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S E A R C H D V D B e a v e r |
(aka "Red Lights" )
directed
by Cédric Kahn
France 2004
Listed as a collaborator, French novelist George Simenon,
best known for his stories about Maigret, moved, first to Canada, then later
to the USA, in 1945, during which his novels changed location from Belgium or
France to America. Here he wrote the 1955 novel “The Hitchhiker”, which tells
the story of a married couple, who drive from New York to Maine during Labour
Day.
Cédric Kahn changed the location to the area around Bordeaux, France, as well
as tightened the narrative in terms of the protagonist.
Antoine is a man, who, while his wife, a corporate Lawyer, is successful, is
trapped in his job as an insurance agent. Disappointed he finds comfort within
alcohol. With already a few beers and whiskies on his back, the couple takes
off to pick up their children, who has spend summer at a colony. But hardly
have they hit the highway, before they begin to argue and over the course of
the evening, Antoine turns more and more to drinks, and eventually, Helene
have had enough, and while Antoine is away, she leaves to take the train.
Failing to catch up with the train, he turns to more drinking and eventually
takes up a hitchhiker, who turns out to be a prisoner, who escaped prison
earlier during the day and now is hunted by the police.
Kahn very wisely avoids the cliché of repetition, as the story is well known
and has been told many times before. Instead, Kahn focuses on character, here
Antoine, who undergoes a tribunal of character, becoming more and more drunk,
more and more detached from reality… until reality dawns upon him. Thus it is
not so much the story that drives the narrative, but the study of a little
man.
As central motifs deal with guilt and identity, “Feux Rouge” has Hitchcockian
notes and Kahn hints very heavily towards them by opening the film with bird
eye mise-en-scene of glorious architecture, noting upon “North by Northwest”,
as well as using Debussy’s “Nuages”, which Herrmann’s borrowed from for his
theme to “North by Northwest”. Yet contra to Hitchcock, their journey goes
from Boulogne and south south-east, and the Hitchcock reference is only as
much as noted here.
The direction is superb and Kahn nonchalant presents us with key images,
while, thru Antoine, tightens the narration more and more, thru such simple
mise-en-scene, basically only endless roads and the interior of a car. This
only works with a great actor: Here Jean-Pierre Darroussin simply is stunning
and delivers an incredible performance.
Those who expect a hard-core thriller will be disappointed. First and
foremost, “Feux Rouge” is an intense character study, suggesting that
self-realization and innocence only can be retaken by violent force. A
devilish brilliant film.
Posters
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Theatrical Release: February 10, 2004 (Berlin International Film Festival)
Reviews More Reviews DVD Reviews
Recommended Reading in French Cinema (CLICK COVERS or TITLES for more information)
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Truffaut: A Biography by Antoine do Baecque and Serge Toubiana |
Check out more in "The Library"
DVD Review: Artificial Eye - Region 2 - PAL
Big thanks to Henrik Sylow for the Review!
DVD Box Cover |
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Distribution |
Artificial Eye Region 2 - PAL |
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Runtime | 1:41:55 (4% PAL speedup) | |
Video |
1.85:1 Original Aspect Ratio
16X9 enhanced |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate |
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Audio | 2.0 Dolby Digital French, 5.1 Dolby Digital French | |
Subtitles | English, None | |
Features |
Release Information: Studio: Artificial Eye Aspect Ratio:
Edition Details: Chapters 12 |
Comments: |
With the
exception of colour banding (watch grayscales on the wall to the left in
capture #1), this is a flawless and beautiful image, very controlled in
its palette.
From what it looks like, they are the same as on the French 2-disc
"Edition collector" from Wild Side Video, which in addition also has a 1
hour documentary about the making of, and a 1 hour documentary about
George Simenon. Sadly, the French DVD has no English subs, and equally
sadly, Artificial Eye didn't make this a 2-disc SE with fill extras. This
film would be worth it. Still, a great DVD.
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