directed by Barry Levinson
USA 1984

 

This upbeat adaptation of Bernard Malamud's gritty allegory of the world of baseball is one of those test cases for the mood or generosity of the spectator: give yourself over completely to its wide-eyed brand of mythologising, and it will reward you with a tidal wave of emotion, hero-worship and strange medieval morality tale; a flicker of disbelief, however, and you'll see nothing but its faults. The Arthurian basis to Redford's rise to baseball stardom means that the narrative can include very un-Hollywoodlike devices such as an unexplained 16-year gap when he is out in the cold, expiating his fall from grace with a murderous femme fatale. Moreover, this mythological basis releases the cast from the necessity for naturalism (despite the title). There are also other things to enjoy: a great line up of supporting actors (especially Brimley and Farnsworth doing their grouchy old man double act), Caleb Deschanel's photography, Randy Newman's score. Let yourself go and be rewarded by the sight of a hero running home to victory through clouds of fire.

Excerpt from TimeOut Film Guide located HERE

Posters

 

Theatrical Release: May 11th, 1984

Reviews    More Reviews  DVD Reviews

DVD Comparison: 

Sony - Region 1,3,4 - NTSC vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC

(Sony - Region 1,3,4 - NTSC LEFT vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC RIGHT)

DVD Box Cover

There is also a Blu-Ray edition of the Director's Cut available:

              

Distribution

Sony Pictures

Region 1,3,4 - NTSC

Sony (Director's Cut)

Region 1,2,3,4 - NTSC

Runtime 2:17:35 2:23:25

Video

1.85:1 Original Aspect Ratio

16X9 enhanced
Average Bitrate: 5.42 mb/s
NTSC 720x480 29.97 f/s

1.85:1 Original Aspect Ratio

16X9 enhanced
Average Bitrate: 6.37 mb/s
NTSC 720x480 29.97 f/s

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate : Sony

Bitrate: Sony (Director's Cut)

Audio English (Dolby Digital 4.0), English (Dolby Digital 2.0 Surround), DUBs: Spanish (Dolby Digital 2.0 Surround), Portuguese (Dolby Digital 2.0 Surround), French (Dolby Digital 2.0 Surround) English (Dolby Digital 5.1),  DUBs: Japanese (Dolby Digital 5.1 Surround), Portuguese (Dolby Digital 5.1 Surround)
Subtitles English, Spanish, French, Portuguese, Georgian, Thai, Chinese , None English, Japanese, French, Portuguese, None
Features Release Information:
Studio: Sony

Aspect Ratio:
Widescreen anamorphic - 1.85:1

Edition Details:
• Documentary with Cal Ripken Jr. (44:04)

• Theatrical Trailer (2:25)

DVD Release Date: April 3rd, 2001
Keep case

Chapters 28

Release Information:
Studio: Sony (Director's Cut)
 

Aspect Ratio:
Widescreen anamorphic - 1.85:1

Edition Details:
• "A Natural Gunned Down" The stalking of Eddie Waitkus featurette
• "Clubhouse Conversations" featurette
• "Extra Innings 1: Slow Motion" featurette
• "Extra Innings 2: Uniform Color" featurette
• "Extra Innings 3: The Sandberg Game" featurette
• "Extra Innings 4: The President’s Question" featurette
• The mythology of The Natural featurette
• "The Heart of The Natural" featurette
Three "Creating The Natural" featurettes
• Video Introduction by Barry Levinson
 

DVD Release Date: April 3rd, 2007
Double standard Keep Case

Chapters 28

 

 

Comments:

Always an extremely enjoyable film - I'm one who sees past the obviousness and few tech-baseball errors and I allow myself to fall head first into the larger-than-life story. A lot of interest in sports is patiently waiting to see the amazing, the unforgettable, the god-like play that defies the laws of gravity and physics - those events that will be talked about by armchair quarterbacks for years to come. Well, The Natural has them...  in spades.

The new image has removed the brightness boosting that was present in the original release. It is darker and skin tones look much improved (for the most part). It may have had some minor black boosting but regardless overall the image is superior with less artifacts. The theatrical cut shows less information in the frame and there is a slim black border circumventing the image limiting the horizontals resolution - where the DC is tight to the edges. Audio too has bumped from 4.0 to 5.1 and it sounds just that much more dynamic. Subtitles are still yellow but brighter and better defined.

Extras are endless on the new edition but the old Cal Ripken documentary appears absent. I haven't got through all the supplements yet but they have all been excellent and highly informative so far. The film is fairly long - perhaps the reasoning behind no commentary - that could have shared much of the same information, but these new featurettes dig very deep. This new edition is obviously the one to own, but it is interesting to note that the Blu-Ray of the Director's Cut is actually cheaper than the standard.  

The film itself, as described by director Levinson in the opening introduction, has about 20 extra minutes - mostly in the opening scenes which define our protagonist a bit darker than in the theatrical cut. Levinson tells us that this 'new' version is closer to the intended film he hoped to make but lack of time forced to create the eventual theatrical. It also loses some of the theatrical scenes making it only about 6 minutes longer overall. Hence, it is a different film to some degree and Levinson states that some may enjoy more - other not so. For me the jury is still out but I've seen the theatrical so many times I'm kind of stuck on that but it made watching the new version that much more enjoyable. 

Gary W. Tooze

 



DVD Menus

(Sony - Region 1,3,4 - NTSC LEFT vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC RIGHT)

 

 
 

Menus - Sony (Director's Cut) - Region 1,2,3,4 - NTSC DISC 2

 


3 examples of the additional scenes:

 

 

Screen Captures

 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)
Subtitle Sample: Not exact frame

 

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

 


 

(Sony - Region 1,3,4 - NTSC TOP vs. Sony (Director's Cut) - Region 1,2,3,4 - NTSC BOTTOM)

 

DVD Box Cover

There is also a Blu-Ray edition of the Director's Cut available:

              

Distribution

Sony

Region 1,3,4 - NTSC

Sony (Director's Cut)

Region 1,2,3,4 - NTSC


Report Card:

 

Image:

Sony DC

Sound:

Sony DC

Extras: Sony DC
Menu: Original

 


 



 

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