even in this film,
where most of the sound is a moving train and dialog, the
definition would be more
dynamic in DD 5.1. |
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Distribution |
Artificial-Eye Region 2 - PAL |