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Liliom is Fritz Lang's dazzling 1934 film that has until now been nearly impossible to see in the U.S. Starring Charles Boyer just before hitting major stardom in Hollywood, Liliom is a captivating noir fantasy. Brash ne'er-do-well Liliom, played by Boyer with physical gusto and inner uncertainty, is a carnival barker until he encounters the ethereal Julie. Their spellbound union is based on her unwavering faith in him. Liliom is overjoyed to learn he will become a father, but his efforts to find money for his family end badly. When twin dark angels bring Liliom to a fantastic tribunal in the heavens, his story is contradicted by a filmed replay of his past. Years later, he is brought back for one day to do something good. An uncanny encounter with his daughter leads to a beautifully abstract resolution of his destiny. After leaving Nazi Germany, Lang stopped in France long enough to make one film, Liliom provides intriguing glimpses of later magical realist films from Cocteau and Powell/Pressburger, and of the surreal transcendence of Borzage, who had filmed Ferenc Molnar's play in 1930. Rogers and Hammerstein later transformed it into the hit musical Carousel. |
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Theatrical Release: April 27th, 1934 - Paris
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DVD Review: Kino - Region 0 - NTSC
DVD Box Cover |
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Distribution | Kino Video - Region 1 - NTSC | |
Runtime | 1:56: 36 | |
Video | 1.33:1
Original Aspect Ratio Average Bitrate: 4.98 mb/s NTSC 720x480 29.97 f/s |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Audio | French (Dolby Digital 2.0) | |
Subtitles | English, None | |
Features |
Release Information: Edition Details: • Fritz
Lang Filmography |
Comments: |
Frankly I
am getting a little tired of other DVD reviewers sugar-coating their
comments - this DVD is bordering on totally unwatchable and it cost me
good money! As well as being hazy, blurry and teaming with
'combing' - the audio is broken with hiss' and fluctuating volume
levels. It has contrast boosting. The subtitles have inappropriate
translations at times, précised in others and to top it off - are
nauseatingly bright yellow. There are no real extras and the price is
far too expensive. I realize the poor and clandestine (never shown in
the US) condition this film was in, but Kino have not done it any favors
with their non-progressive transfer. It mentions quite prominently
before the film starts how 'Film Preservation' is supported etc. but it
seems like nothing was put into this analog transfer. Needless to say we
do not recommend.
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