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(aka 'Ninjo kami fusen' or 'Humanity and Paper Balloons')
directed by Sadao
Yamanaka
Japan 1937
Widely regarded as Yamanaka's greatest achievement, Humanity and Paper
Balloons [Ninjo kami fusen] was, tragically, his last film, and only one of
three that survive today. In a short, six year, 22 film career Yamanaka quickly
earned a reputation for exceptionally fluid editing and a beautiful visual form
likened to the paintings of Japanese masters.
The story develops in the Tokugawa era of the 18th century, in a poor district
of Tokyo, where impoverished samurai live from hand to mouth among equally poor
people of lower social classes. One such ronin (masterless samurai) Matajuro,
spends his day looking for work whilst his wife, Otaki, makes cheap paper
balloons at home. One rainy night, Shinza, a barber, and equally penniless,
impulsively abducts the daughter of a wealthy merchant, hiding her at Matajuro's
home. Their desperate plan has grave consequences when a ransom attempt
backfires. The film, which starts and ends with suicide, is deeply pessimistic,
insisting that life in feudal Japan was hellish and short for those at the foot
of the social ladder.
Humanity and Paper Balloons premiered the day Yamanaka was drafted to the
frontline at the start of WWII. He died in Manchuria, 1938, aged just 29.
Boasting naturalistic performances and fine ensemble playing (from the left-wing
theatre troupe Zenshin-za).
Poster
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Theatrical Release: January 18th, 2003 - Tokyo
Reviews More Reviews DVD Reviews
DVD Review: Eureka (Master of Cinema # 11) - Region 1 - NTSC
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CLICK to order from:
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| Distribution | Eureka (MoC # 11) - Region 2 - PAL | |
| Runtime | 1:22:33 | |
| Video | 1.33:1
Original Aspect Ratio Average Bitrate: 6.98 mb/s PAL 720x576 25.00 f/s |
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NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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| Bitrate: |
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| Audio | Japanese (Dolby Digital 1.0) | |
| Subtitles | English, None | |
| Features |
Release Information: Edition Details: • Production
stills gallery |
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| Comments: |
The
image actually looks far better than I anticipated. Eureka used the
transfer provided by Toho, and it looks to have been slightly
de-saturated (usually done to remove any possibility of chroma or
moire-ing). Contrast has possibly been slightly dampened to bring out
richer black levels.
There is some
brightness flickering but it, again, is a function of the film's poor
quality negative. It is obviously hazy but otherwise very
acceptable considering the infamous film storage in Japan. This DVD is
encoded progressively as we found no evidence of combing. Original audio
and excellent optional English subtitles (translated
by Tony Rayns). The menus are beautiful. |
DVD Menus
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Subtitle Sample
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Screen Captures
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Recommended Reading in Japanese Cinema (CLICK COVERS or TITLES for more information)
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The Japan Journals : 1947-2004, by Donald Richie |
The Midnight Eye Guide to New Japanese Film |
Kon Ichikawa (Cinematheque Ontario Monographs) by James Quandt, Cinematheque Ontario |
Shohei Imamura (Cinematheque Ontario Monographs, No. 1) |
Eros Plus Massacre: An Introduction to the Japanese New Wave Cinema (Midland Book, Mb 469) |
The Films of Akira Kurosawa by Donald Ritchie |
Ozu by Donald Ritchie |
A Hundred Years of Japanese Film by Donald Richie |
Check out more in "The Library"
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| Distribution | Eureka (MoC # 11) - Region 2 - PAL | |
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