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The Errol Flynn Westerns Collection
Virginia City (1940) San Antonio (1945)
Montana (1950) Rocky Mountain (1950)
From the back cover: Montana: Big Sky Country is cattle country! But sheep rancher Flynn has other ideas in this gun-blazing range-war saga. Alexis Smith co-stars. In Technicolor. Rocky Mountain: The Civil War comes to California, and rebel leader Flynn finds that marauding Shoshones may be fiercer foes than the Union Army. With future Mrs. Flynn, Patrice Wymore. San Antonio: A man is only as good as his aim when Flynn rides into ol' San Antone to hunt cattle rustlers. A landmark of Western excitement with an amazing saloon shoot-'em-up... and the lovely Alexis Smith. In Technicolor. Virginia City: Union officer Flynn goes undercover to stop a gold-laden Nevada wagon train rolling to Dixie. With Randolph Scott and, yes, Humphrey Bogart as a pencil-mustached desperado. |
Titles
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Virginia City (1940) - Though not as strong as Dodge City, a Flynn/Curtiz picture from the year before (and certainly not as strong as other collaborations like Captain Blood, 1935, or The Adventures of Robin Hood, 1938) Virginia City was still a lavishly produced western which proved quite profitable for Warner Bros. The production's backstory, however, is arguably even more entertaining than the film! Flynn plays a Union officer who escapes from a Confederate prison and then tries to prevent a Nevada gold shipment from reaching the Confederate army. Humphrey Bogart is severely - though amusingly - miscast as a half-breed bandit named John Murrell (!) with a Spanish accent and a pencil-thin moustache, and Miriam Hopkins is also out of her element as a saloon singer who's really a Southern spy. Randolph Scott, on the other hand, playing the Southern prison commander and orchestrator of the gold shipment, seems a natural for the part.
Montana (1950) - At the outset of Warners' "Montana," which came to the Strand yesterday, "cattle is king" in that territory in which this Technicolored western is supposedly laid. Cattle is king—and Douglas Kennedy and Alexis Smith are the powers behind the throne. And apparently their lives are dedicated to keeping sheep-herders out of the place. But before the picture is over, not only has Errol Flynn moved in with a vast flock of sheep to dethrone the cattle, but Miss Smith has been set to thinking of other things. Let's not dwell too long on the details. They're as plain as the nose on your face. Mr. Flynn can out-shoot, out-ride and out-punch any single cow-poke around the place. He can also make music with a gee-tar and sing cozy duets with Miss Smith, all of which have a powerful influence in changing her opinions with respect to sheep.
Excerpt from the NY Times located HERE Rocky Mountain (1950) - Errol Flynn is an ever gallant fellow, but he seems to carry gallantry too far in Warner Brothers' "Rocky Mountain," which came to the Strand yesterday. So far, in fact, does he carry it in guiding a beautiful dame from a horde of ravaging Indians that he ends up as full of arrows as a war-bonnet is full of feathers. And that's about as far as one can go. The only valid explanation for (Mr. Flynn's conclusive gallantry is that he here represents a Confederate captain and therefore a Southern gentleman. And it seems that a standing rule at Warners is that a Southern gentleman will lay down his life for a lady, even though it means disobeying Robert E. Lee. |
Posters
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Theatrical Releases: Various from 1940 - 1950
DVD Review: Warner Home Video - Region 1, 2, 3, 4 - NTSC
DVD Box Cover |
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CLICK to order from: |
Distribution | Warner Home Video - Region 1, 2, 3, 4 - NTSC | |
Time: | Virginia City - 2:00:56 / San Antonio - 1:48:28 / Montana - 1:16:21 / Rocky Mountain - 1:22:54 | |
Audio | English (original mono) | |
Subtitles | English (CC), French, None | |
Features |
Release Information: Edition Details:
Virginia City -
2:00:56
Dual-layered
• Vintage newsreel
•
Variety Shorts - Story of a Dog,
Frontier Days and Peeks at Hollywood
• Bonus gallery of Santa Fe Trail Series Western Shorts
- Oklahoma Outlaws, Wagon Wheels West, and Gun To Gun
• Bonus gallery of Santa Fe Trail Series Western Shorts
- Roaring Guns, Wells Fargo Days West, and Trail By
Trigger |
Comments: |
