An audacious, skillful film noir by Walter Hill, so highly stylized that it's guaranteed to alienate 90 percent of its audience. There's no realism, no psychology, and very little plot in Hill's story of a deadly game between a professional getaway driver (Ryan O'Neal) and a detective obsessed with catching him (Bruce Dern). There is, however, a great deal of technically sophisticated and very imaginative filmmaking. The cross-references here are Howard Hawks, Robert Bresson, and Jean-Pierre Melville: a strange, heady, and quite effective range of influences.

Excerpt from Dave Kehr's capsule on the Chicago Reader located HERE.