There Will
Be Blood
[Blu-ray]
(Paul Thomas
Anderson, 2007)
Review by Gary Tooze
Studio
Paramount
Disc:
Region: FREE!
(as verified by the
Oppo Blu-ray player)
Runtime: 2:38:25.746
Disc Size: 48,606,797,725 bytes
Feature Size: 40,161,970,176 bytes
Video Bitrate: 26.07 Mbps / VC-1 Video / 1080p / 23.976 fps
Chapters: 8
Case: Standard Blu-ray case
Release Date: June 3rd, 2008
Audio:
Dolby TrueHD Audio English 3210 kbps 5.1
/ 48 kHz / 3210 kbps / 24-bit (AC3 Embedded: 5.1 / 48 kHz /
640 kbps / DN -4dB)
Dolby Digital Audio French 640 kbps 5.1 / 48 kHz / 640 kbps
/ DN -4dB
Dolby Digital Audio Spanish 640 kbps 5.1 / 48 kHz / 640 kbps
/ DN -4dBh
Subtitles:
English SDH, English, French, Spanish,
none
Supplements:
• The Story Of Petroleum (25:37) - 4:3
in HD
• '15 minutes' Slideshow (15:33) in HD
• Two deleted scenes, Fishing (6:13) and
Haircut/Interrupted Hymn (3:13)
• Dailies Gone Wild (Outtake) (2:46)
•
Blu-ray
Trailers
Bitrate:
The Film:
From its opening scene, There Will Be Blood
announces itself as an heir to
2001: A Space Odyssey. With a
soundtrack shriek that’s pure Kubrick,
the camera fades up on an untamed
landscape, where lone prospector Daniel
Plainview (Day-Lewis) chips away in a
hole. He’s driven by the equivalent of
2001’s monolith—in this case, oil: the
substance that will inform everything he
does, and that will make him wealthy to
a point where wealth becomes his only
interest.
Black gold eventually pours from the
ground, of course, and when it does, a
fellow prospector’s child is immediately
baptized with it; Anderson spatters the
lens with oil, too, initiating us into
Plainview’s faith. Blood may tip
its hat to John Ford and notions of
collective ambition, but at bottom it’s
a story of individual obsession—and may
inspire a similar obsession in viewers.
This is the most original and compelling
Western in a year of Westerns: so new,
so bleached of conventional beauty and
so alienating (thanks in part to a
nerve-jangling score by Radiohead’s
Jonny Greenwood) that it might as well
be set on Mars.
The movie alludes to
Days of Heaven,
Giant,
The Treasure of the Sierra Madre
and
Citizen Kane, but it’s every
inch a P.T. Anderson film. Blood
is not a departure from his style (as
some have suggested) but a refinement,
seizing on the notions of family and
commerce that ran through Boogie
Nights (1997) and
Magnolia (1999) and reworking
them on a different plane. Anderson
pares down Upton Sinclair’s 1926
muckraking novel Oil! to an archetypal,
even operatic tale of greed and
competition, culminating in an ending
that’s as much a shock to the system as
the frogs in
Magnolia.
Excerpt from TimeOut Film
Guide located HERE
Paul
Thomas Anderson has been striving to
make a masterpiece ever since he first
exploded onto the American movie scene
10 years ago with his insanely ambitious
second feature, Boogie Nights.
Replete with showy camera moves and
performance tics (borrowed from Scorsese
and Altman, respectively), this
ostensible portrait of the ’70s porn
industry, while wildly entertaining, was
in essence little more than a nonstop
series of attention-grabbing set pieces.
His hyperactive follow-up,
Magnolia, gathered even more
terrific actors and set off emotional
crises at an even more frantic and
furious pace. Even
Punch-Drunk Love, the goofy
romantic comedy he made with Adam
Sandler, fairly pulsed with PTA’s
unmistakable need to assault the viewer
with evidence of his genius. “I get a
bit giddy,” I wrote some years ago,
“imagining what Anderson might
accomplish one day if/when he finally
calms the f--k down.” It’s a pleasure to
report that the wait is over. His latest
effort, the magnificent oil-baron epic
There Will Be Blood, firmly and
thrillingly demonstrates what switching
to cinematic decaf can do.
