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	Directed by Robert Zemeckis 
	
	USA 1978
| On February 9, 1964, the Beatles made their first live appearance on American television on The Ed Sullivan Show, ratcheting up the frenzy of a fan base whose ecstatic devotion to the band heralded an explosive new wave of youth culture. I Wanna Hold Your Hand looks back to that fateful weekend, following six New Jersey teenagers, each with different reasons for wanting to see the Fab Four, on a madcap mission to Manhattan to meet the band and score tickets to the show. With this rollicking first feature, director Robert Zemeckis and cowriter Bob Gale established themselves as a filmmaking team par excellence, adept at mining America’s cultural memory for comedy and adventure with a winning mixture of sweet nostalgia and playful irreverence. *** The time is 1964, and the Beatles, already a hugely popular group, are about to go on the Ed Sullivan Show for the first time, an appearance that launched them into a worldwide phenomenon. Already, girls are fainting during their concerts from sheer excitement at being in the same theater with them. Pam Mitchell (Nancy Allen) is happy enough to be getting married but wants to bed one of the "Fab Four" before she does. Grace Corrigan (Theresa Saldana), a dedicated fan, is certain that if she can get some exclusive photos of the Beatles, her career as a photographer will be secured. And then there are two people who feel that the future of civilization as we know it depends on their efforts to ruin the Beatles' appearance on Ed Sullivan's show. In this madcap comedy, when these people (and others besides) descend on the New York hotel the Beatles are staying in, things begin hopping. This comedy was Robert Zemeckis' first feature. A protégé of Stephen Spielberg, he went on to direct Forrest Gump, Back to the Future, and Who Framed Roger Rabbit? among other popular features. Excerpt from B+N located HERE | 
Posters
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Theatrical Release: April 21st, 1978 (New York City, New York)
Reviews More Reviews DVD Reviews
Review: Criterion - Region 'A' - Blu-ray
| Box Cover | 
		 | CLICK to order from: | 
| Distribution | Criterion - Region 'A' - Blu-ray | |
| Runtime | 1:39:17.534 | |
| Video | 1.85:1 1080P Dual-layered Blu-ray Disc Size:46,729,852,264 bytes Feature: 31,192,829,952 bytes Video Bitrate: 35.85Mbps Codec: MPEG-4 AVC Video | |
| NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. | ||
| Bitrate Blu-ray: | 
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| Audio | DTS-HD Master 
	Audio English 3665 kbps 5.1 / 48 kHz / 3665 kbps / 24-bit (DTS Core: 5.1 / 
	48 kHz / 1509 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps | |
| Subtitles | English (SDH), None | |
| Features | Release Information: Studio: Criterion 
 1.85:1 1080P Dual-layered Blu-ray Disc Size:46,729,852,264 bytes Feature: 31,192,829,952 bytes Video Bitrate: 35.85Mbps Codec: MPEG-4 AVC Video 
 Edition Details: •New conversation among Zemeckis, Gale, and executive producer Steven Spielberg (41:58) • New interview with actors Nancy Allen and Marc McClure (22:15) • Audio commentary from 2004 featuring Zemeckis and Gale • The Lift (1972) (07:22) and A Field of Honor (1973) (14:16), two early short films by Zemeckis • Trailer (01:11) and radio spots • PLUS: An essay by critic Scott Tobias 
  		
		 Transparent Blu-ray Case Chapters 9 | |
| Comments: | NOTE: The below Blu-ray captures were taken directly from the Blu-ray disc. 
		 
		Criterion state that this is a 'new 4K digital restoration, approved 
		by director Robert Zemeckis and cowriter Bob Gale'. And what a 
		restoration this is! The 1.85:1 presentation is housed on a dual-layered 
		 
		Blu-ray 
		with an impressive maxed out bitrate. There is nary a scratch to be seen 
		here, and the colors are vivid. This looks like it could have been shot 
		yesterday. There is the usual amount of grain that is to be expected and 
		the contrast levels are exceptional, showing a ton of detail in darker 
		scenes. Though transfers like this are what we have come to expect from 
		the folks at Criterion, this is still a home-run. | 
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