The Fox Blu-ray War Bash 2008
"The perfect gift for Dad this Father's Day" - so says Fox for their
long-awaited series of five – count them – big budget war films from
their vast catalog:
Battle of Britain (1969),
A Bridge Too Far (1977),
The Longest Day
(1962),
Patton
(1970), and
The Sand Pebbles
(1966). Except for
The Sand Pebbles,
these are all WWII films. Three of them show off a huge cast of
luminaries, but only one (A Bridge Too Far) does it without undue
posturing. All of them have outstanding photography: even the least
successful as a script (Battle
of Britain)
has some terrific aerial photography.
Between the five, they scored nine Academy Awards, which is less
impressive when you consider that seven of them were for one picture
alone (Patton).
A Bridge Too Far,
which had zero nominations, has become, for me, one of the more
rewatchable WWII movies, and has one of the most engaging film scores
composed for the genre. Jerry Goldsmith's score for
Patton
was rightfully nominated, but lost to – are you sitting down for this –
Love Story!
The Longest Day
is remarkable for two reasons: it is one of the first films shot in Black &
White to be released on Blu-ray! (Bergman's
The Seventh Seal jumps to mind as another - there may be a few
more) and it is also one of the older films on the new format... and best
looking image – all the more surprising considering how bloody awful the
SD 2-disc Collector's Edition was. (The previous letterboxed image was
sharper, even after zoomed out to full size.) The sound tracks for all
of these movies are very good-to-excellent. They may not have the same
level of crunch we have come to expect since
Saving Private Ryan, but they are convincing all the same,
regardless of age. The music tracks for these films are especially
clear, invigorating and supportive of the mood.
All of the titles have seen SD-DVD incarnations previously, some very
good ones, some with extensive supplements. My comparison of the
supplements from the latest SD editions and the respective Blu-ray
reveals that all of the extra features – with the exception of
A Bridge Too Far
- are ported over to High Def. Except for the occasional trailer, there
are NO high-def extra features to be found on any of these new releases.
Two of them (A
Bridge Too Far and
Battle of Britain)
have no extra features at all, unless you count trailers (which I
don't.)
Battle of Britain
SD edition, by the way, is the sole movie of this quintet not too have
received the 2-disc treatment in 480i. The BRDs of
Patton
and
The Longest Day
are 2-disc affairs, but Fox opted for a single 50 GB disc to accommodate
all but "Road Show" version of the 2-disc material from their most
recent SD of
The Sand Pebbles.

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The Longest Day [Blu-ray]
(Ken Annakin, Andrew
Marton and Bernhard Wicki, 1962)
Review by Leonard Norwitz
Studio:
Theatrical: 20th Century Fox
Blu-ray: 20th Century Fox Pictures Home
Entertainment
Disc:
Region: A
Runtime: 178 min
Chapters: 40
Size: 50/25
Case: Standard Blu-ray case: 2 discs
Release date: June 3, 2008
Video:
Aspect ratio: 2.35.:1
Resolution: 1080p
Video codec: AVC @ 23 MBPS
Audio:
English DTS HD 5.1 Master Lossless, English 4.0
Dolby Surround, Spanish & French Mono
Subtitles:
English, English SDH, Mandarin and Cantonese
Extras:
• Disc 1: Film Commentary by Director Ken Annakin
• Disc 1: Historical Commentary by Historian Mary
Corey
• Disc 2: Featurettes:
• A Day to Remember
• Longest Day: A Salute to Courage
• AMC Backstory: The Longest Day
• Richard Zanuck on The Longest Day
• Documentary: D-Day Revisited
• Still Gallery
• Original Theatrical Trailer
The Film:
7.5
I suppose this is a Darryl F. Zanuck movie in much
the same way as Gone With the Wind was David O.
Selznick's. The director doesn't much matter. In
this case, that goes triple, since there are in fact
three directors: one for the "British Exterior
Episodes" (Annakin), one for the "American Exterior
Episodes" (Marton), and one for the "German
Episodes" (Wicki). One wonders who directed the
Allied "Interior Episodes"? In any case, Zannuck,
who participated in the first world war in France
and Belgium, wanted to recreate the Normandy
Invasion in a quasi-documentary – but always
faithful to the Hollywood idea of things. Thus,
perhaps, its being filmed in black & white. Also, so
that it could better mix with actual WWII
documentary footage. Also, so that its many stars –
so many that none are listed on the cover - could
better blend into the action. A good choice all
around.
