directed
by Shari Springer Berman & Robert Pulcini
USA 2003
As comic books lost their innocence and became an alternative
form of literary media developing into graphic novels, Harvey Pekar was a nobody
who kept on being a nobody who used comic books to tell about his ordinary doll
life. For Pekar nothing is too ordinary: where superheroes fight atomic mutants
and win with glory, Pekar rides the bus and is contend to be confirmed that
everything is disillusioned. "American Splendor" took a unique position on the
world of comics, as Pekar, who unashamed reveals himself and his ordinary life,
became the forerunner for adult graphic novels and blogs and became considered
the blue-collar Ernest Hemmingway. Ordinary life is pretty complex stuff, and
Pekar showed us that its also pretty interesting.
One moment documentary, another moment set-up interview, the next dramatized
comic book, “American Splendor” uses real life elements as footnotes or third
person commentary to give the film a uniqueness. The same goes for the
cinematography. On moment its indifferent and plain ordinary, the next CGI
montages. Obviously a lot of effort has gone into designing a cinematography
that is as ordinary and plain as Pekar’s comics.
The film begins showing Pekar as one hell of an unusual child, then quickly
brings us up to Pekar and Crump and how “American Splendor” began. From here we
follow Pekar life, meeting and marrying Joyce, how fame got to him, how he got
and got thru cancer and finally ending with his retirement. Defying career,
Pekar is happy when another day has gone and nothing important happened.
What’s so surprising about “American Splendor” is that it shows us how much life
wisdom there is in ordinary life. Here is a man who is so disillusioned about
life, that he refuses to improve it with such indifference, the he makes gloom
seem jolly. Between his endless self-pity and complaining, he sees and depicts
truths which reflects our own lives: My favorite comment is, "Riding the bus
saves time, but it doesn't make your life longer." Ordinary life is indeed
pretty complex stuff.
Accoladed at Cannes and Sundance, to name a few, and highly praised critically,
"American Splendor" is a masterpiece of cinema and should be considered required
viewing. What a wonderful film.
Posters
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Theatrical Release: January 20, 2003 (Sundance Film Festival)
Reviews More Reviews DVD Reviews
DVD Review: HBO Video - Region 1 - NTSC
Big thanks to Henrik Sylow for the Review!
DVD Box Cover |
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Distribution |
HBO Video Region 1 - NTSC |
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Runtime | 1:41:03 | |
Video |
1.78:1 Aspect Ratio
16X9 enhanced |
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Bitrate:
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Audio | 2.0 Dolby Digital English, 5.1 Dolby Digital English | |
Subtitles | English, French, Spanish, None | |
Features |
Release Information: Studio: HBO Video Aspect Ratio:
Edition Details:
Chapters
23 |
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Comments |
At first glance this is a great
disc: Audio commentary and lots of extra, what else can you ask for? Quality
instead of quantity! The audio commentary consists of the directors, the cast and Harvey Pekar almost at random commentating on-screen action and connecting anecdotes to it. Then there is the usual backclapping featurette and trailer. And the easter egg is just dumb. The only thing of quality is the 12-page comic that comes along in the "limited edition", what ever that may be. The menues did not work on my Pioneer player, nor on two other stand alone players. Maybe it is a glitch on some DVDs. |
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