The 4 main features of this boxset are housed in individual keep cases (see images above and below) but are NOT sold separately at this time. All four are coded for regions 1,2,3, and 4 in the NTSC standard and all four discs are dual-layered and progressively transferred in the original 1.33:1 aspect ratio. Each have original English audio and options for English (CC), or French subtitles (no Spanish) in an off-white font with black border (see samples below). Each offer the the ability to start the feature - Warner Night at the Movies - being able to experience watching the film, as many did originally with newsreel shorts and/or a cartoon or two, trailers etc. ('Play All' option). This is kind of simulating an original vintage theatrical viewing with those shorter 'B' supplements preceding the main feature. I endorse the concept and this manner of viewing - it's very nostalgic and great to set the mood. Two of the features are supplemented by an optional, expert, audio commentary. Bitrates are steady ranging between 5.25 to 5.73 mb/s. Audio is original mono or 2.0 channel stereo. Image: Pretty strong all around with age being the only determination of differential weaknesses. The dual-layering appears to have benefitted the image quality on all four. Contrast is excellent. The older Virginia City is a shade less detailed but the set is remarkable for its minimal damage and clean look. Warner's patented restoration process has given these films a wonderful, watchable appearance on SD-DVD. I can't speak to the colors on San Antonio and Montana but they looked fairly good to me - bright and reminiscent of Technicolor I have seen from this period. There are no surprises - these DVDs look and sound as good as previous Warner offerings from the same era. I don't expect that any fans will be unhappy with the quality of the image an hope the screen grabs below give you a good indication of how it will look on your system.
Audio - All original (monaural or 2.0 channel) and are as
comparative to the image quality. Dialogue was always clear
and consistent. Warner can boast strength in this area - they
rarely issue DVDs with substantial audio deficiencies. I noted no excessive
gaps, pops or hisses just remember how old these films are and they
never sounded like our current state-of-the-art to begin with. The
dialogue is supported by subtitles (English CC and French) in a clean,
readable font (samples below).
Extras - Aside from the previously mentioned 'Warner Night at the
Movies' section and some theatrical trailers for the feature film, outside
of that group (fully listed in the features section above) - the most in-depth supplements belong to the
two optional
commentaries. Historian Frank Thompson (on Virginia City) and Errol Flynn
Biographer Thomas McNulty (Rocky Mountain) give well-prepared
dissertations on the specific films. Information flows freely and I enjoyed both
- possibly the latter more as it was Flynn's last western film so certain
summations could be reached. I am always keen to hear tidbits on the supporting
performers from Bogie to the Flynn's sexy friend Alexis Smith. Fans of the era
should enjoy greatly. Overall impression:
Well, these are rated as lower tier Flynn but they still have character
and charm creating viable entertainment for his fans or appreciators of the
western genre. Virginia City was interesting to see as an early bridge to
the later works and I enjoyed the similar imperfect black and white feature from
a decade later - Rocky Mountain. I had not seen a lot of Alexis Smith and
she carried a strong feminine presence to the films having a resounding
chemistry with Flynn - yet she was never weak which appears as rather forward
thinking. I like the Warner Night extras concept but can see a lot of
fans simply passing them by - which is a shame because they really invoke the
right attitude prior to viewing. It's like stepping back in time.
I guess, unfortunately, that everything in the world is in
accordance with price - and I, personally, think this set has value although the
price seems a shade high for what is being offered film-wise. The DVD package is
exceptionally competent so fans need not be afraid to indulge on that front. I
love having these western films in my library as I revisit this genre
constantly.
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DVD Menus
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Sample of Supplements
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Keep Case Cover
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Directed by Michael Curtiz
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Keep Case Cover
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Directed by David Butler, Robert Florey (uncredited) and Raoul Walsh (uncredited)
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Keep Case Cover
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Directed by Ray Enright and Raoul Walsh (uncredited)
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Keep Case Cover
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Directed by William Keighley
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