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directed by Annabel Hobley
UK 2006
In the
mid-1920s, pioneering film-maker Claude Friese-Greene made a
series of films during an intrepid drive from Land's End to
John O'Groats in the early days of the motor car. Claude's
remarkable films were shot in pioneering early colour using
a process he'd invented himself at a time when the world was
filmed in black & white. |
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DVD Review: BFI - Region 2 - PAL
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Distribution |
BFI Region 2 - PAL |
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Runtime | ||
Video |
1.78:1 Original Aspect Ratio
16X9 enhanced |
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Audio | English (Dolby Digital 2.0) | |
Subtitles | None | |
Features |
Release Information: Studio: BFI Aspect Ratio:
Edition Details: |
Comments |
The BFI's 2006 release of "The
Lost World of Friese-Greene" is perhaps best understood as a
companion piece to another of their releases, "The Open Road".
The latter consists of a series of short films shot by Claude Friese-Greene in the mid-1920s as he drove along the coast of
Britain, documenting its scenic beauty and the lives of those he
encountered. What separates Friese-Greene's work from other mere
travelogues of the day was the fact that he used an early
green-red color process that he himself invented. His films have
now been lovingly restored by the BFI to look better than they
ever did before. However, in this series of three hour long
episodes that originally aired on BBC 4 in 2006, the affable Dan
Cruickshank retraces the steps of Friese-Greene to learn more
about this virtually unknown filmmaker. Along the way
Cruickshank encounters descendants of the people featured in the
films and even some who were originally recorded as children.
All have stories to tell about Friese-Greene, and the series
comes off as a charming and picaresque jaunt through the coast
with even a few detective elements thrown in.
The Dolby Digital 2.0 soundtrack was certainly serviceable in
this release. The dialogue was clean, clear, and free of any
unwanted background noise. My only complaint about the audio is
the lack of subtitles. For a viewer here in North America, on a
couple of the interviews the accents were rather thick and hard
to make out. A subtitle track would have taken care of the
problem without any difficulty, but sadly none was included. |
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Distribution |
BFI Region 2 - PAL |
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