
  
  
directed 
by Shari Springer Berman & Robert Pulcini
USA 2003
As comic books lost their innocence and became an alternative 
form of literary media developing into graphic novels, Harvey Pekar was a nobody 
who kept on being a nobody who used comic books to tell about his ordinary doll 
life. For Pekar nothing is too ordinary: where superheroes fight atomic mutants 
and win with glory, Pekar rides the bus and is contend to be confirmed that 
everything is disillusioned. "American Splendor" took a unique position on the 
world of comics, as Pekar, who unashamed reveals himself and his ordinary life, 
became the forerunner for adult graphic novels and blogs and became considered 
the blue-collar Ernest Hemmingway. Ordinary life is pretty complex stuff, and 
Pekar showed us that its also pretty interesting.
One moment documentary, another moment set-up interview, the next dramatized 
comic book, “American Splendor” uses real life elements as footnotes or third 
person commentary to give the film a uniqueness. The same goes for the 
cinematography. On moment its indifferent and plain ordinary, the next CGI 
montages. Obviously a lot of effort has gone into designing a cinematography 
that is as ordinary and plain as Pekar’s comics.
The film begins showing Pekar as one hell of an unusual child, then quickly 
brings us up to Pekar and Crump and how “American Splendor” began. From here we 
follow Pekar life, meeting and marrying Joyce, how fame got to him, how he got 
and got thru cancer and finally ending with his retirement. Defying career, 
Pekar is happy when another day has gone and nothing important happened.
What’s so surprising about “American Splendor” is that it shows us how much life 
wisdom there is in ordinary life. Here is a man who is so disillusioned about 
life, that he refuses to improve it with such indifference, the he makes gloom 
seem jolly. Between his endless self-pity and complaining, he sees and depicts 
truths which reflects our own lives: My favorite comment is, "Riding the bus 
saves time, but it doesn't make your life longer." Ordinary life is indeed 
pretty complex stuff.
Accoladed at Cannes and Sundance, to name a few, and highly praised critically, 
"American Splendor" is a masterpiece of cinema and should be considered required 
viewing. What a wonderful film.
Posters
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Theatrical Release: January 20, 2003 (Sundance Film Festival)
Reviews More Reviews DVD Reviews
DVD Review: HBO Video - Region 1 - NTSC
Big thanks to Henrik Sylow for the Review!
| DVD Box Cover | 
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| Distribution | HBO Video Region 1 - NTSC | |
| Runtime | 1:41:03 | |
| Video | 1.78:1 Aspect Ratio 
    
    16X9 enhanced  | |
| Bitrate: NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. | 
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| Audio | 2.0 Dolby Digital English, 5.1 Dolby Digital English | |
| Subtitles | English, French, Spanish, None | |
| Features | Release Information: Studio: HBO Video Aspect Ratio: 
     
    Edition Details: 
    Chapters 
    23  | |
| Comments | At first glance this is a great 
    disc: Audio commentary and lots of extra, what else can you ask for? Quality 
    instead of quantity! The audio commentary consists of the directors, the cast and Harvey Pekar almost at random commentating on-screen action and connecting anecdotes to it. Then there is the usual backclapping featurette and trailer. And the easter egg is just dumb. The only thing of quality is the 12-page comic that comes along in the "limited edition", what ever that may be. The menues did not work on my Pioneer player, nor on two other stand alone players. Maybe it is a glitch on some DVDs. | |
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