Criterion include the 2002 audio commentary by film historian Peter Cowie as found on there original DVD - as well as the dual-interviews with director Alain Resnais from 1961 and 1980 (5:43 +10:52) and actress Emmanuelle Riva from 1959 and 2003 (5:42 + 19:20). We appear to lose the 8-minutes of excerpts from Duras’ annotations to the screenplay and the isolated music and effects track - as found on the Criterion's 2003 SD release. What we do get are some new (2015) interviews. In Memory and Meaning, we hear music scholar Tim Page about the film’s score and contributions of Georges Delerue and Giovanni Fusco to Hiroshima Mon Amour plus a 26-minute interview with film scholar François Thomas, author of L’atelier d’Alain Resnais. Revoir Hiroshima . . . , is a 11-minute 2013 program about the film’s restoration. Argos Films, the Technicolor Foundation, the Groupama Gan Foundation, and the Cineteca di Bologna collaborated on a 4K digital restoration of Hiroshima Mon Amour. The work performed at L'Immagine Ritrovata, the Cineteca's restoration lab, whose director Davide Pozzi, oversaw a delicate process of scanning the original camera negative. In the included program from that year, Pozzi talks about the film's restoration with cinematographer Renato Berta, a special consultant on the project. The package contains a liner notes booklet with an essay by critic Kent Jones and excerpts from a 1959 Cahiers du cinéma roundtable discussion about the film.

Total masterpiece film and a must own!