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S E A R C H D V D B e a v e r |

(aka "In the Mood For Love" or "Hua yang nian hua")
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Hong Kong,
1962: Chow Mo-wan and Su Li-zhen move into neighboring apartments on the same
day. Their encounters are polite and formal—until a discovery about their
respective spouses sparks an intimate bond. At once delicately mannered and
visually stunning, Wong Kar-wai’s In the Mood for Love is a masterful evocation
of romantic longing and fleeting moments in time. |
The TF1 version is on the TOP 100 List of DVDs.
Posters
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Theatrical Release Date: February 26, 2001
Reviews More Reviews DVD Reviews
Comparison:
Criterion - Region 0 - NTSC vs. TF1/Ocean (France) - Region 2 - PAL vs. Criterion - Region 'A' - Blu-ray
Big thanks to Ole of DVDBasen for the PAL Screen Caps!
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1) Criterion - Region 0 - NTSC - LEFT 2) TF1 - Region 2 - PAL - MIDDLE3) Criterion - Region 'A' - Blu-ray - RIGHT
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| Box Covers |
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NOTE: The UK Tartan Double Disc version HERE is also available with the same transfer as the TF1 double-disc set. |
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NOTE: The TF1 Single Disc version HERE is also available with the same transfer as the double-disc set. |
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| Distribution |
Criterion Collection Spine #147 Region 1 - NTSC |
TF1 Vidéo
/ Océan Films
Region 2 - PAL |
Criterion Collection - Spine #147 - Region 'A' - Blu-ray |
| Runtime | 1:38:42 | 1:33:54 (+ 4% PAL Speedup = 98 min) | 1:38:40.956 |
| Video |
1:66:1
WideScreen 16X9 enhanced |
1:62:1
WideScreen 16X9 enhanced |
1080P Dual-layered Blu-rayDisc Size: 47,258,476,411 bytesFeature: 21,942,011,904 bytes Video Bitrate: 24.86 MbpsCodec: MPEG-4 AVC Video |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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| Bitrate:
Criterion
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| Bitrate:
TF1/Ocean |
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Bitrate:
Blu-ray |
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| Audio |
Cantonese and Shanghainese (Dolby Digital 5.0) Music and Effects Dolby Digital 2.0 Surround |
Cantonese Dolby Digital 5.1 Surround |
DTS-HD Master Audio Cantonese and Shanghainese 3216 kbps 5.1 / 48 kHz / 3216 kbps / 24-bit (DTS Core: 5.1 / 48 kHz / 1509 kbps / 24-bit) |
| Subtitles | English and none | German, English, Spanish, French, Italian, Greek, Dutch and none | English and none |
| Features |
Release Information: Studio: Criterion Collection
Aspect Ratio:
Edition Details:
DVD 1:
DVD 2:
DVD
Release Date: 5 March 2002 |
Release Information: Studio: TF1 Vidéo
Aspect Ratio:
Edition Details: DVD 1: DVD 2:
DVD
Release Date: 5 September 2001 |
Release Information: Studio: Criterion Collection Aspect Ratio: 1.66:1 1080P Dual-layered Blu-rayDisc Size: 47,258,476,411 bytesFeature: 21,942,011,904 bytes Video Bitrate: 24.86 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Hua Yang de Nian Hua, a short film by Wong Kar-wai (1.33:1, DD 1.0 Mono, 2:32) • @ In the Mood for Love, a documentary about the making of the film (51:12) • 2 Interviews with Wong Kar-wai at the 2001 Cannes Film Festival (22:15 + 15:52) • Toronto International Film Festival press conference with stars Maggie Cheung Man-yuk & Tony Leung Chiu-wai (43:33) • Tony Rayns on In the Mood For Love (23:49) • Tony Rayns on the music of In the Mood for Love (8:03) • 1 Hong Kong TV spot • 1 HK Trailer • 1 US TV spot • 1 US trailer • 1 French TV spot • 1 French trailer • a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi-chang story that provided thematic inspiration for the film
Blu-ray Release Date: October 2nd, 2012 |
Recommended Reading in Chinese/Hong Kong/Taiwanese Cinema (CLICK COVERS or TITLES for more information)
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Memoirs from the Beijing Film Academy
by Zhen Ni, Chris Berry, Ni Zhen |
Zhang Yimou: Interviews (Conversations With
Filmmakers) by Frances Gateward |
Chinese Films in Focus: 25 New Takes by Chris Berry |
Wong Kar-Wai: Auteur of Time (Bfi World Directors) by Stephen Teo |
China into Film: Frames of Reference in Contemporary
Chinese Cinema (Envisioning Asia) by Jerome Silbergeld |
New Chinese Cinemas
by Nick Browne |
Once Upon a Time in China : A Guide to Hong Kong,
Taiwanese, and Mainland Chinese Cinema by Jeff Yang |
Chinese Film Theory by George S. Semsel |
Check out more in "The Library"
