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S E A R C H D V D B e a v e r |
(aka "Violent Cop" or "Sono otoko, kyobo ni tsuki" )
What should have been a comic Dirty Harry-ish farce, became an gritty, dark and violent tale, when director Kinji Fukasaku walked out of the project and Kitano was offered the chance to direct. Kitano virtually rewrote the entire script, removed all comedy and made himself a platform, from which he could show his serious side. Originally a stand-up comic, Kitano followed the advice from friend and director Nagisa Oshima and played criminals in order to express not only his darker side but also his dramatic talent. Having done this quiet successfully on TV and in Oshima’s “Merry Christmas, Mr. Lawrence”, Kitano felt let down, when all he was offered was comic roles: Now he had the chance to control what he wanted. The story is pretty straight forward. Azuma (Kitano) is a rogue homicide detective, a loner without respect or care for neither his superiors nor police procedures, using violence and other unethical methods to get results. When his best friend gets killed by the yakuza, he goes after the killer, but instead of getting support, Azuma is charged with wrongful arrest, planting of evidence and attempting to kill a prisoner. He is fired. Having lost everything and feeling betrayed, he buys a gun and goes on a personal vendetta, seeking justice in the only way he knows: By killing everyone in his way. Extraordinary simple in both story and visual style, Kitano may not have had a clue how to direct, but his passion and vision sat aside any lacking of experience. An extraordinary strong directorial debut by any standard. The original title, “Sono otoko, kyobo ni tsuki”, means "Watch out, this man is dangerous" and is far more fitting for the story that the rather generic American title, “Violent Cop”. |
Posters
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Theatrical Release: August 12, 1989 (Japan)
Reviews More Reviews DVD Reviews
Comparison:
Fox Lorber - Region 1 - NTSC vs. MIA - Region 2 - PAL vs. Film Movement - Region 'A' - Blu-ray
1) Fox Lorber - Region 1 - NTSC - LEFT2) MIA - Region 2 - PAL - MIDDLE 3) Film Movement - Region 'A' - Blu-ray - RIGHT
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Distribution |
Fox Lorber Region 1 - NTSC |
MIA Region 2 - PAL |
Film Movement Region 'A' - Blu-ray |
Runtime | 1:42:27 | 1:42:46 | 1:42:41.572 |
Video |
1.79:1
Original Aspect Ratio |
1.76:1
Original Aspect Ratio |
1.85:1 Disc Size: 37,841,268,810 bytes Feature Size: 30,112,960,512 bytes Total Bitrate: 34.98 MbpsDual-layered Blu-ray MPEG4 - AVC |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes. |
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Bitrate:
Fox Lorber
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Bitrate:
MIA
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Bitrate:
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Audio | 2.0 Dolby Digital Japanese |
2.0 Dolby Digital Japanese |
LPCM Audio Japanese 2304 kbps 2.0 / 48 kHz / 2304 kbps / 24-bit |
Subtitles | English, None | English, None (16x9 friendly optional) | English, None |
Features |
Release Information: Studio: Fox Lorber Aspect Ratio:
Edition Details:
Chapters 6 |
Release Information: Studio: MIA Aspect Ratio:
Edition Details:
DVD
Release Date: December 3, 2001 Chapters 12 |
Release Information: Studio: Film Movement Aspect Ratio:- 1.85:1 Disc Size: 37,841,268,810 bytes Feature Size: 30,112,960,512 bytes Total Bitrate: 34.98 MbpsDual-layered Blu-ray MPEG4 - AVC
Edition Details: • 6 other Film Movement Trailers • Collector's Booklet, featuring film essay by Tom Vick, the Asian film Curator for the Freer and Sackler Galleries (The Smithsonian's Museums of Asian Art); cast and crew credits
Blu-ray
Release Date: October 11th, 2016 Chapters: 12 |
Comments |
NOTE:
The below
Blu-ray captures were
taken directly from the
Blu-ray
disc.
ADDITION: Film Movement - Region 'A' -
Blu-ray
Film Movement continue to produce some interesting stuff - that fit into the DVDBeaver fan-niche - we've covered their Blu-rays of Once Were Warriors, Antonia's Line, The Pillow Book and Francesco. It's quite obvious to see that the initial DVDs of Kitano's Violent Cop were horrible. This may have been one of the first comparisons we did - way back in 2001-ish and I'm unaware of newer digital releases. The Film Movement Blu-ray is far from demo - the image is unusually soft but we can't fault the transfer - 1080P on a dual-layered disc with a max'ed out bitrate. Violent Cop was shot with a Arriflex 35 BL4 camera but that is not the culprit in the unimpressive image quality - it is, probably, a lesser, marginalized print source. Bottom line is that it's the best English-friendly digital presentation to-date and it's miles ahead of the non-anamorphic SDs. With the audio, Film Movement, again do their very best with a linear PCM 2.0 channel track, at 2304 kbps / 24-bit, in the original Japanese. There is an unremarkable score by Daisaku Kume but many may tweak their ears to an electronic variation of Erik Satie's Gnossienne No.1 as the film's main theme. It sounds beautiful in the uncompressed and there are optional English subtitles. The Blu-ray disc is region 'A'-locked.Film Movement include a 20-minute video entitled That Man Is Dangerous: The Birth of Takeshi Kitano that has colleagues discuss their awareness and relationships with him, and his persona and style. There is both an original Violent Cop trailer and new HD re-release trailer, as well as 6 other Film Movement trailers. The package contains a, liner notes, collector's booklet, featuring film essay by Tom Vick, the Asian film Curator for the Freer and Sackler Galleries (The Smithsonian's Museums of Asian Art); cast and crew credits. Violent Cop marked the directorial debut of “Beat” Takeshi Kitano and I still find it an intriguing film. It's very violent and Azuma (as Beat Takeshi) is an intense character. I'm glad I finally got to see it is a reasonable digital presentation - as I said, far from demo, but still very watchable. Fans of the film or director should definitely consider indulging. Another competent technical Blu-ray transfer from Film Movement! *** ON THE DVDs: While both discs are bad and have heavy ghosting, the Fox Lorber is the best. Its image is shaper vs. MIA, which not only is looks filtered but also is cropped 2% to 2,5% top, bottom and left (look at subtitle picture). In fact, compared to the Fox Lorber disc, the only positive thing one can say about the MIA disc is, that it has an option that allows 16x9 friendly subtitles. There are two versions of the Fox Lorber DVD. The one has a "gory" cover, the other has a "non gory" cover, otherwise the DVDs are 100% identical. |
DVD Menus
(Fox Lorber - Region 1 - NTSC - LEFT
vs. MIA - Region 2 - PAL - RIGHT)
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Film Movement - Region 'A' - Blu-ray
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CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
Screen Captures
1) Fox Lorber - Region 1 - NTSC - TOP2) MIA - Region 2 - PAL - MIDDLE 3) Film Movement - Region 'A' - Blu-ray - BOTTOM
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1) Fox Lorber - Region 1 - NTSC - TOP2) MIA - Region 2 - PAL - MIDDLE 3) Film Movement - Region 'A' - Blu-ray - BOTTOM
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1) Fox Lorber - Region 1 - NTSC - TOP2) MIA - Region 2 - PAL - MIDDLE 3) Film Movement - Region 'A' - Blu-ray - BOTTOM
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Report Card:
Image: |
Blu-ray |
Sound: |
Blu-ray |
Extras: | Blu-ray |
Box Covers |
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Distribution |
Fox Lorber Region 1 - NTSC |
MIA Region 2 - PAL |
Film Movement Region 'A' - Blu-ray |
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Gary Tooze |
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