(aka "Bach - The Well Tempered Clavier 48 Preludes and Fugues / Hewitt, MacGregor, Demidenko, Gavrilow - 2000")
directed by Karen Whiteside and Peter Mumford
Bach's Preludes & Fugues for Well-Tempered Clavier
has few equals in the course of human artistic achievement. Framed in the
Baroque style it easily transcends its 250 year history - capable of reaching a
wide spectrum of generations and music fans. It is so richly steeped in vast
cosmic levels that even the pianist who has heard and played it hundreds of
times, finds new 'voices' in the work.
The 48 Preludes and Fugues are played by 4 different pianists, introduced with a short conversation from that pianist. Seen in different halls and other setting with varying degres of lighting - shot at a multitude of times, this is truly a must-own DVD for Classical music fans. I get more enjoyment and playing time out of this disc than almost all in my collection. A kind of euphoria overtakes you when you are listening - one that can only be described as pure. After 5 or 6 viewings I would say it is impossible for anyone not to fall in love with it.
DVD Review: Image Entertainment - Region 0 - NTSC
|DVD Box Cover||
CLICK to order from:
|Distribution||Image Entertainment - Region 0 - NTSC|
|Runtime||2:30:10 (Disc 1) + 2:44:00 (Disc 2) = 5:14:10|
Original Aspect Ratio
Average Bitrate: 5.37 mb/s (Disc 1) + 4.83 mb/s (Disc 2)
NTSC 720x480 29.97 f/s
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes.
|Audio||English (Dolby Digital 5.1), English (Dolby Digital 2.0 Stereo)|
Studio: Image Entertainment
• Book 1, Program 1-12: Andrei Gavrilov,
New Art Gallery, Walsall
• Book 2, Program 1-12: Nikolai Demidenko,
the Palazzo Labia, Venice
The image quality is acceptable in the fact that it is such a lesser part of this package. Colors and hues seem right - the widescreen -non-anamorphic - image is reasonably good. I would only recommend listening to this (and all classical) music in the 2.0 Stereo - it is only my personal preference. This channel is quite worthy of distinction - it is quite solid. No Extras excepting that each prelude/fugue has its introduction by the pianist - which I quite enjoyed - not too long - just enough information. What I did find kind of tiresome are the credits which roll after every chapter ?!?.. This is totally unnecessary - could have all been done at the end. Otherwise a great set. out of
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