(aka "In a Year with 13 Moons" or "In a Year of 13 Moons")
directed by Rainer Werner Fassbinder
Germany 1978
Elvira (Spengler) was Erwin until s/he went to Casablanca for a discreet operation. She now lives in Frankfurt, abandoned by her lover, befriended by a hooker who's not much better off than herself, and ripped to shreds by cruelties and social inequalities. In a Year with 13 Moons is not only Fassbinder's last word on victimised innocence, it's also a subjective response to the suicide of his own lover Armin Meier, and a sincere admission that life is messier than his earlier films acknowledged. A movie riven with contradictions and fuelled by vehemence and passion. |
Poster
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Theatrical Release: November 17th, 1978
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DVD Review: Fantoma - Region 1 - NTSC
DVD Box Cover |
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Distribution |
Fantoma Region 1 - NTSC |
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Runtime | 2:04:12 | |
Video |
1.85:1 Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | German (Dolby Digital 2.0) | |
Subtitles | English | |
Features |
Release Information: Studio: Fantoma Aspect Ratio:
Edition Details: Chapters 18 |
Comments: |
Fantoma's release of R.W. Fassbinder's "In a Year of 13 Moons"
is close to perfect. The image looks absolutely excellent, with
vibrant colors, strong contrast and remarkable detail and
sharpness. There are some slight instances of edge enhancement,
but they are barely noticeable. You will find neither scratches
nor any other distortions here. Overall it's quite a stunning
transfer.
We actually get quite a surprising amount of bonus material.
First up is a video introduction by Fassbinder-fan Richard
Linklater who talks about his discovery of the great German
director as well as the three phases of his work and then goes
on to explore the riches of "In a Year with 13 Moons". It's a
very intelligent and passionate talk. Then there's an interview
with Werner Schroeter, a good friend of Fassbinder's and a great
artist in his own right, who talks about his relationship with
Fassbinder as well as his admiration of this particular film and
Volker Spengler's performance. Fassbinder's editor Juliane
Lorenz is doubly present on this disc, first in a revealing and
informative interview and then in a selected scene audio
commentary, which repeats some of the things she said in the
interview, but still gives nice input on the film's use of music
and the shooting in Frankfurt. |
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Screen Captures
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