I think The Longest Day has always been one of my
guilty pleasures. I keep half-expecting Natalie Wood
as a Belgian peasant girl to jump out of the bushes.
John Wayne couldn't be more the icon, and Henry
Fonda more out of place, plus more stars than Louis
B. Mayer - put together! As mentioned, there are
even three directors plus Zanuck and a coordinating
producer, Elmo Williams. Yet somehow it all seems to
work. Once things get underway, there is plenty of
action and a few remarkable and complicated set
pieces. Whatever the time of day, even if we can't
see the faces, we always know who is who and what
they're about. The German actors are my favorites:
Hans Christian Blech, Curt Jürgens, Wolfgang Preiss,
Paul Hartmann. And who said Crouching Tiger broke
the subtitles barrier! This is a 3-hour movie where
no small part of it is spoken in the language of
those who murdered millions less than twenty years
earlier – that's serious risk-taking on Zanuck's
part. I think it paid off. That, and the intent –
not so much to glorify, as to remember. And not only
to remember, but to understand the cost. When this
title arrives on shelves on Blu-ray, that day will
have been almost exactly 64 years ago.
Image:
9 (5~9.5/10)
The score of 9 indicates a relative level of
excellence compared to other Blu-ray DVDs on a
ten-point scale. The score in parentheses
represents: first, a value for the image in absolute
terms; and, second, how that image compares to what
I believe is the current best we can expect in the
theatre.
There is a reach out-and-touch-it quality to the
non-documentary image that should put to rest all
those comments about how a movie's age relates its
sharpness or resolution. If anything, the excellence
of much of the film in these terms almost works
against it on Blu-ray, since the real documentary
footage incorporated into the action on occasion is
necessarily less good.
It would have not been possible to predict just how
good this image is from what Fox put out in their
wretched 2-disc Collector's Edition. Even projected
to a large screen of over 100 inches, there is a
coherency, a tightness to the Blu-ray image that
makes most color films look positively pixilated.
Leather jackets shine, yet you can almost smell
them. Same goes for the faces of the GI's. In shot
after shot, contrast is wonderfully controlled.
Blacks are deep, but never solidly so, nor should
they be for a black & white movie, any more than
there could be a true white – as opposed to color
films, which do have true black and white
capability. I'm afraid my screen caps do not do this
movie justice.
One more observation about the Blu-ray as versus the
SD Collector's Edition. I have included only one
3-frame screencap comparison, as it suffices to make
the point. Note the soldier, holding a paper, in the
background at the far left. Is it not clear that he
is anamorphically challenged? And now that we see
that, do we not see that the same is true for
everyone else in the frame, though perhaps not to
the same degree? This error did not exist on the
previous letterboxed edition, shown zoomed out below
it, and certainly not on the Blu-ray. I rest my
case.
SD editions TOP 2 vs. Blu-ray - BOTTOM
Audio & Music:
7/9
I finally have what should be a pretty decent,
though not entirely finalized, surround system in
place. It has not yet been professionally
calibrated. That may be a few weeks off, so regard
my comments with this in mind – and if there is the
need for qualification, I shall post in the Update
section. In any case, I feel I am much closer to the
intentions of the audio mix than ever before.
While I give the overall audio score only 7 points,
the music track should rate 9-10 for audio
excellence. The percussion, especially the crashing
cymbals, over the titles will knock you
r proverbial socks off. The rest of the mix – the
artillery and small arms fire, mainly – couldn't
possibly live up to that level of contrast, nor does
it – not in 1962.
Operations:
7
Major points for the art work for the main menu: As
we get further from the time that The Longest Day
commemorates, some things slip into the recesses of
memory. It won't be much longer before there will be
no one still alive who fought on either side on that
day. The second disc contains all the bonus features
other than the feature film commentaries. There is
no pretense on this disc of anything other than your
basic 480i.
Extras:
9
We may never see a Blu-ray movie about Operation
Overlord on D-Day that has the breadth of these
extra features. Sure, the second disc is entirely in
480i and tends to be repetitive in its praise of
Zanuck, but much of its 3 hours is well positioned,
especially the AMC Backstory: The Longest Day and
The Longest Day: A Salute to Courage - and the two
audio commentaries – one about the making of the
movie, the other placing the events we see on film
in their historical context – are very good indeed.
Bottom line:
9
On grounds of the image alone, this is a Must-Have
DVD. The music score and extra features are just
icing to the cake. Of course, it helps if you like
the movie, as I do, but even if not, this is a super
demo disc and an important historical document.
Leonard Norwitz
May 24, 2008
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