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NOTE: The below Blu-ray captures were ripped directly from the Blu-ray disc. ADDITION: Criterion - Region 'A' - Blu-ray (September 2012): Advertised as a "New, restored high-definition digital transfer, supervised by director of photography Mark Lee Ping-bin" Criterion's 1080P transfer of Wong Kar-wai's In the Mood For Love looks... magnificent. It improves in all the expected areas - but more so than I was anticipating. I kept thinking this was a different rendering than the source used for the 2002 Criterion DVD. It tightens, colors are crisper and the overall image is brighter. There is more information in the frame - often, notably at the bottom. The meticulous period art direction significantly benefits with more vibrant colors. The 'moods' in alleys and shadows are defined so well with the HD contrast levels. This is scrumptious. Not a hint of noise or flaws of any kind. Unless I can compare it to something else one day - it's easy to say this is the best the film has looked outside the cinema. Hypnotic...The Hong Kong Cantonese and Shanghainese dialect is perfectly realized via the DTS-HD Master surround at 3216 kbps. Atmospheric effects like water dripping, faint whispers and other subtleties are discreetly sent to scattered corners of the room. Benefiting strongly is the original music by Mike Galasso and Shigeru Umebayashi - including "Yumeji's Theme" with penetrating violin sounding deep and impacting. There are optional English subtitles on the region 'A'-locked Blu-ray disc. We lose some supplements from the Criterion DVD (but gain others). Gone is the interactive essay by film scholar Gina Marchetti on In the Mood for Love, the Photo gallery, the biographies of key cast and crew on the DVD edition and the liner notes portion with the essay by film critic Li Cheuk-to, and director’s statement. We keep the deleted scenes, with commentary by Wong, the director's very short film Hua yang de nian hua (2000), archival interview with Wong and a “cinema lesson” given by the director at the 2001 Cannes Film Festival, the Toronto International Film Festival press conference from 2000, with Maggie Cheung Man-yuk and Tony Leung Chiu-wai and the Trailers and TV spots. New are two excellent new interviews with critic Tony Rayns, one about the film and the other about the soundtrack, featuring musical cues - lasting over 1/2 an hour in total. The liner notes have a booklet featuring an essay by novelist and film critic Steve Erickson and the Liu Yi-chang story that provided thematic inspiration for the film. I am extremely pleased with this release. I haven't watched In the Mood For Love in a while - and I know why - it totally drains me. What a masterpiece of cinema - I look forward to watching it again tomorrow... brilliant Blu-ray package from Criterion. Our highest recommendation! *** ON THE DVDs: I am a huge fan of Criterion, but I also have a great fondness for this particular film and I suggest that Criterion has not done their usual fine job when we compare it to the TF1/Ocean Region 2 DVD. I have quite a bit to say, so I better get started.Criterion again have vertically cropped their image (see all captures). I still am totally baffled why they seem to do this on so many releases. It is quite slight, but is now further augmented by horizontally cropping as well in this release. I am beginning to suspect that vertical cropping is standard to their operations and the horizontal cropping is there to put the image back into aspect ratio. Regardless, this is an issue, one I am unhappy to report. One of the two transfers aspect ratio is slightly off. The TV1 characters look taller and thinner while the Criterion look fatter. This is evident by looking in their faces (capture #6). This is pretty negligible and am willing to give Criterion the benefit of the doubt in this case, but will be able to judge when I add one (or both) of the other two version of this film that I have on DVD... a Seville Pictures version and a Hong Kong version. Colors: Criterion skin tones look more red, a telltale of contrast boosting (capture #2). Their colors are more vibrant than the TF1 version also leading me to believe that they have been enhanced. I suppose the TF1 could have dampened their colors, but it is far more likely that Criterion have boosted theirs slightly. What happens when this is done is we lose some detail and sure enough the TF1 is sharper (capture#2 and #3 it is most prevalent). Because the Criterion is brighter, this is further evidence that it has been adjusted. This is not a 'hard and fast rule' that the brighter image is the weaker, but