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S E A R C H D V D B e a v e r |
(aka 'The Invaders')
At once a compelling piece of anti-isolationist propaganda and a quick-witted wartime thriller, 49th Parallel is a classic early work from the inimitable British filmmaking team of Michael Powell and Emeric Pressburger. When a Nazi U-boat crew, headed by the ruthless Eric Portman, is stranded in Canada during the thick of World War II, the men evade capture by hiding out in a series of rural communities, before trying to cross the border into the still-neutral United States. Both soul-stirring and delightfully entertaining, 49th Parallel features a colorful cast of characters played by larger-than-life actors Laurence Olivier, Raymond Massey, Anton Walbrook, and Leslie Howard. *** First of all, I would never consider myself an overly nationalistic Canadian, and I am well aware that this film is blatant propaganda, but even being cognoscente of that fact does not seem to make me any less susceptible to it's charmingly obvious war-time slants. In fact, I have big problem with this film - I absolutely adored every minute of it far out of proportion for what I 'should'. Hence my review, like the film, will also be a bit non-objective - so be it.
From Olivier's somewhat hammy French Canadian characterization to Leslie Howard's almost duplicate portrayal of the quasi-fearless academia intellectual Alan Squier from "The Petrified Forest', I reveled in this powerful story of a Nazi U-boat sunk by the Canadian Air Force with all the crew lost excepting six men who had been sent ashore before the attack... to take on a country. In a sweeping road-picture across Canada the fugitive Germans are taken from a trading outpost in Hudson Bay to a Prairie commune then onto Vancouver's coast and then to southern Ontario - meeting Eskimos, a French Canadian trapper, native Indians, Mounties, an author who loves the outdoors and finally a disgruntled military serviceman (played by Raymond Massey - younger brother to the ex. Governor General of Canada, Vincent Massey).
This is another example of Powell and Pressburger's ability to create 'pure
cinema' - an absolute delight. Anton Walbrook, Eric Portman, and Glynis Johns
also chip in with outstanding one dimensional, yet totally believable, performances. I can't say enough
about this film - |
Posters
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Theatrical Release: October 8th, 1941
Reviews More Reviews DVD Reviews
Associated Reading (CLICK COVERS or TITLES for more information)
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A Life in Movies: An Autobiography by Michael Powell |
Michael Powell: Interviews (Conversations With
Filmmakers Series) by David Lazar |
Arrows of Desire: The Films of Michael Powell and
Emeric Pressburger by Ian Christie |
The Films of Michael Powell and the Archers by Scott Salwolke |
The Red Shoes: The Classic Story by Michael Powell, Emeric Pressburger |
Black Narcissus by Rumer Godden |
Powell and Pressburger: A Cinema of Magic Spaces
(Cinema & Society S.) Andrew Moor |
Gone to Earth (Virago Modern Classics)
Mary Webb, Erika Duncan |
I Know Where I'm Going! (BFI Film Classics S.)
Pam Cook |
Comparison:
Criterion (2-disc) - Region 1- NTSC vs. Carlton - Region 0 - PAL vs. Warner Home Vidéo (2-disc) - Region 2 - PAL vs. Carlotta - Region 'B' - Blu-ray |
1) Criterion (2-disc) - Region 1- NTSC LEFT 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray RIGHT |
Box Covers |
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Distribution | Criterion Collection - Spine # 376 - Region 1 - NTSC | Carlton Home Video - Region 0 - PAL | Warner Home Vidéo - Region 2 - PAL |
Carlotta Region 'B' - Blu-ray |
Runtime | 2:01:56 | 1:56:40 (4% PAL speedup) | 1:56:44 (4% PAL speedup) | 2:01:57.351 |
Video | 1.33:1
Aspect Ratio Average Bitrate: 8.8 mb/s NTSC 720x480 29.97 f/s |
1.33:1
Original Aspect Ratio Average Bitrate: 4.56 mb/s PAL 720x576 25.00 f/s |
1.33:1
Original Aspect Ratio Average Bitrate: 5.86 mb/s PAL 720x576 25.00 f/s |
1080P Dual-layered Blu-rayDisc Size: 41,757,754,297 bytesFeature: 33,971,933,184 bytes Video Bitrate: 34.52 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate: Criterion |
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Bitrate: Carlton |
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Bitrate: Warner Home Vidéo |
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Bitrate: Carlotta Blu-ray |
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Audio | English (Dolby Digital 1.0) | English (Dolby Digital 1.0) | English (Dolby Digital 2.0) | DTS-HD Master Audio English 834 kbps 1.0 / 48 kHz / 834 kbps / 24-bit (DTS Core: 1.0 / 48 kHz / 768 kbps / 24-bit) |
Subtitles | English, None | English, None | French, None | French, None |
