(aka "Suchwiin bulmyeong" )
directed by Ki-duk Kim
South Korea 2001
Overlooked by many, as the attention for
many years has been towards the films of Kim released widely in the west,
and also because it is a low-budget film, Address Unknown is the first of
three films about male identity, followed by
Bad Guy and
The Coast Guard,
and is as brutal and savage as the rest of Kim’s films, despite that it may
lack the polished look of other films.
Kim attacks how the presence of American soldiers corrupts the Korean soul.
Children of Korean women and American soldiers are bastards without
nationality nor identity, and the only contributions to the community that
the US Army has given is poverty, drugs, violence, discrimination,
alcoholism and impotence. The new friendship with America even changed the
official perception of the past, thus once war time heroes now traitors.
Composing his mise-en-scene as an arid wasteland inhabited by estranged
Koreans opposite an army base and city, which is portrayed as a Sodom and
Gomorra, which corrupts the Korean soul with everything what’s ugly about
America. An especially telling composition of Kim is showing a mixed couple
– she Korean, him army – being painted in front of airbrushed paintings of
Jesus and a confederate soldier.
Theatrical Release: June 2, 2001
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DVD Review: Tartan - Region 0 - PAL
Big thanks to Henrik Sylow for the Review!
DVD Box Cover |
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Distribution |
Tartan Region 0 - PAL |
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Runtime | 1:58:59 | |
Video |
1.75:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | 2.0 Dolby Digital Korean, 5.1 Dolby Digital Korean, DTS Korean | |
Subtitles | English, None | |
Features |
Release Information: Studio: Tartan Aspect Ratio:
Edition Details: Chapters 15 |
Comments |
Flat
colours, low resolution in details, colour banding, edge enhancement,
contrast boosting, cropped or overscanned, NTSC to PAL conversion
issues. This is poor quality. Sound is also rather flat, and I prefer the 2.0 Dolby Digital, as the surrounds sounds like the have been forced to be surround. Additional material is a very brief introduction and a brief interview, where Kim talks about interpreting the film. |
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