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S E A R C H D V D B e a v e r |
directed by Barbet Schroeder
West Germany/France/Luxembourg 1969
...this
dark tale, based on a true story, follows the naive Stefan
(Klaus Grunberg) in his pursuit of offbeat American Estelle
(Mimsy Farmer) to the island paradise of Ibiza. He leads a
seemingly idyllic life with her by the sea - where the
scenic beauties and delights of LSD and nude sunbathing are
fully revealed by Nestor Almendros' stunning photography -
before succumbing to the destructive trappings of heroin
addiction. |
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Theatrical Release: October 21st, 1969 (France)
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DVD Review: BFI - Region 2 - PAL
DVD Box Cover |
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Distribution |
BFI Region 2 - PAL |
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Runtime | 1:50:12 | |
Video |
1.66:1 Original Aspect Ratio |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | English (Dolby Digital 1.0) | |
Subtitles | English (Burnt In), None | |
Features |
Release Information: Studio: BFI Aspect Ratio:
Edition Details: Chapters 12 |
Comments |
Originally released by the BFI in
2003, Barbet Schroeder's "More" remains today one of the most
iconic films from the late '60s. Telling the story of Stefan, a
German hitchhiking his way through the continent, and Estelle, a
carefree but troubled spirit, the film follows the two as they
drop out of their lives, move to the isle of Ibiza and spend
most of their time frolicking nude and partaking in recreational
drug use. However, their time together takes a turn for the
worse when Estelle takes up her old heroin habit and introduces
Stefan to the drug as well. Despite their best effort to clean
up, a local doctor sinisterly feeds their addiction and the two
soon find their island paradise to be anything but. This was my
first time viewing the film, and I have to say that it was quite
interesting. Although I'm not sure that its the masterpiece that
some make it out to be, it was nevertheless a very good movie
that featured wonderful cinematography, great performances buy
its two leads, and an evocation of the general zeitgeist that
few other films about the counterculture of the time can match.
With this release, the BFI chose
to use Dolby Digital 1.0 for their audio track. The sound on the
disc is good, but not great. Even with a bump up to 2.0 (never
mind 5.1), Pink Floyd's soundtrack would have likely come across
as truly gorgeous. As it stands, the mono track is acceptable,
but lacking the extra mile that fans of the music would
appreciate. The good news is that there doesn't seem to be any
unwanted background interference (hisses, cracks, pops, etc.) to
interfere with fan's enjoying the music. The choice to use burnt
in subtitles also strikes me as an odd one, as I've never seen
that on a BFI disc before. Were they found in the print that the
BFI used for their master? I'm really not sure, but as you can
see the non-English dialogue (in this case French and German) is
subtitled with bulky and boxed in lettering that can obscure the
main image on the screen. |
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DVD Box Cover |
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CLICK to order from: |
Distribution |
BFI Region 2 - PAL |
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S E A R C H D V D B e a v e r |