Excerpt from Mike D'Angelo at the Las
Vegas Weekly located HERE
Image :
NOTE:
The below
Blu-ray
captures were taken directly from the
Blu-ray
disc.
I
suppose the big question is "Does it
look that much better?" compared to the
SD edition (Reviewed
HERE) which almost set a new
standard for SD image quality. I suppose 'that
much' is going to boil down to a
personal preference but it does look far
better in 1080P resolution, IMO. This is
apparent in all the expected areas -
colors, contrast and detail. Black
levels
can be quite deep and rich. The image does
look quite brilliant at times and you
may find yourself occasionally
swooning at the grandeur of the 'scapes'
that are very painterly. Kudos to Robert
Elswit's cinematography. There is
still some minor noise in monochromatic
blackness - of which there is a fair
amount in the film and it does lean
slightly
towards 'blue'. But to get back to the
point of whether it is worth a
double-dip - I'd might have said 'it
depends on your system', but
I personally was blown away - more so
after each viewing so I am biased. I'm
guessing I've seen it 1/2 dozen times
since my first review. It just gets
better and better each time. It's a
film you can't seem to look away from
and that can be exemplified due to the
greatly improved resolution factor on
the
Blu-ray. No
disappointments here - this looks quite
magnificent in all visual categories.
CLICK EACH
BLU-RAY
CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Audio & Music:
The TrueHD audio option was
even more pronounced than the crisp 5.1
channel of the SD. There are some
dramatic separations and I jumped a few
times with oil gushers exploding from
the rear speakers. The soundtrack, including "Pärt:
Fratres for Cello and Piano" and
Brahms' "Violin Concerto" was
beautifully clean and tight. Radiohead's
music impressed Anderson enough that he
requested guitarist Jonny Greenwood's
compose the score for There Will Be
Blood. Greenwood later said to
Entertainment Weekly: "I
think it was about not necessarily just
making period music, which very
traditionally you would do. But because
they were traditional orchestral sounds,
I suppose that's what we hoped was a
little unsettling, even though you know
all the sounds you're hearing are coming
from very old technology. You can just
do things with the classical orchestra
that do unsettle you, that are sort of
slightly wrong, that have some kind of
undercurrent that's slightly sinister".
Fabulous. The
dialogue is supported by subtitles
available in English, English (SDH), French or Spanish
in a white font with a black border.
Like all Paramount discs this is region
FREE
Blu-ray.
Extras:
Duplicated from the SD, but now in HD! -
The Story Of Petroleum is a
vintage featurette (1923-7) created by
the U.S. Bureau of Mines in
collaboration with the Sinclair Oil
Company as a promotional film. It runs
almost 30 minutes and is, admittedly,
very interesting for background of
There Will Be Blood - putting its
historical significance in a more direct
context. There is a 15 minute slideshow
(aptly entitled '15 Minutes' and
also in HD) with very old
mining/prospecting/oil-boom photos
interspersed with some newer ones from
the film. The deleted scenes and
Outtakes (found on the SD) are also here
under 'Extras'.
Bottom line:
If you were
as enamored with the
film as I have grown to be - then this is an easy decision and
I must say that I'm grateful to have it
in my possession looking this strong.
It's an amazing piece of cinema to
revisit. Most friends were
pretty over-the-moon about the film -
especially Day-Lewis' intense
performance. This film doesn't seem to
let go of you and many
Blu-ray libraries
won't be complete without it. For those
that indulge - there will be no
disappointment. This is a must-own.
Gary Tooze
June 3rd, 2008
Re-capped
May, 2014
|

|