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directed by Sofia Coppola
USA 2003
The first I had heard of this film a co-worker had just seen it in the theater and came into the office the next day extolling the virtues of both the movie and director, Sofia Coppola. I bit my tongue when he repeatedly claimed she would eventually "out-do" her father, the prominent Francis Ford Coppola. Maybe I shouldn't be so harsh, I suppose anything is possible.
Lost in Translation starts out with a shot of a female lying on a bed. The camera is centered on her hips from behind (her ass)... in pink panties. I found this to be about the full extent of the depth of this film. I could have been expecting too much, not from the director - I had assumed any style she may have exhibited behind the camera would either be an imitation or non-existent. It proved to be the latter. Dominant performances and a tight script can often carry a film. Aside from a flash of charismatic brilliance from Scarlett Johansson (playing Charlotte) I didn't see much else. I was not particularly enamored with Bill Murray's performance... he seemed as he does in most films... himself, but intentionally less funny. His character had no passion, but seemed quite disaffected by everything - perhaps this was intentional. He had gone through the trappings of his own fame and come out jaded by the experiences. Any love expressed to his family back home seemed feigned.
I
think if I was Japanese, I might be offended by the film. As opposed to
embracing another culture the Americans in the film choose to expand upon and
exploit the differences. The "L" to "R" sounding, the one
filming staff unaware of western culture except for Sinatra and the Rat Pack,
The "Johnny Carson" of Japan - were all humorous - but at whose
expense? It's as bad as the "No ticky, no laundry " gag for people
of Chinese persuasion. Murray's character (Bob Harris) - a family man with no moral
backbone - casually sleeps with one girl while on a work holiday, and
continues to court another - all the while conversing with his children and
wife of 25 years back in the States through phone and fax. My emotional
responses towards him were indiscernible, even by myself. Total indifference. I couldn't care less
about this chap. In typical Hollywood style the protagonist was not an
"every man" but a celebrity of some stature - constantly being
recognized in public. My, my... aren't celebrities all the rage though. Yes,
they are so wonderful. We just love to forgive/forget their frequent indiscretions. |
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Theatrical Release: 29 August 2003 (Telluride Film Festival) - USA
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DVD Review: Universal - Region 1 - NTSC
DVD Box Cover |
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Distribution | Universal Region 1 - NTSC | |
Runtime | 1:41:36 | |
Video | 1.78:1
Original Aspect Ratio 16X9
enhanced Average Bitrate: 7.3 mb/s NTSC 720x480 29.97 f/s |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Audio | English (Dolby Digital 5.1), English (DTS), DUB French (Dolby Digital 5.1) | |
Subtitles | English (hearing impaired), Spanish, French, None | |
Features |
Release Information: Studio: Universal Studios Aspect Ratio: Edition Details: |
Comments: |
This anamorphic DVD image
is quite dark and has some failings in the sharpness department. I
couldn't distinguish any edge enhancement, but objects out of focus of
the lens seemed abnormally hazy. We are given a two choices for the
audio (and a French DUB) - I would stick with the DTS track. the Extras
are well done, if uninteresting. Good colors - some money was spent on the DVD
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