(aka 'Biruma no tategoto' or 'The Burmese Harp' or 'Harp of Burma')
Directed by
Kon Ichikawa
Japan 1956
A rhapsodic celebration of song, a brutal condemnation of wartime mentality, and a lyrical statement of hope within darkness; even amongst the riches of 1950s’ Japanese cinema, The Burmese Harp [Biruma no tategoto], directed by Kon Ichikawa (Alone Across the Pacific, Tokyo Olympiad), stands as one of the finest achievements of its era.
*** An Imperial Japanese Army regiment surrenders to British forces in Burma at the close of World War II and finds harmony through song. A private, thought to be dead, disguises himself as a Buddhist monk and stumbles upon spiritual enlightenment . Magnificently shot in hushed black and white, Kon Ichikawa’s The Burmese Harp is an eloquent meditation on beauty coexisting with death and remains one of Japanese cinema’s most overwhelming antiwar statements, both tender and brutal in its grappling with Japan’s wartime legacy. *** At the end of WWII, a Japanese soldier is confronted with the true horror of war and death. Classic lyrical drama from acclaimed Japanese director Kon Ichikawa.
|
LaserDisc cover, LP cover etc.
![]() |
![]() |
![]() |
Theatrical Release: January 21st, 1956
Reviews More Reviews DVD Reviews
Comparison:
Criterion - Region 1 - NTSC vs. Masters of Cinema - Region 'B' - Blu-ray
Criterion - Region 1 - NTSC LEFT vs. Masters of Cinema - Region 'B' - Blu-ray RIGHT
DVD Box Cover |
|
|
Distribution | Criterion Collection - Spine # 379 - Region 1 - NTSC | Eureka - Masters of Cinema - Spine #13 - Region 'B' - Blu-ray |
Runtime | 1:56:20 | 1:56:02.288 |
Video | 1.33:1
Aspect Ratio Average Bitrate: 6.65 mb/s NTSC 720x480 29.97 f/s |
1080P Dual-layered Blu-ray Disc Size: 30,672,232,338 bytes Feature: 27,262,390,272 bytes Video Bitrate: 27.99 Mbps Codec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
||
Bitrate: DVD |
|
|
Bitrate: Blu-ray |
|
|
Audio | Japanese (Dolby Digital 1.0) | DTS-HD Master Audio Japanese 1690 kbps 2.0 / 48 kHz / 1690 kbps / 16-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 16-bit) |
Subtitles | English, None | English, None |
Features |
Release Information: Edition Details: • Video
interviews with director Kon Ichikawa (16:22) and actor Rentaro Mikuni
(11:46) |
Release Information: 1080P Dual-layered Blu-ray Disc Size: 30,672,232,338 bytes Feature: 27,262,390,272 bytes Video Bitrate: 27.99 Mbps Codec: MPEG-4 AVC Video Edition Details:
• Exclusive video interview with scholar and
filmmaker Tony Rayns (18:13 in HD!) |
Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: Masters of Cinema - Region 'B' - Blu-ray (August 2010): Beyond the screen captures I can add a some important points in regards to the image quality. It seems apparent that Criterion have done some form of their digital restoration with both removal of the scratches and boosting of contrast and black levels. While the contrast appears somewhat duller on the MoC Blu-ray (a different HD source) - it advances handily in terms of detail/depth because of the resolution - and keep in mind Criterion actually limited theirs purposely with their picturboxing. The 1080P dual-layered rendering produces some depth and the light surface scratches make me feel it is far more like 'film' than the waxy video look of the Criterion. This is more apparent in motion and, in this case, the screen grabs are not telling the entire story as the Criterion had some notable flickering that wasn't anywhere near as prominent in the UK transfer. From
the enclosed liner notes it states: "For this
Blu-ray
release of Biruma no tategoto, we have digitally removed a
handful of momentary instances of heavy damage in otherwise very good
source materials supplied by the film’s Japanese owner, Nikkatsu.
So there you have it about the appearance. Fans concerned with the integrity of the film will definitely lean to the Masters of Cinema. I, personally, don't mind these, mostly frame-specific, scratches - the significantly higher resolution is the lynchpin to the cinema-like feel of the MoC over the flatter, glossier, Criterion. The UK Blu-ray has a lossless 2.0 channel audio track that is wonderful for the film's powerfully emotional music/singing scenes. The subtitles are excellent and the brief Japanese vertical ones are addressed above. There is an excellent 20-minute piece, in HD, with scholar and filmmaker Tony Rayns discussing points of the film, an original Japanese theatrical trailer (3:40 in HD!) and another of the UK distributor's booklets - a 40-page one with an essay by Keiko I. McDonald and some rare archival stills. A must-own for all film fans - a bona-fide masterpiece in the glory of Blu-ray. It really was stupendous to see this in the higher res. - I recommend even for those who own the Criterion. It was almost like seeing the film all over again. **** ON THE CRITERION: NOTE: This Criterion transfer is again pictureboxed (see our description of 'pictureboxing' in our Kind Hearts and Coronets review). Criterion have included a black border around the edge of the frame to counter overscan on production television sets. If you look closely at the screen captures below you can see where Criterion have done extensive cleaning and restoration to remove a lot of light scratches. The result is that this progressive transfer on a dual-layered DVD looks exceptionally strong without anything to compare it to. Contrast, again, is Criterion's hallmark. Flickering is prevalent though to a small degree. Overall the image is much better than I anticipated. I am very happy and the audio and subtitles are likewise at Criterion's adept level of digital production.
In a 16 minute supplemental interview Ichikawa discusses how he had intended to become a painter but when he saw Disney's Mickey Mouse he was suitably impressed with the movement to consider film as a potential profession. He talks about many aspects of The Burmese Harp from the sound track to other production details. It is very interesting. The extensive actor Rentaro Mikuni (150+ films), in an 11 minute interview, talks of what he determines Ichikawa's intentions were in making the film. He compliments Ichikawa by stating that he learned a lot from his methods when he too went on to direct himself many years later. There is also a theatrical trailer and a 19-page booklet with an essay by Tony Rayns. |
DVD Menus
Criterion - Region 1 - NTSC LEFT vs. Masters of Cinema - Region 'B' - Blu-ray RIGHT
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Sample
Criterion - Region 1 - NTSC TOP vs. Masters of Cinema - Region 'B' - Blu-ray BOTTOM
![]() |
Screen Captures
Criterion - Region 1 - NTSC TOP vs. Masters of Cinema - Region 'B' - Blu-ray BOTTOM
![]() |
![]() |
![]() |
![]() |