Features |
Release Information: Edition Details: • Audio
commentary by film and music historian Bruce Eder |
Release Information: Edition Details: • Theatrical
trailer (3:01) |
Release Information: Edition Details: • Introduction by Bernard Tavernier (6:51) with English subtitles Disc 2 • Memories of Michael (11:24) in English with optional French subtitles • Intro by Martin Scorsese in English with optional French subtitles (3:00) • Bernard Tavernier talks in French with English or French subtitles (11:58) • Trailers of 3 Powell and Pressburger films • 40-page liner notes booklet with Photos and essays (In French only)
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Release Information: Studio: Carlotta Aspect Ratio: 1.33:1 1080P Dual-layered Blu-rayDisc Size: 41,757,754,297 bytesFeature: 33,971,933,184 bytes Video Bitrate: 34.52 MbpsCodec: MPEG-4 AVC Video
Edition Details: • Gallery (4:30)
• Trailer (3:10) Chapters 18 |
Comments: |
NOTE: The below Blu-ray captures were ripped directly from the Blu-ray disc. ADDITION: Carlotta Films - Region 'B' - Blu-ray (December 2013): Ohh my, it's been so long I had forgotten how much I enjoy this film. Carlotta has another strong Blu-ray - dual-layered with a max'ed out bitrate. The source elements still have weaknesses - light damage - usually in the form of scratches and speckles. But you can see from the matched captures below that the higher resolution also exports some pleasing textured grain and more layered contrast. It looks superior to all the DVDs and frequently shows a bit more information in the frame. Unless there is some extensive restoration - either at the film level or Criterion magic - I doubt this will be exceeded, visually, anytime soon.Audio also gets the lossless treatment - authentic mono is a DTS-HD master transfer. The score by, influential, Dr. Ralph Vaughan Williams exports some depth through the uncompressed track - as do a few of the effects. There are optional French subtitles - and they are optional despite the restriction of the menu - they can be removed with the remote's 'subtitle button'. It is Region 'B'-locked Blu-ray. Carlotta include The Volunteer, in 1080i, the same 1943 Powell and Pressburger war-effort short starring Ralph Richardson that is found on the Criterion DVD package. It runs almost 3/4 of an hour. There is also a gallery and theatrical trailer in HD. Fans of Powell + Pressburger will certainly appreciate this Blu-ray. I have had no indication that it is coming to Region 'A' in the future. The improvement over the pictureboxed Criterion SD is clearly evident - especially on a modern home theater system. Strongly recommended!*** ADDITION: Criterion - NTSC - February 2007: Firstly, I feel certain someone at Criterion has the exact same taste as I, or a listing of my favorite films is somehow transmitted to their head office. 49th Parallel is another of my favorite films. After our review of Paul Robeson: Portraits of the Artist, we obviously spoke too soon as this Criterion transfer is again pictureboxed (see our description of 'pictureboxing' in our Kind Hearts and Coronets review). Criterion's seamless digital restoration once again eclipses the previous releases, actually exposing their contrast boosting to be even more prevalent than we suggested. Just about every facet of the Criterion image appears to be superior - vastly better contrast, less artifacts (although some are visible), less damage and slightly more information in the frame than the PAL editions. As black levels have been selectively tweaked and some damage marks obliterated ('Thousands of instances of dirt, debris, and scratches were removed using the MTI Digital Restoration System') the Criterion image is probably the best we will see until it one day reaches HD (49th Parallel may be years to reach that lofty height). The audio also appears to be slightly clearer and more consistent than the other two releases but I always admit that I have no quantitative measure of this except my own ears. This Criterion package is stacked and the meat of it belongs to the strong extras. Firstly the Bruce Eder commentary is fabulous. Another example of how Criterion, not only the pioneers of this digital supplement, but are also the best at this DVD attribute. Eder talks, without a recollected gap about many subtle details of the filming of 49th Parallel. He know his stuff, was fully prepared and I was enthralled. On disc 2 we have a 1943 Powell and Pressburger war-effort short starring Ralph Richardson called The Volunteer. Very entertaining war effort and topical for its relevance to the feature film and its similar slant. After a his performance as Othello 'Ralph Richardson' is asked for an autograph by Fred, his dresser who has joined the Fleet Air Arm (Fly Navy) and