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(aka "Festen" or "Dogme 1")
  directed 
  by Thomas Vinterberg
  
  Denmark 1998
  One of the key elements of The Celebration is the 
  style in which it is presented. Filmed using a shaky, hand-held camera with 
  natural lighting and little or no post-production (other than to transfer the 
  video image to a 35 mm negative), Verterberg's approach mimics the look of a 
  home movie. The effect is to make the viewer feel like he or she is part of 
  the action; an impotent observer seated at the table with all of these 
  individuals. It is a sometimes-unnerving experience. The characters become 
  real to us, and their actions take on an importance they would not if the 
  circumstances seemed less intimate.
  
  If the style looks familiar, that's because it resembles the approach used by 
  director Lars Von Trier in Breaking the Waves. Von Trier, Vinterberg, 
  and two other 
  
  Danish directors signed a pact (after the production of Breaking 
  the Waves) called "Dogme 95." A rejection of Hollywood's fascination with 
  special effects, Dogme 95 touts the value of cinematic simplicity: hand-held 
  cameras, natural sound and lighting, location filming only (no sets), and no 
  computer manipulation of images. The Celebration is the first feature 
  to bear the Dogme 95 seal of approval, meaning that it meets the standards 
  established by the charter.
  
  The script, which transcends the clichés of the genre, is another reason for
  The Celebration's success. Vinterberg and Mogens Rutov have penned a 
  tight, taut screenplay that addresses twisted family dynamics in an immediate 
  way, by combining effective drama with an undercurrent of dark humor. The film 
  touches on issues like child and spousal abuse, racism, and revenge, and, in 
  the process, it shows how difficult it can be to differentiate between love 
  and hate when the line between them becomes blurred.
  
  
  Excerpted from a
  review 
  by James Berardinelli
Theatrical Release: May, 1998 - Cannes Film Festival
Reviews More Reviews DVD Reviews
DVD Comparison:
Alliance Atlantis (Canada) - Region 1 - NTSC vs. Universal - Region 1 - NTSC vs. LP (Chinese) - Region 0 - NTSC
Big thanks to Bill McAlpine and Donald Brown for all the Screen Caps!
(Alliance Atlantis - Region 1- NTSC RIGHT vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - RIGHT)
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| Distribution | 
       Alliance Atlantis (Canada) Region 1 - NTSC  | 
      
       Universal Region 1 - NTSC  | 
      
      LP Region 0 - NTSC  | 
    
| Runtime | 1:40:39 (4% PAL speedup) | 1:45:15 | 1:40:38 (4% PAL speedup) | 
| Video | 
      1.32:1 
      Original Aspect Ratio  Average Bitrate: 5.74 mb/s NTSC 720x480 29.97 f/s  | 
      
       
      1.32:1 
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      1.32:1 
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| Audio | Danish 2.0 Dolby Surround, French 2.0 Dolby Surround | Dolby Digital 2.0 | 
       Dolby Digital 5.1  | 
    
| Subtitles | English, None | English (burned in), English for the hearing impaired, Spanish, French | English, Traditional Chinese, none | 
| Features |  
      Release Information: Studio: Alliance Atlantis (Canada) Aspect Ratio: 
      Edition Details: Chapters 12  | 
      
      Release Information: Studio: Universal Aspect Ratio: 
      Edition Details: Chapters 18  | 
      
      Release Information: Studio: LP Aspect Ratio: 
      Edition Details: 
      DVD 
      Release Date: 2000? Chapters 9  | 
    
| Comments | 
      ADDITION (Alliance Atlantis - Dec -04) 
      - Well, this is quite as I am usually complaining about Alliance Atlantis 
      - a VERY poor DVD production company. But they have included removable 
      subtitles in this release and that outshines the other editions. I still 
      think that the Universal has a slight edge in the image, especially if you 
      consider that the Alliance Atlantis was taken from a PAL source. **** 
      The Universal edition is 
      slightly sharper than the Chinese disc, which is a PAL-to-NTSC transfer 
      and as such has 4% speed-up. The Chinese disc has a distinctly warmer 
      color cast, which is usually a good thing, but I'm not certain it's 
      preferable in this instance. Both DVDs display identical prominant digital 
      artifacting in the form of chroma and blocky pixilation, especially in 
      scenes with low light (which is much of the film). See the door and tub in 
      the third set of captures. This is no doubt inherent in the original 
      digital video master. It's very odd that the trailer on the R1 DVD 
      displays a much sharper and more pleasing image than is seen in the full 
      film.  | 
    
  
  DVD Menus
  (Alliance Atlantis - Region 1- NTSC RIGHT vs. Universal 
  - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - RIGHT)
 
      
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Screen Captures
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(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
              
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(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
                
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(Alliance Atlantis - Region 1- NTSC TOP vs. Universal - Region 1 - NTSC - MIDDLE vs. LP (Chinese) - Region 0 - NTSC - BOTTOM)
                  
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Report Card:
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             Image:  | 
            
             Universal  | 
          
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             Sound:  | 
            
             Alliance  | 
          
| Extras: | - | 
| Menu: | Alliance | 
| DVD Box Covers | 
      
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| NOTE: Purchases through DVDBeaver's links to Amazon help keep us afloat and advertisement free! | |||
| Distribution | 
       Alliance Atlantis (Canada) Region 1 - NTSC  | 
      
       Universal Region 1 - NTSC  | 
      
      LP Region 0 - NTSC  |