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S E A R C H D V D B e a v e r |
(aka 'Oodishon' or 'Audition' or 'Ôdishon')
directed
by Takashi Miike
Japan 2000
A widowed TV producer is encouraged by his
teenage son to remarry before he gets too old. Unable to find anyone
suitable, he decides to hold auditions for a false movie in order to
test out potential wives. He thinks he may have found the one he is
looking for when he auditions a former ballerina, but she seems too
good to be true and an investigation into her past reveals a
horrific secret. **** Audition is the perfectly paradoxical movie
experience, one that leaves me grasping for superlatives while
simultaneously gasping for breath. It puts me in a difficult spot as
well, because you need to be warned about the film’s subject matter,
yet to reveal too much is to dilute the film’s effectiveness. The
film’s focus is on the peculiar relationship formed between the
middle-aged widower Aoyama (played by Ishibashi with a spud-like
confused resignation) and Asami, a mysterious woman he is drawn to
and becomes involved with. |
Posters
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Theatrical Release: January 28th, 2000 - Netherlands (Rotterdam Film Festival)
Reviews More Reviews DVD Reviews
Comparison:
Tartan (Collector's Edition) - Region 0 - PAL vs. Universe - Region 3 - NTSC vs. Chimera / Ventura - Region 1 - NTSC vs. Shout! Factory (2-disc) - Region 'A' - Blu-ray |
Big thanks to Gregory Meshman and Ole Kofoed and Henrik Sylow for the DVD Screen Caps!
1) Tartan (CE) - Region 0 - PAL LEFT 2) Universe - Region 3 - NTSC - SECOND3) Chimera / Ventura - Region 1 - NTSC - THIRD 4) Shout! Factory (2-disc) - Region 'A' - Blu-ray - RIGHT |
DVD Box Covers |
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Distribution |
Tartan Region 0 - PAL |
Universe (Hong Kong) Region 3 - NTSC |
Ventura Region 1 - NTSC |
Shout! Factory |
Runtime | 1:50:49 (4% PAL speedup) | 1:55:20 | 1:55:24 | 1:55:35.178 |
Video |
1.85:1 Original Aspect Ratio
16X9 enhanced |
1.85:1 Aspect Ratio Average Bitrate: 4.56 mb/sNTSC 704x480 29.97 f/s |
1.85:1 Aspect Ratio Average Bitrate: 6.17 mb/sNTSC 704x480 29.97 f/s |
1080P
/ 23.976 fps Dual-layered
Blu-ray
Disc Size: 23,971,383,360 bytesFeature: 23,537,461,248 bytesVideo Bitrate: 18.99 MbpsCodec: MPEG-4 AVC Video |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Tartan
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Universe
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Chimera / Ventura
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Blu-ray
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Audio | 2.0 Dolby Digital Japanese, 5.1 Dolby Digital Japanese, DTS Japanese | Japanese Dolby Digital 2.0 |
Japanese Dolby Digital 5.1 and 2.0 |
DTS-HD Master Audio Japanese 2002 kbps 5.0 / 48 kHz /
2002 kbps / 16-bit (DTS Core: 5.0 / 48 kHz / 1509 kbps / 16-bit) Dolby TrueHD Audio Japanese 1219 kbps 5.0 / 48 kHz / 1219 kbps / 16-bit (AC3 Core: 2.0 / 48 kHz / 192 kbps) LPCM Audio English 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit Commentary: Dolby Digital Audio Japanese 192 kbps 2.0 / 48 kHz / 192 kbps |
Subtitles | English, None | English, Chinese or none. | English or none. | English (non-removable). |
Features |
Release Information: Studio: Tartan
Aspect Ratio:
Edition Details: Chapters 16 |
Release
Information: Studio: Universe Aspect Ratio: Widescreen (Letterboxed)- 1.85:1
Edition Details: Chapters: 8 |
Release
Information: Chapters: 24 |
Release
Information: Disc Size: 23,971,383,360 bytesFeature: 23,537,461,248 bytesVideo Bitrate: 18.99 MbpsCodec: MPEG-4 AVC VideEdition Details:
•
Takashi Miike introduction (1:18)
•
Interviews with Ryo Ishibashi (16:17), Eihi Shiina, (20:07) Renji
Ishibashi (20:53) and Ren Ôsugi (16:23) with optional English
subtitles Total: 1:13:39 • Japanese Trailer (1:46) •
8-page booklet with essay
Blu-ray
Release Date: October 6th, 2009 Chapters: 12 |
Recommended Reading for Japanese Film Fans (CLICK COVERS or TITLES for more information)
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The Japan Journals : 1947-2004, by Donald Richie |
The Midnight Eye Guide to New Japanese Film by Tom Mes and Jasper Sharp |
Kon Ichikawa (Cinematheque Ontario Monographs) by James Quandt, Cinematheque Ontario |
Shohei Imamura (Cinematheque
Ontario Monographs, No. 1) by James Quandt |
Eros Plus Massacre: An
Introduction to the Japanese New Wave Cinema
(Midland Book, Mb 469) by David Desser |
The Films of Akira Kurosawa by Donald Ritchie |
by Yasujiro Ozu, Kogo Noda, Donald Richie, Eric Klestadt |
Ozu by Donald Ritchie |
A Hundred Years of Japanese Film by Donald Richie |
Check out more in "The Library"
Comments: |