is true in the vast majority of release comparisons. The Extras speak for themselves and I cannot, in good conscience, give the nod to one over the other. They are both spectacular and true devotees of this film will want both version just for the supplements. The sound likewise is excellent on both, but the TF1 offers more options for subtitles and audio. This is probably not important to most DVD buyers who read this, but it again shows the care put into the TF1 release. I think the TF1 is a limited edition and like the "The Umbrellas of Cherbourg" Region 2 (France) release will become unavailable through normal e-tailors soon. I say buy the TF1 DVD 2 pack (or single disc which is also available) while you still can. I can't scold my favorite distributor Criterion too much, but I think perhaps haste may have made them err where they usually are leading the pack. - Gary. W Tooze NOTE: In an article in CinemaScope magazine Jonathan Rosenbaum states "I would argue that the two-disc French edition of Wong-kar Wai's "In the Mood For Love" from Océan Films is superior in design to two-disc US version from Criterion, even though Criterion's transfer of the film is better..." Obviously I disagree about the transfer and hope this particular page proves me correct. NOTE: Discussed on a Danish forum, one of the members (who actually have lived in HK a years time and have been a reviewer on several Danish publications) who is a big WKW fan have owned both the French, Criterion's and seen the movie in the theatre. He say's that the colors of the French is similar to the experience he had in the theatre, the soundtrack has more or less the same quality and the black levels of the French are perfect. |

DVD Menus
(Criterion -
Region 0 - NTSC - LEFT vs. TF1 - Region 2 - PAL - RIGHT)
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Disc 2 Menus
(Criterion - Region 0 - NTSC - LEFT vs. TF1 - Region 2 - PAL - RIGHT)
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Blu-ray
Disc One Menus
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
Subtitle sample - Criterion - Region 'A' - Blu-ray
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Capture #1
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1) Criterion - Region 0 - NTSC - TOP 2) TF1 - Region 2 - PAL - MIDDLE3) Criterion - Region 'A' - Blu-ray - BOTTOM |
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Capture #2
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1) Criterion - Region 0 - NTSC - TOP 2) TF1 - Region 2 - PAL - MIDDLE3) Criterion - Region 'A' - Blu-ray - BOTTOM |
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Capture #3
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1) Criterion - Region 0 - NTSC - TOP 2) TF1 - Region 2 - PAL - MIDDLE3) Criterion - Region 'A' - Blu-ray - BOTTOM |
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Capture #4
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1) Criterion - Region 0 - NTSC - TOP 2) TF1 - Region 2 - PAL - MIDDLE3) Criterion - Region 'A' - Blu-ray - BOTTOM
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Capture #5
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1) Criterion - Region 0 - NTSC - TOP 2) TF1 - Region 2 - PAL - MIDDLE3) Criterion - Region 'A' - Blu-ray - BOTTOM
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Capture #6
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1) Criterion - Region 0 - NTSC - TOP 2) TF1 - Region 2 - PAL - MIDDLE3) Criterion - Region 'A' - Blu-ray - BOTTOM
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Capture #7
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1) Criterion - Region 0 - NTSC - TOP 2) TF1 - Region 2 - PAL - MIDDLE3) Criterion - Region 'A' - Blu-ray - BOTTOM
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Report Card:
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Image: |
Blu-ray |
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Sound: |
Blu-ray |
| Extras: | - |
| Box Covers |
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![]() |
NOTE: The UK Tartan Double Disc version HERE is also available with the same transfer as the TF1 double-disc set. |
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![]() |
NOTE: The TF1 Single Disc version HERE is also available with the same transfer as the double-disc set. |
||
| Distribution |
Criterion Collection Spine #147 Region 1 - NTSC |
TF1 Vidéo
/ Océan Films
Region 2 - PAL |
Criterion Collection - Spine #147 - Region 'A' - Blu-ray |
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Gary Tooze
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Many Thanks...
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