(aka "Festen" or "Dogme 1")
directed
by Thomas Vinterberg
Denmark 1998
One of the key elements of The Celebration is the
style in which it is presented. Filmed using a shaky, hand-held camera with
natural lighting and little or no post-production (other than to transfer the
video image to a 35 mm negative), Verterberg's approach mimics the look of a
home movie. The effect is to make the viewer feel like he or she is part of
the action; an impotent observer seated at the table with all of these
individuals. It is a sometimes-unnerving experience. The characters become
real to us, and their actions take on an importance they would not if the
circumstances seemed less intimate.
If the style looks familiar, that's because it resembles the approach used by
director Lars Von Trier in Breaking the Waves. Von Trier, Vinterberg,
and two other
Danish directors signed a pact (after the production of Breaking
the Waves) called "Dogme 95." A rejection of Hollywood's fascination with
special effects, Dogme 95 touts the value of cinematic simplicity: hand-held
cameras, natural sound and lighting, location filming only (no sets), and no
computer manipulation of images. The Celebration is the first feature
to bear the Dogme 95 seal of approval, meaning that it meets the standards
established by the charter.
The script, which transcends the clichés of the genre, is another reason for
The Celebration's success. Vinterberg and Mogens Rutov have penned a
tight, taut screenplay that addresses twisted family dynamics in an immediate
way, by combining effective drama with an undercurrent of dark humor. The film
touches on issues like child and spousal abuse, racism, and revenge, and, in
the process, it shows how difficult it can be to differentiate between love
and hate when the line between them becomes blurred.
Excerpted from a
review
by James Berardinelli
Theatrical Release: May, 1998 - Cannes Film Festival
Reviews More Reviews DVD Reviews
DVD Comparison:
Alliance Atlantis (Canada) - Region 1 - NTSC vs. Universal - Region 1 - NTSC vs. LP (Chinese) - Region 0 - NTSC
Big thanks to Bill McAlpine and Donald Brown for all the Screen Caps!
(Alliance Atlantis - Region 1- NTSC RIGHT vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - RIGHT)
DVD Box Covers |
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Distribution |
Alliance Atlantis (Canada) Region 1 - NTSC |
Universal Region 1 - NTSC |
LP Region 0 - NTSC |
Runtime | 1:40:39 (4% PAL speedup) | 1:45:15 | 1:40:38 (4% PAL speedup) |
Video |
1.32:1
Original Aspect Ratio Average Bitrate: 5.74 mb/s NTSC 720x480 29.97 f/s |
1.32:1
Original Aspect Ratio |
1.32:1
Original Aspect Ratio |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
Universal
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Bitrate:
LP (Chinese)
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Audio | Danish 2.0 Dolby Surround, French 2.0 Dolby Surround | Dolby Digital 2.0 |
Dolby Digital 5.1 |
Subtitles | English, None | English (burned in), English for the hearing impaired, Spanish, French | English, Traditional Chinese, none |
Features |
Release Information: Studio: Alliance Atlantis (Canada) Aspect Ratio:
Edition Details: Chapters 12 |
Release Information: Studio: Universal Aspect Ratio:
Edition Details: Chapters 18 |
Release Information: Studio: LP Aspect Ratio:
Edition Details:
DVD
Release Date: 2000? Chapters 9 |
Comments |
ADDITION (Alliance Atlantis - Dec -04)
- Well, this is quite as I am usually complaining about Alliance Atlantis
- a VERY poor DVD production company. But they have included removable
subtitles in this release and that outshines the other editions. I still
think that the Universal has a slight edge in the image, especially if you
consider that the Alliance Atlantis was taken from a PAL source. ****
The Universal edition is
slightly sharper than the Chinese disc, which is a PAL-to-NTSC transfer
and as such has 4% speed-up. The Chinese disc has a distinctly warmer
color cast, which is usually a good thing, but I'm not certain it's
preferable in this instance. Both DVDs display identical prominant digital
artifacting in the form of chroma and blocky pixilation, especially in
scenes with low light (which is much of the film). See the door and tub in
the third set of captures. This is no doubt inherent in the original
digital video master. It's very odd that the trailer on the R1 DVD
displays a much sharper and more pleasing image than is seen in the full
film. |
DVD Menus
(Alliance Atlantis - Region 1- NTSC RIGHT vs. Universal
- Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - RIGHT)
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Subtitle sample
(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
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Screen Captures
(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
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(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
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(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
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(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
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(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
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(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
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Report Card:
Image: |
Universal |
Sound: |
Alliance |
Extras: | - |
Menu: | Alliance |
DVD Box Covers |
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NOTE: Purchases through DVDBeaver's links to Amazon help keep us afloat and advertisement free! | |||
Distribution |
Alliance Atlantis (Canada) Region 1 - NTSC |
Universal Region 1 - NTSC |
LP Region 0 - NTSC |