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S E A R C H    D V D B e a v e r

(aka 'Dead Man" or "Jim Jarmusch's Dead Man')

directed by Jim Jarmusch
USA 1995

With Dead Man, his first period piece, Jim Jarmusch imagined the nineteenth-century American West as an existential wasteland, delivering a surreal reckoning with the ravages of industrialization, the country’s legacy of violence and prejudice, and the natural cycle of life and death. Accountant William Blake (Johnny Depp) has hardly arrived in the godforsaken outpost of Machine before he’s caught in the middle of a fatal lovers’ quarrel. Wounded and on the lam, Blake falls under the watch of the outcast Nobody (Gary Farmer), who guides his companion on a spiritual journey, teaching him to dispense poetic justice along the way. Featuring austerely beautiful black-and-white photography by Robby Müller and a live-wire score by Neil Young, Dead Man is a profound and unique revision of the western genre.

***

Jim Jarmusch's Dead Man, a disturbing, mysterious black-and-white western, opens with someone named William Blake (Johnny Depp), a recently orphaned accountant from Cleveland, traveling west on a train with the promise of a job at a metal works in a town called Machine. He keeps dozing off and waking to new sets of fellow passengers, including several who fire their guns out the windows at a herd of buffalo. (Such occurrences were common in the 1870s, encouraged by the government as a means of wiping out Indians by eliminating one of their staples; in 1875, over a million buffalo were slaughtered.)

When Blake arrives at his destination--a nightmarishly squalid settlement of festering meanness and pollution--he's told derisively by both Dickinson (Robert Mitchum), the blustering, hostile metal-works owner, and one of his henchmen (John Hurt) that they no longer need an accountant, having filled the position some time ago. After repairing to a saloon to spend the remainder of his meager supply of cash on a small bottle of whiskey, Blake runs into a former prostitute named Thel (Mili Avital) selling paper flowers and winds up in bed with her. Later that night Thel's former lover (Gabriel Byrne)--who happens to be Dickinson's son--bursts in and, after a brief exchange, shoots her dead and seriously wounds Blake in the chest with the same bullet. Grabbing Thel's bedside pistol, Blake fires back three times, eventually hitting his assailant in the neck, and makes a clumsy getaway on the man's pinto after falling out the window.

Excerpt from Jonathan Rosenbaum's review at the Chicago Reader located HERE

Posters

Theatrical Release: May 26th, 1995 - Cannes Film Festival

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Comparison:

Miramax Home Entertainment - Region 1 -  NTSC vs. BAC - Region FREE - Blu-ray vs. Criterion - Region 'A' - Blu-ray

1) Miramax - Region 1 - NTSC LEFT

2) BAC - Region FREE - Blu-ray MIDDLE

3) Criterion - Region 'A' - Blu-ray RIGHT

Box Covers

 

Released by Lions Gate on Blu-ray in the US in January 2015:

Distribution Miramax  - Region 1- NTSC BAC  - Region FREE - Blu-ray Criterion Spine # 919 - Region 'A' - Blu-ray
Runtime 2:01:08 2:01:05.132 2:01:29.282
Video 1.78:1 Original Aspect Ratio
Average Bitrate: 5.91 mb/s
NTSC 720x480 29.97 f/s

1080P Single-layered Blu-ray

Disc Size: 18,009,825,028 bytes

Feature: 17,570,420,736 bytes

Video Bitrate: 17.99 Mbps

Codec: MPEG-4 AVC Video

1080P Dual-layered Blu-ray

Disc Size: 49,536,618,939 bytes

Feature: 35,702,716,416 bytes

Video Bitrate: 34.92 Mbps

Codec: MPEG-4 AVC Video

NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.

Bitrate:

DVD

Bitrate: BAC

Blu-ray

Bitrate: Criterion

Blu-ray

Audio English (Dolby Digital 2.0 Stereo)  Dolby Digital Audio English 224 kbps 2.0 / 48 kHz / 224 kbps
Dolby Digital Audio French 224 kbps 2.0 / 48 kHz / 224 kbps

DTS-HD Master Audio English 2068 kbps 2.0 / 48 kHz / 2068 kbps / 24-bit (DTS Core: 2.0 / 48 kHz / 1509 kbps / 24-bit)
Commentary:

Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps

Subtitles English (close captioned), French, None French (forced when English audio is chosen), None (optional when French audio is chosen) English (SDH), None
Features

Release Information:
Studio: Miramax Home Entertainment

Aspect Ratio:
Original aspect Ratio 1.78:1

Edition Details:

• Deleted Scenes (3:28)
• Outtakes (14:53)
• Dead Man Theme music video (2:40)

• Trailer (1:55)

DVD Release Date: September 7th, 2004

Keep Case
Chapters: 19

Release Information:
Studio: BAC (France)

1.78:1 1080P Single-layered Blu-ray

Disc Size: 18,009,825,028 bytes

Feature: 17,570,420,736 bytes

Video Bitrate: 17.99 Mbps

Codec: MPEG-4 AVC Video

Edition Details:

• none

Blu-ray Release Date: November 5th, 2008
Standard
Blu-ray Case
Chapters: 16

Release Information:
Studio:
Criterion

1.85:1 1080P Dual-layered Blu-ray

Disc Size: 49,536,618,939 bytes

Feature: 35,702,716,416 bytes

Video Bitrate: 34.92 Mbps

Codec: MPEG-4 AVC Video

Edition Details:

• New Q&A in which Jarmusch responds to questions sent in by fans (47:42)
Rarely seen footage of Neil Young composing and performing the film’s score (25:22 + Video - 3:31)
• New interview with actor Gary Farmer (26:47)
• New readings of William Blake poems by members of the cast, including Mili Avital, Alfred Molina, and Iggy Pop (7:30)
• New selected-scene audio commentary by production designer Bob Ziembicki and sound mixer Drew Kunin
• Deleted scenes (14:59)
• Jarmusch’s location scouting photos

• Trailer (2:37)
• PLUS: Essays by film critic Amy Taubin and music journalist Ben Ratliff

Blu-ray Release Date: April 24th, 2018
Transparent
Blu-ray Case
Chapters: 14

 

 

Comments:

NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc.

