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S E A R C H D V D B e a v e r |
(aka 'Salo, or the 120 Days of Sodom' or 'Salo ou les 120 journées de Sodome')
directed by Pier Paolo Pasolini
Italy 1975
Pier Paolo Pasolini’s notorious final film, Salò, or the 120 Days of Sodom, has been called nauseating, shocking . . . it’s also a masterpiece. The controversial poet, novelist, and filmmaker’s transposition of the Marquis de Sade’s 18th-century opus of torture and degradation to 1944 Fascist Italy remains one of the most passionately debated films of all time, a thought-provoking inquiry into the political, social, and
interperonal dynamics that define the world we live in. *** Set in the Nazi-controlled, northern Italian state of Salo in 1944, four dignitaries round up sixteen perfect specimens of youth and take them together with guards, servants and studs to a palace near Marzabotto. In addition, there are four middle-aged women: three of whom recount arousing stories whilst the fourth accompanies on the piano. The story is largely taken up with their recounting the stories of Dante and De Sade: the Circle of Manias, the Circle of Shit and the Circle of Blood. Following this, the youths are executed whilst each libertine takes his turn as voyeur. |
Posters
Theatrical Release: November 25th, 1975 - Paris, France
Reviews More Reviews DVD Reviews
Comparison:
Gaumont Columbia Tristar - Region 2 - PAL vs. Criterion - Region 1 - NTSC vs. BFI - Region 2 - PAL vs. Criterion (REISSUE) - Region 1 - NTSC vs. BFI (2008) - Region 'B' - Blu-ray vs. Criterion - Region 'A' - Blu-ray vs. BFI (2019 2-disc) - Region 'B' - Blu-ray |
BFI Screen captures courtesy of Ashirg and Vincent Bouche of DVD Compare for the Gaumont screen captures
and Chris (CDNChris of Criterion Forum) for the Criterion REISSUE Caps
!1) Gaumont Columbia Tristar - Region 2 - PAL TOP LEFT 2) Criterion (original) - Region 1 - NTSC - TOP CENTER 3) BFI - Region 2 - PAL - TOP RIGHT 4) Criterion (REISSUE) - Region 1 - NTSC - BOTTOM LEFT 5) BFI - Region 'B' - Blu-ray - BOTTOM SECOND 6) Criterion - Region 'A' - Blu-ray - BOTTOM THIRD 6) BFI (2019) - Region 'B' - Blu-ray - BOTTOM RIGHT
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Distribution | GCTHV (Gaumont Columbia Tristar Home Video) Region 2 (France) | Criterion Collection - Spine #17 Region 1 - NTSC | BFI Video Publishing Catalogue No: BFIVD510 Region 2 |
Criterion Collection - Spine #17 (REISSUE) Region 1 - NTSC | BFI Video
(2008) Region 'B' Blu-ray |
Criterion Collection - Spine # 17 Region 'A' Blu-ray | BFI Video
(2019) Region 'B' Blu-ray |
Distribution | GCTHV (Gaumont Columbia Tristar Home Video) Region 2 (France) |
Criterion Spine #17 Region 1 - NTSC |
BFI Video Publishing Catalogue No: BFIVD510 Region 2 |
Criterion Collection - Spine #17 (REISSUE) Region 1 - NTSC |
BFI Video
(2008) Region B Blu-ray |
Criterion Collection - Spine # 17 Region 'A' Blu-ray |
BFI Video
(2019) Region 'B' Blu-ray |
Runtime | 1:51:32 (4% PAL Speedup) | 1:56:24 | 1:51:46 (4% PAL Speedup) | 1:56:32 | 1:56:38 | 1:56:43.413 | 1:56:58.344 |
Video | 1.66 Original Aspect Ratio Average Bitrate : 6.14 Mb/s PAL 720x576 25.00 f/s |
1.85:1 Widecreen Average Bitrate: 4.56 mb/s NTSC 704x480 29.97 f/s |
1.85:1 Widecreen Average Bitrate: 4.76 mb/s PAL 720x576 25.00 f/s |
1.85:1 Widecreen 16X9 Average Bitrate: 8.34 mb/s NTSC 704x480 29.97 f/s |
Feature 20.5 Gig Catalog - BFIB1001, 1080P Single-layered, Region B Blu-ray |
1080P Dual-layered Blu-ray Disc Size: 45,796,360,140 bytes Feature: 26,199,060,480 bytes Codec: MPEG-4 AVC Video Total Video Bitrate: 25.99 Mbps |
1080P Dual-layered Blu-ray Disc Size: 45,796,360,140 bytes Feature: 34,680,702,912 bytes Codec: MPEG-4 AVC Video Total Video Bitrate: 35.03 Mbps |
Audio | - Italian Dolby Digital 1.0 (Mono) - French Dolby Digital 1.0 (Mono) - Movie was shot in Italian but French dub was considered by Pasolini as the "official" version. |
Italian (Dolby Digital 1.0) | Italian (Dolby Digital 1.0) |
Italian (Dolby Digital 1.0), English DUB (Dolby Digital 1.0) | Italian PCM mono, English DUB (Dolby Digital 1.0) |
LPCM Audio
Italian 1152 kbps 1.0 / 48 kHz / 1152 kbps / 24-bit Dolby Digital Audio English 192 kbps 1.0 / 48 kHz / 192 kbps |
DTS-HD Master Audio
Italian 1095 kbps 1.0 / 48 kHz / 1095 kbps / 24-bit (DTS Core:
1.0 / 48 kHz / 768 kbps / 24-bit)
DTS-HD Master Audio
English 1092 kbps 1.0 / 48 kHz / 1092 kbps / 24-bit (DTS Core:
1.0 / 48 kHz / 768 kbps / 24-bit) Dolby Digital Audio English 192 kbps 2.0 / 48 kHz / 192 kbps / DN -31dB |
Subtitles | French or none | English or none | English (burnt in) | English or none | English or none | English or none | English or none |
