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(aka "El Maquinista" )
directed by Brad Anderson
Spain 2004
Between two horrible bad screenplays, ”Texas Chainsaw
Massacre” and ”Amityville Horror”, Scott Kosar managed to write a decent
one, which became “The Machinist” and which looks like Roman Polanski and
David Lynch blending with “Memento”, “Fight Club”, “Jacob’s Ladder”,
“Angel Heart” and other influences. There really isn’t anything original
about this story.
But one thing is what’s on paper, another thing is what it will be on
film, especially when being directed by one of the most interesting new
directors around, Brad Anderson. As most, I got introduced to him thru
“Session 9”, one of the most impressive sleepers of the last decade. Both
in that, and in “The Machinist”, Anderson displays a unique sense of
building tension. Even though we might have guessed the clues, we are
still caught up in this mise-en-scene. Deeply influenced by the great
masters, especially Polanski’s early films, he, as a spider, creates a
sticky net of images in which we are stuck. In a lesser directors hands,
the story would have collapsed into clichés, but Anderson translates the
script and makes it not only work, but makes us sit on the edge of the
seats.
Another hugely important factor for the films substance is Christian Bale,
who here gives the most disturbing performance of his career, reducing his
weight by 63 pounds to about 110 pounds, pushing the limits of what acting
is. Bale has a bad rep because of some of the films he accepted, like
“Shaft” and “Batman Begins”, but make no mistake; He is one of the best
actors today, an actor who even in commercial parts never stops thinking
about what it is he plays.
The story deals with Trevor Reznick, who don’t eat and hasn’t slept for a
year. When he doesn’t work as a machinist, he either compulsive cleans his
home or drives around. One day a note hangs on the refrigerator door,
displaying a hangman with two letters to it and at the same time Ivan
begins to show up at work. Trevor thus begins a journey to find out what
is going on.
As I said to begin with, there is nothing original about the story. Most
viewers will have guessed what the hangman riddle is within five minutes,
and one could say, that the story has lesser meat on it than Bale on his
body. But Anderson has realised that ignores the weak plot. Thanks to the
amazing portrait by Bale and some stunning cinematography by Xavi Giménez,
Anderson creates a haunting visual maze, a surreal reflection of Reznick’s
state of mind, where he never misses an opportunity to give us hits by
referring to Kafka, Dostoyevsky, Polanski and Hitchcock. “The Machinist”
is a seductive journey beyond the borders of sanity and reality.
Posters
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Theatrical Release: January 18, 2004
Reviews More Reviews DVD Reviews
DVD Review: Tartan - Region 2 - PAL
Big thanks to Henrik Sylow for the Review!
| DVD Box Cover |
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CLICK to order from:
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| Distribution |
Tartan Region 2 - PAL |
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| Runtime | 1:37:43 (4% PAL speedup) | |
| Video |
2.36:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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| Audio | 2.0 Dolby Digital English, 5.1 Dolby Digital English, DTS English | |
| Subtitles | No Subtitles | |
| Features |
Release Information: Studio: Tartan Aspect Ratio:
Edition Details: Chapters 16 |
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| Comments |
The
image is not perfect. The film is by itself grainy, but some scenes
display pretty heave edge enhancements (0,5%) (look around his ears in
image #6), there is macro blocking and color banding. Not really a
surprise. The film itself only takes up 3.6GB of storage, while the
sound uses 1.3GB and the extras 2.7GB; Said differently, this DVD is
packed to the hilt, and should have been a 2-disc, as the film is
compressed to DVD5 standard. As DTS and tons of extra has become the excepted standard, the quality of the film will suffer and in some ways push the quality back to DVD5 non-anamorphic days. All things equal, it does look pretty good. The color palette is bleak and muted, supporting the tone of the film so beautifully. It is just a shame, that the film is so compressed. Standard for Tartan, the three choices of sound, the DTS is the one to go for. While the 5.1 Dolby Digital is great, the DTS is more detailed, has better separation and simply is better, especially for subtle sounds like thunder and rain in the distance coming from the rears. The extras begin with an audio commentary by director Brad Anderson. A very strong commentary, where Anderson goes into detail with production problems, shooting, set design, influences, references, discusses the script versus film and its plot as well. DO NOT LISTEN TO IT BEFORE HAVING SEEN THE FILM, as Anderson openly talks about what the film is about. Exclusive for this DVD, Tartan has made an interview with Anderson. Some questions do overlap with the commentary, but others are more specific like Anderson talking about how Polanski's mise-en-scene has influenced his own way of thinking about how to set up a composition. In contrast to the film and to understand what moves Anderson, this interview is a great addition to the film. Following this are the basics, a 25-minute featurette (Making of) and 8 deleted scenes. The deleted scenes are quiet interesting, but again, do not watch them before having seen the film. |
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| DVD Box Cover |
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| Distribution |
Tartan Region 2 - PAL |
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