directed
by Christopher Nolan
USA 2005
In the fall of 2000, Warner began talking about reviewing
the Batman franchise, which Burton created and Schumacher destroyed. Every
possible idea was put on the table, even a “Batman vs. Superman” film, but at
the end of the day, the only thing they knew was, that they had to review the
franchise.
A decision was made to have Darren Aronofsky direct; George Clooney would
return as Batman and Aronofsky began writing a script with Frank Miller, based
on his Year One. But then suddenly in the summer of 2002 Aronofsky was
replaced by Wolfgang Peterson, who didn’t do a lot until he left for “Troy”
and long story short, the choice fell on Christopher Nolan to direct.
Nolan insisted on two things: The first was, that Christian Bale was to play
Bruce Wayne / Batman, which almost didn’t happened, as Bale just had finished
shooting “The Machinist”, for which he had lost 65 lbs. The second was, that
they had to rethink Batman. It had to be a classic Batman tale, yet look like
nothing that ever had been done before. Together with David Goyer, Nolan began
to read up on 65 years of Batman mythology and history, using some of the
Miller / Aronofsky script as a base, but also drawing from other sources,
especially the Batman stories of O'Neils (Birth of the Demon, Tales of the
Demon), as Goyer wanted the villain to be Ra’s Al Ghul. However, the most
useful element of Nolan’s story became the black holes in the history of
Batman. These gaps in the chronology offered Nolan and Goyer a place where
their imagination could run wild and create a new side of the myth.
What’s new is, that Nolan makes Batman and Wayne three-dimensional. Why the
bat motif? Why dress up like a bat and run around fighting crime? Why a lot of
things; and all questions answered by Nolan.
Where Burton’s Batman / Wayne was two-dimensional in the sense that there were
two one-dimensional archetypical sides, being internal, secluded and a thinker
foremost, Nolan’s Batman is all three-dimensional external, an idiot playboy
and a man of action; not that he doesn’t think, more that he hasn’t got the
discipline to sit and meditate over a problem.
Significant here is, that both Batman and Wayne wears a mask. Unlike previous
Bruce Waynes', Nolan shows, that it is as heavy, if not more so, a burden to
act like a moron in public for an intelligent person as Wayne, as it is to
keep his Batman persona a secret. It comes almost as a relief, as those close
to Wayne are permitted to know his true identity; and then again not. The
burden is evermore.
In “Batman Begins”, no one would ever believe Wayne to be Batman, if he were
unmasked. His Wayne persona is so irresponsible, that when his house is burned
down, the press reports “Drunk billionaire burns down his own house.”
Another issue Nolan tackles is the meaning of the bat, what it represents, the
fear and its origin. A signature motif of Nolan, which he has explored in all
films, the nature of what we believe we see and what we really see, here thru
various means, from the methods of Scarecrow and the Ra's al Ghul's ninjas, to
the ideology of batman. In regards to the meaning of the bat, it is fear, and
fear is the central theme throughout the film, in the actions of Ra's al Ghul, in
the past and present of Wayne, in the projection of the bat image; Nolan
stresses the word "fear" and "afraid" over and over again
throughout entire first
45 minutes. To have such depth in both character and leitmotivs gives “Batman
Begins” a narrative strength which surpasses the complexity of The Penguin in Burton’s “Batman Returns”.
Thanks to a very strong script, where one both can hear and feel how much
thought and homage was put into each word, and aided by an impressive cast,
Liam Neeson, Michael Caine, Morgan Freeman, Gary Oldman, Tom Wilkinson, Rutger
Hauer and Cillian Murphy, “Batman Begins” dwells in strong characters. Caine
is the definitive Alfred; everyone else pales next to his dry British sarcasm
and butlers code, and has some of the best lines in the film. There has been a
lot of talk about Katie Holmes, but she is actually quiet good here, and does
in no way pull the film down.
One thing remains. Is “Batman Begins” a better film than “Batman Returns”. The
answer is no one can tell. It is a better written script, the story is better
and more complex, but it lacks a villain as The Penguin and Burton's set
design. It is two completely different forms of film. Return is pure
Burtonesque comic book, Begins is gothic character study.
“Batman Begins” is the best (super)hero film since Singer’s “X-Men 2”, which
together with Burton’s “Batman Returns” forms a trio of highly entertaining
masterpieces of comic book cinema.
Posters
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Theatrical Release: June 10, 2005 (limited Russia) - June 15, 2005 (general)
Reviews More Reviews DVD Reviews
DVD Comparison:
Warner (2-Disc Special Edition) - Region 2, 5 - PAL vs. Warner (Single disc - Widescreen) - Region 1 - NTSC
Big thanks to Henrik Sylow for the Review!
(Warner (2-Disc Special Edition) - Region 2, 5 - PAL LEFT vs. Warner (Single disc - Widescreen) - Region 1 - NTSC RIGHT)
DVD Box Cover |
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Distribution |
Warner Europe Region 2, 5 - PAL |
Warner Region 1 - NTSC |
Runtime | 2:14:17 (4% PAL speedup) | 2:19:50 |
Video |
2.40:1 Original Aspect Ratio
16X9 enhanced |
2.35:1 Original Aspect Ratio
16X9 enhanced |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Bitrate |
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Audio | 5.1 Dolby Digital English (384 Kbps), 5.1 Dolby Digital Polish (VO) (384 Kbps), 2.0 Dolby Digital Russian (192 Kbps) | English (Dolby Digital 5.1), DUB: French (Dolby Digital 5.1) |
Subtitles | English, Danish, Norwegian, Swedish, Finnish, Estonian, Greek, Lettik, Polish and None | English, Spanish, French and none |
Features |
Release Information: Studio: Warner Europe Aspect Ratio:
Edition Details: Chapters 40 |
Release Information: Studio: Warner Aspect Ratio:
Edition Details: Chapters 40 |
Comments |
ADDITION: Warner - Region 1- NTSC - Dec 05': I don't see any
discernable differences in this image and aside from the obvious (extras,
dubs, sub options) it is quite a similar product. If I was forced to
choose I might say the PAL is slightly sharper. Personally I am not a fan
of the film, but feel you will get a decent version from this Warner title
on DVD no matter where you reside. Gary Tooze
***** The
Transfer |
DVD Menus
(Warner (2-Disc Special
Edition) - Region 2, 5 - PAL LEFT vs. Warner (Single disc - Widescreen)
- Region 1 - NTSC RIGHT)
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Screen Captures
(Warner (2-Disc Special Edition) - Region 2, 5 - PAL TOP vs. Warner (Single disc - Widescreen) - Region 1 - NTSC BOTTOM)
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(Warner (2-Disc Special Edition) - Region 2, 5 - PAL TOP vs. Warner (Single disc - Widescreen) - Region 1 - NTSC BOTTOM)
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(Warner (2-Disc Special Edition) - Region 2, 5 - PAL TOP vs. Warner (Single disc - Widescreen) - Region 1 - NTSC BOTTOM)
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(Warner (2-Disc Special Edition) - Region 2, 5 - PAL TOP vs. Warner (Single disc - Widescreen) - Region 1 - NTSC BOTTOM)
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(Warner (2-Disc Special Edition) - Region 2, 5 - PAL TOP vs. Warner (Single disc - Widescreen) - Region 1 - NTSC BOTTOM)
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(Warner (2-Disc Special Edition) - Region 2, 5 - PAL TOP vs. Warner (Single disc - Widescreen) - Region 1 - NTSC BOTTOM)
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(Warner (2-Disc Special Edition) - Region 2, 5 - PAL TOP vs. Warner (Single disc - Widescreen) - Region 1 - NTSC BOTTOM)
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