ADDITION: Criterion - Region 'A' Blu-ray - March 18': The Criterion is advertised as a "New 4K digital restoration, supervised and approved by director Jim Jarmusch". The monochromatic appearance looks magnificent. It bests the 1.78:1 BAC in every visuals area - it has more information in the frame - notably on the left edge with a sliver less on the right edge - it has beautifully layer contrast, the image is tight and the grains is fine and consistent. The matched screen captures support the vast improvement of the 4K restoration. It is in the 1.85:1 aspect ratio.

Audio comes in a 2.0 surround DTS-HD Master Audio soundtrack (24-bit) and the effects (train, gunshots, horses etc.) sound clean and rich - but mostly the lossless transfer benefits the sublime, improvised, score by the iconic Neil Young (with his music in countless films from Paul Schrader's Hardcore to Sam Mendes' American Beauty). It is beautifully supportive of the film's tone - and Criterion add optional English (SDH) subtitles on their Region 'A'-locked Blu-ray disc.

Criterion include an excellent, new, selected-scene audio commentary by production designer Bob Ziembicki and sound mixer Drew Kunin who cover so much from the film's Death poses, the 'Cleveland' running joke, and, obviously, a lot on the sets and audio, people shaking the train, the colors that aren't shown (Depp's jacket), theories on when the 'death' occurs etc. There are some long gaps (hence scene select) but there is a lot here and fans will love the input. We also get a 3/4 hour new Q&A in which Jarmusch responds to questions sent in by fans from around the world. It was from November 2017 and is a great watch. There is some, dark, rarely seen footage - 25-minutes worth - of Neil Young composing and performing the film’s score while watching the film followed by a 3.5 minute video. Thee is a new, 27-minute, interview with actor Gary Farmer who describes Jarmusch coming to Toronto and discussing the project with him for a couple of days and his involvement in the film. Some may appreciate new, brief, readings of William Blake poems by members of the cast; Mili Avital, Alfred Molina, and Iggy Pop running over 7-minutes in total. There are 1/4 hour's worth of, poor quality, deleted scenes and a selection of Jarmusch’s location scouting photos in Arizona, Nevada and Oregon - plus there is a trailer. The package has a liner notes booklet with essays by film critic Amy Taubin and music journalist Ben Ratliff.

Dead Man is a masterpiece. It is subtle and rich - a fascinating journey. The Criterion Blu-ray is immaculate - one of the most satisfying packages of the early year. It has our highest recommendation!   

 

***

ADDITION: BAC - Region FREE Blu-ray - June 09': Not much to say - it's a bit of a puny single-layered Blu-ray - not worthy of the film. Contrast is a better, detail as well - but not enough. The big rap against this BAC Blu-ray is that it has forced French subtitles when the English audio is chosen. My Momitsu tells me it's region FREE but with no extras either this deserves a pass till a more bona-fide edition can come out. The MiraMax DVD remains quite strong and is definitely worth picking up for the film.  

 

***

 

ON THE DVD: This is a very good DVD. The picture quality is excellent, it has some decent, if not illuminating, extras, is anamorphic and has removable close-captioned subtitles. I guess another of the big pluses of this intriguing film-on-DVD is that the price is very reasonable. This appears to be as clean and sharp a black and white print as I can remember and is accented further by the great outdoor cinematography. For Jarmusch fans and those ready to become one - this is a must-own DVD.  out of    

Gary W. Tooze

 


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Criterion - Region 'A' - Blu-ray


 


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3) Criterion - Region 'A' - Blu-ray BOTTOM

 


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2) BAC - Region FREE - Blu-ray MIDDLE

3) Criterion - Region 'A' - Blu-ray BOTTOM

 


1) Miramax - Region 1 - NTSC TOP

2) BAC - Region FREE - Blu-ray MIDDLE

3) Criterion - Region 'A' - Blu-ray BOTTOM

 


1) Miramax - Region 1 - NTSC TOP

2) BAC - Region FREE - Blu-ray MIDDLE

3) Criterion - Region 'A' - Blu-ray BOTTOM

 


1) Miramax - Region 1 - NTSC TOP

2) BAC - Region FREE - Blu-ray MIDDLE

3) Criterion - Region 'A' - Blu-ray BOTTOM

 

1) Miramax - Region 1 - NTSC TOP

2) BAC - Region FREE - Blu-ray MIDDLE

3) Criterion - Region 'A' - Blu-ray BOTTOM

 

1) Miramax - Region 1 - NTSC TOP

2) BAC - Region FREE - Blu-ray MIDDLE

3) Criterion - Region 'A' - Blu-ray BOTTOM

 


More Blu-ray captures

1) BAC - Region FREE - Blu-ray TOP

2) Criterion - Region 'A' - Blu-ray BOTTOM

 

 

1) BAC - Region FREE - Blu-ray TOP

2) Criterion - Region 'A' - Blu-ray BOTTOM

 

 

More Criterion - Region 'A' - Blu-ray Captures

 


 

Box Covers

 

Released by Lions Gate on Blu-ray in the US in January 2015:

Distribution Miramax  - Region 1- NTSC BAC  - Region FREE - Blu-ray Criterion Spine # 919 - Region 'A' - Blu-ray



 

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Gary Tooze