(aka "Climates" or "Les Climates" or "Seasons" or "The Climate" )
directed by Nuri Bilge Ceylan
Turkey / France 2006
True
to its title, "Climates" begins on the shimmering
Mediterranean coast of Turkey and ends in the relentless
snow drifts of the easternmost region of the country.
But far from being a Weather Channel exposé, Nuri Bilge
Ceylan's new film is about the changing emotional
temperature between two people. It's one of the great
movies on the vicissitudes of love, commitment, and
attraction. How much unchecked desire can a person have?
When is it time to narrow the focus? Is there ever truly
one? [...] Ceylan casts himself as Isa , a college professor whose relationship with a somewhat younger woman named Bahar has exceeded its expiration date. Played by Ceylan's own wife, Ebru , the woman is an art director for a television show. When we meet them, they're on a summer jaunt to Kas , whose ruins Isa surveys for a future university lecture. From a distance, Bahar watches him stroll among the wreckage of a once-magnificent site, and the personal symbolism is unmistakable. Once, they were magnificent, too. |
Poster
Theatrical Release: France 21 May 2006 (Cannes Film Festival)
Reviews More Reviews DVD Reviews
DVD Comparison:
Zeitgeist Films - Region 1- NTSC vs. Artificial Eye - Region 2 - PAL vs. Imaj (2 discs) - Region 0 - PAL
Big thanks to Per-Olof Strandberg for all the Screen Caps!
(Zeitgeist Films - Region 1- NTSC LEFT vs. Artificial Eye - Region 2 - PAL - MIDDLE vs. Imaj (2 discs) - Region 0 - PAL - RIGHT)
DVD Box Covers |
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Distribution |
Zeitgeist Films Region 1 - NTSC |
Artificial Eye Region 2 - PAL |
Imaj (2 discs) Region 0 - PAL |
Runtime | 1:38:00 | 1:37:54 (4% PAL speedup) | 1:37:54 (4% PAL speedup) |
Video |
1.85:1
Aspect Ratio Average Bitrate: 5.6 mb/s NTSC 720x480 29.97 f/s |
1:1.85 Original Aspect Ratio |
1:1.85 Original Aspect Ratio |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
Zeitgeist
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Bitrate:
Artificial Eye
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Bitrate:
Imaj (2 discs)
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Audio | Turkish (Dolby Digital 2.0) | Turkish (Dolby Digital 2.0) |
Turkish (Dolby Digital 5.1). Turkish (Dolby Digital 2.0) |
Subtitles | English, None | English, None | English, None |
Features |
Release Information: Studio: Zeitgeist Films Aspect Ratio:
Edition Details:
• Climates in Cannes (32:55 /
4:3 Chapters 12 |
Release Information: Studio: Artificial Eye Aspect Ratio:
Edition Details:
Chapters 12 |
Release Information: Studio: Imaj (2 discs) Aspect Ratio:
Edition Details:
DVD Release Date: 30
March 2007 Chapters 11 |
Comments: |
ADDITION: Zeitgeist - Region 1 - NTSC - Jan 08': Well, this certainly confirms that the AE is too green (as Per-Olaf surmised below). Strangely the Zeitgeist has the same running time as the PAL editions so I would have expected some significant ghosting (unconverted source standard) but there is nothing except some minor combing (interlacing) - see last capture. Otherwise it is very detailed and looks to be a duplicate of the Imaj disc image quality. It is dual-layered and has most of the same extras (interviews, Cannes, Making of.. etc.). It has a clear, original Turkish audio track and optional English subs. If you can get past the combing - the presentation is quite strong. I still think the Imaj is the definitive but it's nice to see this released in Region 1 - a great film that needs an audience! Gary Tooze *** ON the PAL EDITIONS: This is little tricky. Both have more or less the same source material, but the Artificial-Eye disc is even more greenish than the picture on the Turkish Imaj disc. I tried to compare the colors from the film clips on the 'Making of...' document, only to find out that also has the same greenish color on the AE disc, but not on the Imaj, even though the making of documentary is the same on both editions! I believe that the Imaj disc is more correct, but I don't actually know which image is closer to the original intentions of the director/DP. Besides the color difference, the Imaj edition has the main film on a separate disc, were the AE has the film plus the extensive extras on the same disc. This results in that the Imaj have a higher bit rate and less artifacts than the AE. Climates was shot on High Definition, and even though most of the image on both disc's is fairly sharp and detailed, there are some indoor scenes that reveal the HD master, and it looks to be of quite weak quality (with artifacts and macro-blocking).
The Imaj disc has both an Dolby
Digital 5.1 and a DD 2.0 option. The AE disc has only the latter, even
though the DVD cover misrepresents it as DD 5.1. Even though there's
very little music or effects in the film, the DD 5.1 separation is
superior. |
DVD Menus
(Zeitgeist Films - Region 1- NTSC)
(Artificial Eye - Region 2 - PAL
- LEFT vs. Imaj (2 discs) - Region 0 - PAL - RIGHT)
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Screen Captures
(Zeitgeist
Films - Region 1- NTSC TOP vs. Artificial
Eye - Region 2 - PAL - MIDDLE vs. Imaj
(2 discs) - Region 0 - PAL - BOTTOM)
Subtitle sample NOTE:
Not exact frame!
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(Zeitgeist Films - Region 1- NTSC TOP vs. Artificial Eye - Region 2 - PAL - MIDDLE vs. Imaj (2 discs) - Region 0 - PAL - BOTTOM)
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(Zeitgeist Films - Region 1- NTSC TOP vs. Artificial Eye - Region 2 - PAL - MIDDLE vs. Imaj (2 discs) - Region 0 - PAL - BOTTOM)
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(Zeitgeist Films - Region 1- NTSC TOP vs. Artificial Eye - Region 2 - PAL - MIDDLE vs. Imaj (2 discs) - Region 0 - PAL - BOTTOM)
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(Zeitgeist Films - Region 1- NTSC TOP vs. Artificial Eye - Region 2 - PAL - MIDDLE vs. Imaj (2 discs) - Region 0 - PAL - BOTTOM)
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(Zeitgeist Films - Region 1- NTSC TOP vs. Artificial Eye - Region 2 - PAL - MIDDLE vs. Imaj (2 discs) - Region 0 - PAL - BOTTOM)
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(Zeitgeist Films - Region 1- NTSC TOP vs. Artificial Eye - Region 2 - PAL - MIDDLE vs. Imaj (2 discs) - Region 0 - PAL - BOTTOM)
NOTE: Minor combing on Zeitgeist...
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Report Card:
Image: |
Imaj |
Sound: |
Imaj |
Extras: | Imaj |
Menu: | tie |
DVD Box Covers |
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Distribution |
Zeitgeist Films Region 1 - NTSC |
Artificial Eye Region 2 - PAL |
Imaj (2 discs) Region 0 - PAL |