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(aka "Rebel With a Cause" )
directed
by Tony Richardson
UK 1962
Colin (Tom Courtenay) has no intention of living the stultifying, backbreaking, blue-collar existence that's expected of him, an existence that sapped the life of his miner father. His rebelliousness lands him in Borstal reform school, where his abilities as a long distance runner endear him to the school's headmaster (Michael Redgrave), who pins his hopes of winning a race against a prestigious public school on Colin. This leads to conflict with Colin's friends, who come to doubt his contempt of the establishment. He himself is torn about this predicament. Should he continue what may be a futile fight, or trade his self-respect for some small measure of acceptance? This outstanding drama has been unfairly maligned over the years as being too derivative of the French New Wave, yet if the same film had been made by Truffaut or another Frenchman, it would be hailed today as a masterpiece. The camerawork and performances are top-notch.
Posters
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Theatrical Release: October 8, 1962
Reviews More Reviews DVD Reviews
DVD Comparison:
BFI - Region 2 - PAL vs. Warner - Region 1,4 - NTSC
Big thanks to Donald Brown for the Review!
(BFI - Region 2 - PAL LEFT vs. Warner - Region 1,4 - NTSC RIGHT)
| DVD Box Cover |
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| Distribution |
BFI Video Region 2 - PAL |
Warner Region 1,4 - NTSC |
| Runtime | 1:39:36 (4% PAL speedup) | 1:43:40 |
| Video |
1.64:1
Original Aspect Ratio |
1.78:1
Aspect Ratio Average Bitrate: 5.54 mb/s NTSC 720x480 29.97 f/s |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
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Bitrate:
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| Audio | English - Dolby Digital 2.0 | English - Dolby Digital 2.0 |
| Subtitles | none | English and none |
| Features |
Release Information: Studio: BFI Video Aspect Ratio:
Edition Details: Chapters 18 |
Release Information: Studio: BFI Video Aspect Ratio:
Edition Details: Chapters 27 |
| Comments: |
ADDITION - Warner - Region 1,4 - February 07': - Okay, there are some plus and minuses. The BFI (now out-of-print) seems to be more faithful to the original aspect ratio of 1.66 and the Warner, although 1.78, only adds information into the frame (on both sides). The dual-layered and 16X9 Warner is far sharper, brighter and with much better contrast. To me the non-anamorphic BFI always looked a little tight and I saw no composition issues with the Warner. Both have original audio and the Warner offers optional English subtitles. Extras obviously go towards the BFI with the commentary etc. (see Donald's comments below) where the Warner has only a theatrical trailer. I suppose the ideal here is to own both - the Warner for the image and the BFI for the extras. Baring that the Warner is offered at a very reasonable price to see this intense film - and for those who feel strongly enough they can eventually seek out the BFI. ***
On the PAL edition: This is an adequate transfer,
with some minor flaws - shadow detail is a bit lacking, and there's a lot of
dust early in the film, with it lessening somewhat later on, though
appearing steadily. Grain is moderate, sharpness is slightly better than on
the open-matte US laserdisc transfer. The commentary offers interesting
reflections by writer Sillitoe and star Courtenay, while Murphy contributes
some thoughtful musings on the film's making and reception.
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DVD Menus
(BFI - Region 2 - PAL LEFT vs. Warner - Region 1,4 - NTSC RIGHT)
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Subtitle Sample (only Warner offers subtitles)
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Screen Captures
(BFI - Region 2 - PAL TOP vs. Warner - Region 1,4 - NTSC BOTTOM)
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(BFI - Region 2 - PAL TOP vs. Warner - Region 1,4 - NTSC BOTTOM)
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(BFI - Region 2 - PAL TOP vs. Warner - Region 1,4 - NTSC BOTTOM)
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(BFI - Region 2 - PAL TOP vs. Warner - Region 1,4 - NTSC BOTTOM)
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(BFI - Region 2 - PAL TOP vs. Warner - Region 1,4 - NTSC BOTTOM)
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(BFI - Region 2 - PAL TOP vs. Warner - Region 1,4 - NTSC BOTTOM)
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(BFI - Region 2 - PAL TOP vs. Warner - Region 1,4 - NTSC BOTTOM)
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Report Card:
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Image: |
Warner for 16X9, sharpness and contrast - BFI for AR |
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Sound: |
- |
| Extras: | BFI |
| Menu: | BFI |
| DVD Box Cover |
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| Distribution |
BFI Video Region 2 - PAL |
Warner Region 1,4 - NTSC |
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