Review by Gary Tooze

• Press Conference with Penn, Hirsch 37:52 (questions in French translated to English - so he could answer)

• Theatrical trailer in HD (2:32)

Product Description: This is the true story of Christopher McCandless (Emile Hirsch). Freshly graduated from college with a promising future ahead, McCandless instead walked out of his privileged life and into the wild in search of adventure. What happened to him on the way transformed this young wanderer into an enduring symbol for countless people -- a fearless risk-taker who wrestled with the precarious balance between man and nature...

 

 

 

The Film: In Sean Penn's first three helmed efforts - The Indian Runner (1991), The Crossing Guard (1995), and The Pledge (2001) - each project seemed to advance upon each other - improving in the areas of pace, visual treatment and encapsulation and expression of subtext. My anticipation to view Into the Wild was skyrocketing upon first hearing of the production. This was especially true as, later, a good friend, (who sees over 150 films a year in theatres), stated that it was the best he had seen in 2007. Now that I have had the opportunity to view it (three times!) I enthusiastically agree (and yes, I have seen There Will Be Blood and No Country For Old Men). Into the Wild is up for Academy Award accolades in Best Achievement in Editing and Best Performance by an Actor in a Supporting Role (Hal Holbrook). The fact that it was not nominated for Best Picture or Penn for Best Director is only further proof at how ridiculously unremarkable achieving that statuette has become. It has evolved itself to be as worthless and meaningless as a Grammy. Just another 'celebrity' glad-handing ceremony of pomposity and flashy hollowness. Anyway...

 

Into the Wild is based on the best-selling, true story, book by Jon Krakauer. Its highest achieving ideal in the film is how faithfully it expresses the meaning of the protagonist's adventure - reaffirming a spirit of dropping out, lack of caution, and escaping from the dissatisfaction of society's goals and selfish aims. Hippie-esq indeed. Christopher McCandless (aka Alexander Supertramp) is played with quiet zeal by Emile Hirsch - who was recently touted as being 'one of the futures of American acting'. This is a visually appealing road-picture with frequent flashbacks and unique montages explaining McCandless' motivations. It is delivered on screen with detailed precision by Penn.

McCandless' Thoreau-inducing optimism will grate on some - too bad. Critics who see his 'distancing' as unprepared and foolish don't seem to realize that his trek, ending at an abandoned bus outside Alaska’s Denali National Park, was not as much escapism to a 'self-imposed' exile, but as a rebirth... which could only be fully achieved by death. I see his whole dice-rolling adventure as a full-circle  suicide attempt that should have been obvious from episodes like kayaking down the rapids and giving all his money to charity. This is regardless of his diary indicating desperate, although feudal, attempts to survive in the end.  As an highly intelligent product of society and the US College education system (McCandless achieved the grades for Harvard Law), stemming from a wealthy - albeit deeply troubled family existence - McCandless should be as big a warning sign as the latest school shooting massacre. Perhaps a precursor to the mindless instilling of surface values - that we, as a societal whole, just can't seem to take ANYMORE.

Penn's defining vision through all this is a most profound statement on modernity, lack of communication and our inability to express honest love. His manner in showcasing the underlying themes of Into the Wild  truly evokes another masterful filmmaker and his similar dissertations on alienation in the modern world - the recently deceased Michelangelo Antonioni. This film is that good folks... and I give it my highest recommendation. out of

ON THE US EDITION: Well, we were dead wrong. This US Blu-ray edition is definitely NOT the same transfer. It is mathematically superior taking up almost double the disc space and it has one of the best bitrates I've seen this year - approaching 40 Mbps! Though visual differences seem non-existent and will be more subject to the size of your Blu-ray display but in the resized captures below you can't really note any subtle improvement by the North American Paramount edition - actually, nor in the enlarged captures. It may appear to show a bit more grain, detail is probably equal and in a very few scenes it seems to export more depth. If it's visible at all though - it is extremely small. Regardless, this is the definitive issue to own - especially considering it doesn't have the forced French subtitles of the Pathe (when the English language is chosen.) Contrast and colors on this US Blu-ray edition remain pristine and this may be the best transfer I presently own. I also still consider this one of the best 2 films from 2007 (Atonement being the other - come on Universal - put this to Blu-ray soon!)

NOTE: This is a French disc and is not yet available in North America but despite this Blu-ray being region free (capable of being played on Blu-ray players worldwide) it has mandatory French subtitles when the original English language options are chosen. This, however, is not true through HTPC viewing. So why review? As well as being my favorite film of 2007, I strongly suspect that the hi-def encode will be exactly the same for the upcoming North American release. If we find it is different we will compare. Stay tuned.    

 

1) Paramount (Two-Disc Special Collector's Edition) - Region 1, 4 - NTSC TOP 2) Fox Pathe Europa - Region FREE Blu-ray MIDDLE 3) Paramount (US) - Region FREE Blu-ray BOTTOM

 

 

1) Paramount (Two-Disc Special Collector's Edition) - Region 1, 4 - NTSC TOP 2) Fox Pathe Europa - Region FREE Blu-ray MIDDLE 3) Paramount (US) - Region FREE Blu-ray BOTTOM

 

 

1) Paramount (Two-Disc Special Collector's Edition) - Region 1, 4 - NTSC TOP 2) Fox Pathe Europa - Region FREE Blu-ray MIDDLE 3) Paramount (US) - Region FREE Blu-ray BOTTOM

 

 

1) Paramount (Two-Disc Special Collector's Edition) - Region 1, 4 - NTSC TOP 2) Fox Pathe Europa - Region FREE Blu-ray MIDDLE 3) Paramount (US) - Region FREE Blu-ray BOTTOM

 

 

1) Paramount (Two-Disc Special Collector's Edition) - Region 1, 4 - NTSC TOP 2) Fox Pathe Europa - Region FREE Blu-ray MIDDLE 3) Paramount (US) - Region FREE Blu-ray BOTTOM

 

 

More French  Blu-ray

 

 

 

 

 

More US  Blu-ray

 

 

 

 

 

1) Fox Pathe Europa - Region FREE Blu-ray TOP 2) Paramount (US) - Region FREE Blu-ray BOTTOM

 

 

1) Fox Pathe Europa - Region FREE Blu-ray TOP 2) Paramount (US) - Region FREE Blu-ray BOTTOM

 

 

1) Fox Pathe Europa - Region FREE Blu-ray TOP 2) Paramount (US) - Region FREE Blu-ray BOTTOM

NOTE: May not be exact frame!

 

 

1) Fox Pathe Europa - Region FREE Blu-ray TOP 2) Paramount (US) - Region FREE Blu-ray BOTTOM

 

 

Audio & Music:  
ON US: The TrueHD 5.1 may have a small margin of superiority over the DTS-HD used for the French edition. I can't really tell. Differences will be extremely small - dependant on your system and hearing. Either/or the music still sounded incredible and I've no complaints to note. As stated the four subtitles choices are all optional here.

 

ON FRENCH: A few more supplements than the SD starting with a kind of filler 51 minute National Geographic documentary entitled Braving Alaska - narrated (in English) by Martin Sheen. I enjoyed the Press Conference with a tired looking Penn and Hirsch for 35+ minutes. They wait as there are some questions in French - then translated to English for their responses. We get the same decent, 1.33:1, featurette: Into the Wild: The Story, The Characters running 20 odd minutes but this one has burned-in French subtitles as does the 20 minute Sean Penn Into the Wild piece. Free of the forced subs though is the featurette: Into the Wild: The Experience - also founds on the SCE DVD and a Theatrical trailer. Dialogue on all is in English.