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(aka "Rolling Family" or "Familia Rodante" or "Voyage en famille" or "Villa" )
directed by Pablo Trapero
Argentina/Brazil/France/Germany/Spain/UK 2004
Trapero is that rarest kind of filmmaker, a minimalist with
a huge heart. As this film's extended family travels clear
across Argentina, from Buenos Aires to a remote town on the
Brazilian border, in a motor home built atop a 1956 Chevy
Viking pickup, conversation is sparse and images
predominate. What you'll take away from "Rolling Family" are
wordless scenes: a teen couple snogging in the cramped
camper bathroom; a younger kid daydreaming with his head out
the window as overhead wires twist past, a disgraced wife
crying, an old woman sitting in silence, looking, literally
and figuratively, toward the end of the road. |
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Theatrical Release: September 30th, 2004 (Argentina)
Reviews More Reviews DVD Reviews
DVD Review: Artificial Eye - Region 2 - PAL
DVD Box Cover |
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Distribution |
Artificial Eye Region 2 - PAL |
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Runtime | 1:38:33 | |
Video |
1.66:1 Original Aspect Ratio |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | Spanish (Dolby Digital 2.0) | |
Subtitles | English, None | |
Features |
Release Information: Studio: Artificial Eye Aspect Ratio:
Edition Details: Chapters 11 |
Comments |
Surveying the online reviews of
Pablo Trapero's "Familia rodante", there seem to be two
dominant views. Some herald it as a masterpiece of rich emotion
and imagery. Others see it as a cloying and manipulative dramedy;
an Argentinean "Little Miss Sunshine". As often is the
case, my own opinion lies in the middle. While there was some
humor and character development that I found grating, there was
fortunately enough to keep me entertained in the film. For every
moment of "Little Miss Sunshine"-esque disingenuousness or
cornball humor, there was enough real emotion or gorgeous
cinematography to make the viewing worthwhile.
The sound is similarly good.
Presented in Dolby Digital 2.0, the audio here makes full use of
the best that mono has to offer, with the dialogue and music
always sounding crisp and clear. The subtitles are large and
white, but never prove obtrusive toward the image. |
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