NOTE: The below Blu-ray captures were ripped directly from the Blu-ray disc. ADDITION Shout! Factory Blu-ray - September 2009: This has always looked problematic on digital - largely in part to the extensive grainy look of the film. The Blu-ray is in a class by itself compared to the DVDs though. Color (immensely), detail and visibility of the heavy grain structure are a vast improvement. The intentionally gritty visuals never translated well to the SD-DVD medium but even though the single-layered Blu-ray does a far superior job with the gloss-free style - noise is still apparent at times - creating a chroma-like anomaly in a few scenes. Those anticipating a pristine shiny image will no doubt be left wanting. Overall though, the textured look is, by far, a more valid representation of the original intended appearance. The 1080P transfer appears to be from the same source as the Chimera edition with the same light damage/speckles.NOTE: Cliff tells us in email: "The Chimera release was a master from a print. The Lionsgate release was done with the Tartan PAL master and the new Shout release was master in HD from the inter-negative. As you may know, prints are struck from the inter-negative, so that is why you are seeing the same markings. The film company wouldn’t send the negative to the U.S. so we had to use the inter-negative." (Thanks Cliff!) NOTE: Eric tell us us in email "Just to let you know, in between the Ventura R1 non-anamorphic DVD of AUDITION and the Shout Factory Blu-Ray, there was also a LionsGate SD-DVD release that was anamorphic but interlaced. I think most of the extras were the same." (thanks Eric!) Audio too takes the leap forward with three Japanese track options - a DTS-HD Master 5.0 at 2002 kbps , a less robust TrueHD 5.0 at 1219 kbps and a linear PCM 2.0 track at 2304 Kbps. I sampled all but settled for the blander stereo mix for no specific reason. I should note that these audio options cannot be changed on the fly with the 'audio' button of your remote - you must utilize the Pop-up menu. Then you can make another choice without disturbing the film's flow. I couldn't find a way to totally remove the white English subtitles. My Momitsu has identified this as being Region 'A'-locked.Supplements have a brief introduction to the film presentation by Takashi Miike (1:18) and a new commentary recorded in Tokyo - May 2009 with the director and screenwriter Daisuke Tengan. It is in Japanese with English subtitles but they remove the feature's subs and audio (boo!). The discussion is quite good - recalling that it never felt like they were making a 'horror' film when they were filming Audition - and often how meetings during production didn't focus on specific details. There is a second, single-layered DVD, disc which includes interviews with cast Ryo Ishibashi (16:17), Eihi Shiina, (20:07) Renji Ishibashi (20:53) and Ren Ôsugi (16:23) in Japanese with optional English subtitles - as well as two trailers - the 'International' and the Japanese (both in widescreen letterboxed). Lastly you get an 8-page booklet with photos and an essay. For less than $18 - I think this is a great buy although the disc authoring is imperfect. I had forgotten what a strangely compelling film Audition is - a horror that often feels more humanistic with the eventual gore being that much more impacting. It's a great storyline - with unforgettable moments. This Blu-ray is the best looking and sounding presentation of the film for your home theater. It ends up being a tremendous difference from DVD. Gary Tooze ADDITION (Tartan - July -04): Where the old Tartan DVD suffered from an incredible bad image, the new Tartan DVD is a vast improvement, with a balanced color scheme, which is more softer and clearer next to the Chimera DVD. The Tartan frame differs slightly (0,7% to the right) from the Chimera. The DTS track on the Tartan DVD is surprisingly flat. While the normal stereo track is quiet effective and the 5.1 track is very special, the DTS lacks definition in the rears. The interview with Miike is a nice addition. The questions are standard, but Miike's answers give us a good feel about his approach to film and directing. As a trivia note: The interview was held at the Nordam room at the Westin hotel in Rotterdam. Chimera vs Universe DVDs: Region 1 disc has better picture, but unfortunately it's not anamorphic. It's also sharper than Mei Ah disc. The added extras - an interview with the director and a commentary for the last 40 minutes -makes Chimera disc a clear choice between two releases. Gregory Meshman |
DVD Menus
(Tartan (CE) - Region 0 - PAL LEFT
vs. Universe
- Region 3 - NTSC - MIDDLE vs. - Chimera / Ventura - Region 1 -
NTSC - RIGHT)
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Blu-ray
Extras
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
1) Tartan (CE) - Region 0 - PAL TOP 2) Universe - Region 3 - NTSC - SECOND3) Chimera / Ventura - Region 1 - NTSC - THIRD 4) Shout! Factory (2-disc) - Region 'A' - Blu-ray - BOTTOM |
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1) Tartan (CE) - Region 0 - PAL TOP 2) Universe - Region 3 - NTSC - SECOND3) Chimera / Ventura - Region 1 - NTSC - THIRD 4) Shout! Factory (2-disc) - Region 'A' - Blu-ray - BOTTOM |
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1) Tartan (CE) - Region 0 - PAL TOP 2) Universe - Region 3 - NTSC - SECOND3) Chimera / Ventura - Region 1 - NTSC - THIRD 4) Shout! Factory (2-disc) - Region 'A' - Blu-ray - BOTTOM |
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Report Card:
Image: |
Blu-ray |
Sound: |
Blu-ray |
Extras: | Chimera / Ventura |
Sundry
Booms slowly sneaks into the frame | Cue Blip Markers are visible |
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