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(aka "Samaritan Girl" )
directed by Kim Ki-Duk
South Korea 2004
With a background in philosophy and
art, added a touch of catholic upbringing, Kim Ki-Duk has become both
one of the most productive and original directors to come out of South
Korea, having made ten films over the last eight years. While gaining
more and more critical appeal and understanding, he is still largely
unappreciated by the general audience, who even in Korea turn the back
to his film. Perhaps if he made "nicer" films, he would become more
accepted and lesser hated, but that is not what Kim wants. He is not
making films to satisfy an audience: "I don’t try to entice viewers to
watch, understand, or even like my films." To Kim, trying to please an
audience is compromising ones thought, to sell out.
Jae-Young is prostituting herself, being managed by her best friend,
Yeo-Ji, in order for them to save up money to visit Europe. Jea-Young is
so in love with being a prostitute, that she adapts the name Vasumitra,
after a prostitute who turned men into devoted Buddhist by sleeping with
them. When surprised by the police, Jea-Young jumps out of a window,
crushing her skull. Having been rushed to the hospital by Yeo-Ji, the
doctors do not expect her to survive the day, thus Jea-Young asks Yeo-Ji
to get one of her customers, whom she is in love with. Yeo-Ji gets him,
at a price, but they return to late: Jea-Young is dead.
So begins Kim Ki-Duk latest film "Samaria". Awarded the Silver Bear at
the Berlin Film Festival for best direction, and being one of the films
in the race for Best Film, "Samaria" is allegory questioning both moral
and sin. Divided into three chapters: “Vasumitra” deals with the
friendship between Jae-Young and Yeo-Ji, “Samaria” deals with Yeo-Ji’s
reaction to the death of her best friend and the final chapter,
“Sonata”, concludes.
Many have been offended by the presentation of teen prostitution, but
one only needs to open the newspaper to realize, that Kim actually has
approached the subject with both taste and tact. In an interview, Kim
pointed out: "There are over 600,000 teenage prostitutes in South Korea.
This means, that over 600,000 fathers have sex with girls who are
someone’s daughter."
Posters
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Theatrical Release: February 10, 2004 (Berlin International Film Festival)
Reviews More Reviews DVD Reviews
DVD Comparison:
Starmax - Region 3 - NTSC vs. Tartan - Region 2 - PAL
Big thanks to Henrik Sylow for all the Screen Caps!
(Starmax - Region 3 - NTSC - LEFT vs. Tartan - Region 2 - PAL - RIGHT)
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Available here in the same transfer as the Starmax (we are told) and with English subs... Thinking of buying from YesAsia? CLICK HERE and use THIS UPDATED BEAVER PAGE to source their very best... |
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| Distribution |
Starmax Region 3 - NTSC |
Tartan Region 2 - PAL |
| Runtime | 1:36:25 | 1:36:37 |
| Video |
1.78:1 Aspect Ratio
16X9 enhanced |
1.76:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
Starmax
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Bitrate:
Tartan
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| Audio | 2.0 Dolby Digital Korean, 5.1 Dolby Digital Korean |
2.0 Dolby Digital Korean, 5.1 Dolby Digital Korean, DTS Korea |
| Subtitles | Korean, English, None | English, None |
| Features |
Release Information: Studio: Starmax Aspect Ratio:
Edition Details: Chapters 15 |
Release Information: Studio: Tartan Aspect Ratio:
Edition Details:
DVD Release Date: August 21,
2006 Chapters 16 |
| Comments |
Starmax This is just a superb DVD presentation. While not a film that is sold on its "sound", it is sold on its "look": And it does look good. Rich colors and great details. For a non-Korean speaking audience, the DVD offers little but the film and the Original Sound Track. The booklet looks to be very informative and the three 'making of' segments contains both interviews and a great feature, where you see the direction and the result in the same frame using two "windows". * Note: I have cheated with the titleshot. "Samaria" opens without title (in media resolution) and the first chapter insert "Vasumitra" comes after some minutes. The titleshot is actually the insert for chapter two: "Samaria". Tartan Source appears to be the same, as by zoom, similar details are present. Tartan has been tweaked. Colors are more solid and defined, but present digitally flaws when zooming in, in form of mis-coloured pixels, versus white pixels in Starmax. This is not noticeable at regular viewing. The Tartan frame also appears to be slightly cropped in comparison to the Korean edition. |
DVD Menus
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Screen Captures
(Starmax
- Region 3 - NTSC - TOP vs. Tartan - Region 2 - PAL - BOTTOM)
Subtitles - Captures
resized from 1016 to 800
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(Starmax - Region 3 - NTSC - TOP vs. Tartan - Region 2 - PAL - BOTTOM)
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(Starmax - Region 3 - NTSC - TOP vs. Tartan - Region 2 - PAL - BOTTOM)
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(Starmax - Region 3 - NTSC - TOP vs. Tartan - Region 2 - PAL - BOTTOM)
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(Starmax - Region 3 - NTSC - TOP vs. Tartan - Region 2 - PAL - BOTTOM)
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(Starmax - Region 3 - NTSC - TOP vs. Tartan - Region 2 - PAL - BOTTOM)
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Report Card:
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Image: |
Tartan |
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Sound: |
Tartan |
| Extras: | Starmax |
| Menu: | Starmax |
| DVD Box Covers |
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Available here in the same transfer as the Starmax (we are told) and with English subs... Thinking of buying from YesAsia? CLICK HERE and use THIS UPDATED BEAVER PAGE to source their very best... |
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| Distribution |
Starmax Region 3 - NTSC |
Tartan Region 2 - PAL |
Recommended Books
on Korean Cinema (CLICK COVERS or TITLES for more information)
NO COVER AVAILABLE

NO COVER AVAILABLE

NO COVER AVAILABLE


NO COVER AVAILABLE
NO COVER AVAILABLE
The Cinema Of Japan And Korea (24 Frames)
by Justin Bowyer, Jinhee Choi
Contemporary Korean Cinema : Culture,
Identity and Politics
by Hyangjin Lee
The History of Korean Cinema
by Young-il Lee, Young-chol Choe
Korean Cinema: The New Hong Kong
by Anthony Leong
Korean Film : History, Resistance, and Democratic
Imagination
by Eungjun Min, Jinsook Joo, Han Ju Kwak
The Remasculinization of Korean Cinema
(Asia-Pacific)
by Kyung Hyun Kim
Essential Cinema
by Jonathan Rosenbaum
Im Kwon-Taek: The Making of a Korean National Cinema
by David E. James, Kyung Hyun Kim, Myong-Hwa Chung
Korean Cinema (Images of Asia)
by Frances K. Gateward
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