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directed by Ron
Peck
UK 1978
When Nighthawks was first released 30 years ago our world was
undoubtedly a different place. Key gay rights had still yet to be won, and
low-budget independent British films were influenced by international arthouse
directors such as Pasolini, Fassbinder, Warhol/Morrisey, Wenders and Chantal
Akerman. Nighthawks defies categorisation, its compelling cyclical structure
interspersing the daily work of schoolteacher with his documentation of changing
urban spaces and nights spent cruising bars and clubs in search of Mr Right.
Leading a mixed cast of actors and non-professionals, Ken Robertson excels in a
brave performance that confounded critics at the time. This stunning restoration
by the BFI reveals Nighthawks to be one of the great undervalued films of the
1970s. *** This is a the life of a gay man (pre-AIDS), a teacher in London, who does not flaunt his homosexuality but is certainly discreet about it even with his closer colleagues/friends... although they are aware. At nights he cruises the local gay clubs in search of someone to fill his empty void (no pun intended), if only for the evening. His relationships are frequent and lacking depth. All the characters are affable and it becomes conclusive, through a series of plot-less tableaux's, that this lifestyle is very commonplace for those born with his shared sexual preference. Shot with an independent grainy feel, which does help bring out the realism, perhaps its biggest failing is that it is only reporting the issue. It proves to be an important one especially at the time the film was made, but it could have been enhanced to include some social solutions - gone further. The films mundane feel sends the storyline into a directionless spiral, but I still found it both captivating and of interest for the entire viewing with an ever-present sense of the impending - like something was going to happen. There are no bold examinations or statements but the subtle message of the impersonal loneliness of the sheltered gay community, at this juncture in history, can have an educational impact on many. Unfortunately, those most in need of seeing the film will probably watch the Stallone shared-title instead. |
Theatrical Release: November 1978
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Comparison:
Second Run - Region 2,4 - PAL vs. BFI - Region FREE - Blu-ray
Second Run - Region 2,4 - PAL LEFT vs. BFI - Region FREE - Blu-ray RIGHT
DVD Box Cover |
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Distribution | Second Run DVD - Region 2, 4 - PAL | BFI Video - Region FREE - Blu-ray |
Runtime | 1:48:52 | 1:53:25.799 |
Video | 1.33:1
Original Aspect Ratio Average Bitrate: 5.3 mb/s PAL 720x576 25.00 f/s |
1080P Dual-layered Blu-ray Disc Size: 48,313,466,248 bytes Feature: 27,822,078,720 bytes Codec: MPEG-4 AVC VideoVideo Bitrate: 29.5 Mbps |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate: DVD |
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Bitrate: Blu-ray |
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Audio | English (Dolby Digital 2.0) | LPCM Audio English 1536 kbps 2.0 / 48 kHz / 1536 kbps / 16-bit |
Subtitles | None | None |
Features |
Release Information: Edition Details: • Short
Film By Ron Peck |
Release Information: 1080P Dual-layered Blu-ray Disc Size: 48,313,466,248 bytes Feature: 27,822,078,720 bytes Codec: MPEG-4 AVC VideoVideo Bitrate: 29.5 MbpsEdition Details: • DVD of Strip Jack Naked
• It's Ugly Head (13:06 in HD!) • Pilot - Opening Sequence (13:55 SD)
• It's Ugly Head (12:43 SD) |
Comments: |
NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. ADDITION: BFI - Region FREE Blu-ray - June 09': Firstly, the BFI have packaged a Blu-ray of Nighthawks and included a DVD of Nighthawks II: Strip Jack Naked which was made thirteen years later.
I'm fascinated with what 1080P resolution can do to older, and more
limited production, films. I can't add to much more to what you can see
from the
Blu-ray
captures of Nighthawks
captures below. the BFI Blu-ray has superior color rendering, the grain
structure is far more intact and there is a significant amount of
additional information in the frame. the image on the
Blu-ray
is brighter with less intense colors. the feature takes up over 27 Gig
on the dual-layered disc with a pretty high video bitrate. This is as
good as Nighthawks will ever look on digital. Period.
Audio is a reasonably clear linear PCM track that seems better defined
than the Second Sight DVD but it still shows it more meager roots.
Unfortunately there are no subtitles again but my
Momitsu
informs me that this release is indeed region free!
BFI have gone to town with the extras - on the, first disc,
Blu-ray
are three short film featurettes
Great
package from BFI - they are really doing these unique titles up right.
It's only a few £'s more than the single DVD of Nighthawks from
Second Run and aside from being a vastly superior hi-def transfer,
and region FREE, it includes Strip Jack Naked on DVD as well!
BFI - please keep up this incredible work! More, More, More titles!
***
Grain is visible and the realism of Peck and Hallam's narrative shines
through as adeptly as one might expect for SD-DVD although the image is
a bit thick and colors look heavy. Second Run are 'new kids on the block' and many of us
were quite anxious to see their initial efforts in DVD production. There
are many positives - dual layered, original audio is clean (although a
little scattered - indie feel), a progressive transfer, some very fine extras (Short
film, Making of... with interviews etc.) and inclusion of some decent
liner notes. Plus, I would say the price is very reasonable. My
complaint would only be that removable subtitles are a great feature to
consider including in future releases, possibly not cost-prohibitive
either. They can do wonders for those not used to the ex. UK accents in
this case and it
would have also helped with the 'independent' audio stream. The news on
Second Run is very good and their upcoming titles are mouth watering. We
welcome them and look forward to many of their new releases!
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DVD Menus
Second Run - Region 2,4 - PAL LEFT vs. BFI - Region FREE - Blu-ray RIGHT
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
Second Run - Region 2,4 - PAL TOP vs. BFI - Region FREE - Blu-ray BOTTOM
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Second Run - Region 2,4 - PAL TOP vs. BFI - Region FREE - Blu-ray BOTTOM
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Second Run - Region 2,4 - PAL TOP vs. BFI - Region FREE - Blu-ray BOTTOM
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Second Run - Region 2,4 - PAL TOP vs. BFI - Region FREE - Blu-ray BOTTOM
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