Review by Brian Montgomery
Studio:
Theatrical: Si Litvinoff Film
Production
Blu-ray: BFI
Disc:
Region: FREE!
(as verified by the
Momitsu region FREE Blu-ray player)
Runtime: 1:31:10.465
Disc Size: 34,904,238,396 bytes
Feature Size: 22,977,001,920 bytes
Video Bitrate: 29.73 Mbps
Chapters: 10
Case: Standard Blu-ray case
Release date: August 24th, 2009
Video:
Aspect ratio: 1.85:1
Resolution: 1080p / 23.976 fps
Video codec: MPEG-4 AVC Video
Audio:
LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps /
24-bit
Subtitles:
English, none
Extras:
• Bernard Braden 'Now and Then'
interview with Olivia Hussey and
Leonard Whiting (17:05)
• The Spy's Wife: a rare and
little-seen short film by O'Hara
starring Tom Bell (28:07)
• Extensive illustrated booklet
featuring newly commissioned
contributions from film historian
Robert Murphy, Gerry O'Hara, and The
Spy's Wife producer Julian Holloway
The Film:
Originally sold with the provocative
tagline 'Is 15 too young for a girl?
Is one wife enough for one man?',
this time-capsule of a film concerns
itself with the story of a young
married man who has an affair with a
teenage girl, and forms part of a
peculiarly 1960s British wave of
films exploring such sensitive
subject matter (others included Term
of Trial, Age of Consent, and Three
into Two Won't Go).
Starring Olivia Hussey, in her first
post-Romeo and Juliet role, and the
inimitable Tom Bell (The L-Shaped
Room, Prime Suspect), this wonderful
slice of British cultural history is
one of only a handful of feature
films directed by Gerry O'Hara,
better know for his
assistant-director work with such
cinema giants as Tony Richardson,
Carol Reed and Otto Preminger.
Excerpt of review from BFI located
HERE
Image:
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
The image quality on the disc is a
bit lower than the other BFI
Blu-rays,
but I strongly suspect that this was
the result of problems with the
original print and not the
remastering. As the booklet states,
the film went through a full high
definition remastering that
eliminated damage, dirt, and
stability issues with the print, and
you won't find a single instance of
any of these (the booklet also warns
of a green hue in some scenes, but I
didn't pick up on any). However,
there are some scenes that are
overly grainy and an inconsistency
with the clarity of some images.
Some look quite sharp, but others
look rather soft. As I previously
stated, I'm fairly certain that
these problems were inherent in the
original print and simply couldn't
be fixed like the damage was. Over
all though, the image is acceptable
if unremarkable for 1080p and I
wouldn't discourage anyone from
checking this title out in HD.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music:
The films soundtrack is presented
here in LCPM 2.0, a format that I've
always thought highly of. The
dialogue sounds very crisp and clear
(The booklet also mentions some
instances of loose synchronization,
but I again failed to notice it),
and there are no instances of
unwanted background noise (i.e.
pops, hisses, cracks, etc). The
music sounds wonderful here, but I
really have to question the
filmmaker's use of it. It appears
often and sometimes seems to go on
for too long. What's more, on at
least one occasion, it overlays the
dialogue, so that we can't tell what
the characters are saying unless you
have the subtitles on. Speaking of
those subtitles, they do a great
job, are as usual easily read, and
unobtrusive.
Extras:
With this release, we get three
extras. First, there's another of
the BFI's typically thoughtful and
illuminating booklets, containing
essays on the main feature
(including one by the director), and
three on the supplementary material.
Next, there's an interview pulled
from a television series called "Now
and Then" which features Olivia
Hussey and Leonard Whiting.
Unfortunately, the interview was
made before the production of "All
the Right Noises" began, so we hear
nothing about the film. However, we
do get a decent portrait of Hussey
as an actress at age 15, a year
before she made "All the Right
Noises" (Also notice that they let a
15 year old smoke on set. Tsk tsk.).
Finally the disc includes "The Spy's
Wife", a comical short made by
O'Hara a few years after the main
feature. The short has a bit of
damage on it, but is still a rather
amusing diversion.
Bottom line:
Despite my small concerns over the
image, this is another wonderful
entry into the BFI's flipside
series. If it weren't for their
attention to the weird and wonderful
world of underground British films,
then this would have been another
title that I would have never heard
of. Bravo to the BFI for rescuing it
and the rest of the series from
obscurity. Recommended.
Brian Montgomery
February 11th, 2010