(aka 'Early Summer' or "Bakushû ")
directed by
Yasujiro Ozu
Japan 1951
The Mayima family is seeking a husband for their daughter, Noriko, but she has ideas of her own. Played by the extraordinary Setsuko Hara, Noriko impulsively chooses her childhood friend, at once fulfilling her family's desires while tearing them apart. A seemingly simple story, it is among the director’s most emotionally complex—a nuanced examination of life's changes across three generations. Another enduring Ozu classics.
Poster
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Theatrical Release: October 3rd, 1951 - Japan
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DVD Review: Criterion - Region 1 - NTSC
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Distribution | Criterion Collection - Spine # 240 - Region 1 - NTSC | |
Runtime | 2:04:48 | |
Video | 1.33:1
Original Aspect Ratio Average Bitrate: 6.13 mb/s NTSC 720x480 29.97 f/s |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate: |
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Audio | Japanese (Dolby Digital 2.0 Mono) | |
Subtitles | English, None | |
Features |
Release Information: Studio: Criterion Collection Aspect Ratio: Full Screen (Standard) - 1.33:1 Edition Details: • Audio commentary by Japanese-film expert Donald Richie, author of Ozu and A Hundred Years of Japanese Film • Ozu’s Films from Behind-the-Scenes, a conversation about Ozu and his working methods, featuring a number of his collaborators, such as child-actor and sound technician Kojiro Suematsu, assistant cameraman Takashi Kawamata, and Ozu producer Shizuo Yamanouchi • Original theatrical trailer • New and improved English subtitle translation • Optimal image quality: RSDL dual-layer edition • Plus: a new essay by film scholar David Bordwell, author Ozu and the Poetics of Cinema, and an essay about Ozu by filmmaker Jim Jarmusch DVD Release Date: July 20, 2004 Keep Case Chapters: 28 |
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Comments: |
I have
seen this film in a number of formats but this is by far the best it has
ever looked. It has some minor damage (vertical scratches, etc.)
mostly in the first 1/3 of the film, but that is all. The image does
seem a little bright to me, but I see no evidence of digital
manipulation. I suspect the print used was quite acceptable and
Criterion did some (minor) restoration. Contrast is Criterion's hallmark
and this DVD is no exception. Did I say 'contrast' was Criterion's
strong suit? I almost forgot 'subtitles' - which are the best in all of
DVD production (compared to the Panorama Ozu DVDs this is a true
revelation). Sound is remastered and consistent. the Extras (commentary
- that I haven't had the opportunity to delve into yet, shorts, trailer,
essay) are typical of the greatest DVD production company in the entire
world - strike that - UNIVERSE! If you don't purchase this DVD, then you
don't know the value of the Digital Versatile Disc medium... and cinema.
I've given up creating my own subtitles for the Region 3 "Late Spring" because I am sure Criterion (who owns the rights) will bring us another stellar DVD soon! |
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The Japan Journals : 1947-2004, by Donald Richie |
The Midnight Eye Guide to New Japanese Film by Tom Mes and Jasper Sharp |
Kon Ichikawa (Cinematheque Ontario Monographs) by James Quandt, Cinematheque Ontario |
Shohei Imamura (Cinematheque
Ontario Monographs, No. 1) by James Quandt |
Eros Plus Massacre: An
Introduction to the Japanese New Wave Cinema
(Midland Book, Mb 469) by David Desser |
The Films of Akira Kurosawa by Donald Ritchie |
by Yasujiro Ozu, Kogo Noda, Donald Richie, Eric Klestadt |
Ozu by Donald Ritchie |
A Hundred Years of Japanese Film by Donald Richie |
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