consequently becomes a hero, rescuing a pilot from his burning plane. When Fred goes to Buckingham Palace it's Richardson's turn to ask for his autograph (about 25 minutes). There is a BBC documentary on the careers of Powell and Pressburger called A Pretty British Affair. It offers details on their WWII-era collaborations and features rare footage of the filmmakers together plus input from a young Martin Scorsese (and others). Finally there are audio excerpts from Michael Powell's dictations for his autobiography, an original theatrical trailer (3:09) is included and a 20-page liner notes booklet with essay by film scholar Charles Barr and Powell's 1941 premiere speech. Wow - what a great package. I enjoyed every minute of re-watching the film (umpteenth time) and the extra features. This has one of our stronger recommendations. Fabulous stuff Criterion - you continue to impress! ***
ADDITION: Warner Home Vidéo (April 06'): this is labeled as from the 'Collection
Institut Lumiere' as are the other new Powell and Pressburger
offerings from Warner Home Vidéo in Europe. The image quality is
definitely superior although I'm afraid the screen captures may not give
it enough credit. For one thing the
Warner Home Vidéo edition is on a dual layered DVD as opposed to the
single layered Carlton. Hence there are far less instances of artifacts.
In many scenes it appears that the Warner has had a shade of black
boosting bringing up a sharper looking image (The Laurence Olivier image
below is a good example). Although the Warner does shows some minor
damage in the form of hairline scratches - they appear to be far less
than those visible on the Carlton.
Of
course the big bonus to the Warner DVD are the extras. The 2nd disc is
not extensive but it is good news that everything is 'English friendly'
meaning if it is in French (Language) there are optional English
subtitles. The package itself is beautiful - some real effort has gone
into this as because of my adoration for the film I am thrilled with my
purchase. We recommend!
***
I
loved this film so much I could have taken screen captures all day. The
Carlton disc is better than you might expect from them, with a decent
image and removable subtitles. Perhaps a little boosted and heavy at
times it still maintains some sharpness. No extras save a trailer and
the price is sure 'right'. I strongly recommend the film - unavailable
in any other region on the digital format.
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Menus
Criterion (2-disc) - Region 1- NTSC
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Disc 2 - Criterion (2-disc) - Region 1- NTSC
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(Carlton - Region 0 - PAL LEFT vs. Warner Home Vidéo (2-disc) - Region 2 - PAL RIGHT)
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Disc 2 of Warner Home Vidéo
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Carlotta - Region 'B' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Subtitle Sample
NOTE: Not exact frame
1) Criterion (2-disc) - Region 1- NTSC TOP 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray BOTTOM |
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Screen Captures
1) Criterion (2-disc) - Region 1- NTSC TOP 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray BOTTOM
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1) Criterion (2-disc) - Region 1- NTSC TOP 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray BOTTOM |
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1) Criterion (2-disc) - Region 1- NTSC TOP 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray BOTTOM |
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1) Criterion (2-disc) - Region 1- NTSC TOP 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray BOTTOM |
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1) Criterion (2-disc) - Region 1- NTSC TOP 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray BOTTOM |
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1) Criterion (2-disc) - Region 1- NTSC TOP 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray BOTTOM |
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1) Criterion (2-disc) - Region 1- NTSC TOP 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray BOTTOM |
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1) Criterion (2-disc) - Region 1- NTSC TOP 2) Carlton - Region 0 - PAL SECOND 3) Warner Home Vidéo (2-disc) - Region 2 - PAL THIRD 4) Carlotta - Region 'B' - Blu-ray BOTTOM |
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Box Covers |
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Distribution | Criterion Collection - Spine # 376 - Region 1 - NTSC | Carlton Home Video - Region 0 - PAL | Warner Home Vidéo - Region 2 - PAL |
Carlotta Region 'B' - Blu-ray |