Girls' Dormitory (1936) - Officially this has no weight, but we suggest that Congress cancel a substantial part of France's war debts in consideration of its gift of Simone Simon to Hollywood. The young French actress, whose name you must pronounce as See-MOAN See-MOAN unless you want to be blamed for a suicide epidemic in Twentieth Century-Fox's advertising department, had an astonishing début at the Roxy yesterday in "Girls' Dormitory."

Excerpt from the NY Times review HERE

Love Is News (1937) - Three of 20th Century Fox's stars of the late '30s team up for "Love is News" - Tyrone Power, Loretta Young, and Don Ameche. Power plays a clever reporter, Steve Layton, who is after a big story on a $100 million heiress, Toni Gateson (Young). Sick of being hounded night and day by the press, Young turns the tables on him and announces to the world that she and Layton are engaged. It comes as a surprise to him, as it does to his editor, Ameche, and of course, they don't have the story and the rest of the papers do. Layton soon learns that being engaged to Gateson has some perks and also a few things that aren't so great, particularly when the two of them end up in adjacent jail cells.

Excerpt from the blanche-2's review at IMdb.com HERE

Café Metropole (1937) - The Tyrone Power-Loretta Young team, formed in "Love Is News," and scheduled for still greater things, fulfills its lightly romantic duties pleasantly. Mr. Menjou does his stint when called upon, then retires gracefully from a screen which could have used him to better advantage. Mr. Winninger and Helen Westley are capital as the elder Ridgeways. Mr. Ratoff, doubling as a dialectic waiter, and Christian Rub, as the worried cashier round out an entertaining cast. The Rivoli has given us much worse, and much better.

Excerpt from the NY Times review HERE

Second Honeymoon (1937) - "Second Honeymoon" is a fluffy comedy which probably had its genesis in "Private Lives." It concerns a beautiful divorcée (Loretta Young) who, upon marrying her second husband (Lyle Talbot) runs into her first (Tyrone Power). Everyone is rich, magnificently dressed, and does a lot of traveling in the spirit of Hollywood escapism during the Depression.

Excerpt from the blanche-2's review at IMdb.com HERE

Day-Time Wife (1939) - A light-as-air confection, with very dark overtones. The very young, fresh-faced Linda Darnell is stood up on their second anniversary by husband Tyrone Power. The always delightful Binnie Barnes, her poisonous often-divorced friend Blanche says he's fooling around. Darnell refuses to believe it.

Excerpt from the David (Handlinghandel) from NY, NY 's review at IMdb.com HERE

Johnny Apollo (1940) - Wealthy Wall Street stockbroker Bob Cain (Edward Arnold) is sentenced to 5 to 10 years for embezzlement and when in prison his spoiled college-grad son Bob Cain Jr. (Tyrone Power) rejects him for betraying his trust. After a year searching for a job and not getting one because of his infamous name, Junior has a change of heart about dad and goes to see shyster lawyer Brenner (Charley Grapewin), an old drunk with a taste for Scotch-and-milk and a love for Shakespeare, about getting his pop parole.

Excerpt from Dennis Schwartz at Ozu's World Movie reviews HERE

This Above All (1942) - Out of Eric Knight's singularly skillful war novel, "This Above All," Twentieth Century-Fox and Darryl F. Zanuck have derived a taut and poignant war film, which arrived at the Astor last evening for a meticulously restrained world première. The principal weakness of the picture is that it accentuates the original's chief fault—that is, it skimps a rationalization of the leading character's profound change of mind. And it also neglects to establish the convictions to which he so stubbornly holds. But its strength and disarming distinction is that it tells a very moving love story with a sensitive regard for tensile passions against a background of England at war.

Excerpt from the NY Times review HERE

The Luck of the Irish (1948) - As the fellow who gives up fame and fortune at the hest of the leprechaun, Tyrone Power looks and acts like a person who is not quite certain that he isn't being a fool. And one can well understand this. Jayne Meadows, as the girl he gives up, is much more beguiling than Anne Baxter, with her quaint charm and her Midwest Irish brogue. Indeed, even the standard hard-boiled manner of a tycoon put on by Lee J. Cobb might be easier to live with, in the long run, than the Irishness of J. M. Kerrigan.

Excerpt from the NY Times review HERE

I'll Never Forget You (1951) - Well, in this retelling of the story, for which Ranald MacDougall has done the script, the gentleman's modern-day connections are brought completely up to date. He is a nuclear physicist, considerably weary and worn—and perhaps just a little radioactive—from over-work in an English lab. Thus, there's a possible suspicion that his strange difficulties with Time derive in some unexplained manner from hanging around a nuclear pile.