Features | Release Information: Studio: GCTHV Production Company : Carlotta Films Aspect Ratio : Widescreen letterbox - 1.66:1 Discographic information : - DVD encoding : region 2 - Layers : dual - Available Audio Tracks: Italian (Dolby Digital 1.0) and French (Dolby Digital 1.0) - Available subtitles : French and none - Limited numbered collector's edition (only 50 000 ex.) In the box, you find a huge booklet (about 50 pages) with photos and many notes about the film (in French) Extras : - "Salo d'hier à aujourd'hui", documentary (31:55) (Italian with French subtitles and French) - "Enfants de Salo", documentary (18:28) (French) - Image gallery - Original theatrical trailer (Italian with French subtitles) DVD release date : October 22, 2002 Amaray Case Chapters : 9 |
Release Information: Studio: Criterion Aspect Ratio: Widescreen letterbox - 1.85:1 Extras : There is an inset by John Powers that briefly covers the controversy behind Pasolini and his final film. It was quite informative and gives valued insight into the film. DVD Release Date: August 11, 1998 |
Release Information: Studio: BFI Video Publishing Aspect Ratio: Widescreen letterbox - 1.85:1 Extras : There is an inset by John Powers (same as Criterion) Pasolini’s own introduction to his film, is presented both as on-screen text and read aloud by the actor Nickolas Grace. It does a very good job of explaining in broad brushstroke terms what Pasolini was attempting. A brief biography of Pasolini, a couple of poster images and the news that three more Pasolini DVDs are coming out in summer 2001. The only other extra is a link to the BFI website and their collection of Salò-related papers, Click Here to access. DVD Release Date: April 2, 2001 |
Release Information: Studio: Criterion Aspect Ratio: Widescreen letterbox - 1.85:1
Edition Details: • "Salò": Yesterday and Today, a 33-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Nineto Davoli |
Release Information:
Feature 20.5 Gig Catalog - BFIB1001, 1080P Single-layered, Region B Blu-ray
DISC ONE (DVD & Blu-ray) · Fully Complete & Uncut, telecined from original Italian restoration negatives
· BD: 1.856:1 (1080p, 24fps) / BD25 / PCM mono · Original Italian language version (with optional English subtitles) · Original English language version (with optional HoH subtitles) · Original Italian trailer (with optional English subtitles) · Coil - Ostia (the Death of Pasolini) The original 1987 track from Coil's celebrated second album, Horse Rotorvator, with a newly created video accompaniment, shot especially for this release, by Peter Christopherson.
DISC TWO (Standard Def PAL DVD Disc, to be included in both DVD & BD editions) · On set footage and interviews (1974, 25m) – newly created documentary using full colour footage shot in 1974 by acclaimed film journalist and Pasolini expert Gideon Bachmann. · Featurettes: Open Your Eyes and Walking With Pasolini · Whoever Says the Truth Shall Die (1981, 58m) Philo Bregstein's classic documentary on the life and death of Pier Paolo Pasolini. · Fade to Black (2001, 25m) – documentary with Mark Kermode exploring the ongoing relevance and power of Pasolini's controversial masterpiece, with Bernardo Bertolucci and other leading directors. · Ostia (1991, 25m, with optional director commentary track) – Julian Cole's short film about the last days of Pasolini, starring Derek Jarman.
Fully illustrated booklet · Newly commissioned essay by Sam Rohdie (Italian film scholar and author on Pasolini) · Sight & Sound article by Gideon Bachmann incorporating his on-set diary · 1979 review of the film by Gilbert Adair · James Ferman letter to the Director of Public Prosecutions · Cast and credits for the film · Pasolini biography by Italian film specialist Geoffrey Nowell-Smith · Photographs of Pasolini at work on set |
Release Information: Studio: Criterion 1080P Dual-layered Blu-ray Disc Size: 45,796,360,140 bytes Feature: 26,199,060,480 bytes Codec: MPEG-4 AVC Video Total Video Bitrate: 25.99 Mbps Edition Details: • "Salò": Yesterday and Today, a 33-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Nineto Davoli Transparent Blu-ray Case Chapters: 23 |
Release Information: Studio: BFI 1080P Dual-layered Blu-ray Disc Size: 45,796,360,140 bytes Feature: 34,680,702,912 bytes Codec: MPEG-4 AVC Video Total Video Bitrate: 35.03 Mbps Edition Details:
• Newly recorded audio commentary by Kat Ellinger, author, film
critic, columnist and editor-in-chief for Diabolique magazine |
NOTE: The Vertical axis represents the bits transferred per second. The Horizontal is the time in minutes | |
Bitrate: Criterion (REISSUE) | |
Bitrate: Gaumont
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Bitrate: Criterion |
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Bitrate: BFI |
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Bitrate: BFI (2008) Blu-ray |
NO BITRATE FOR 2008 BFI BLU-RAY YET |
Bitrate:
Criterion Collection - Spine # 17 |
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Bitrate:
BFI (2019) Region 'B' Blu-ray |
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Comments | NOTE: The below Blu-ray captures were obtained directly from the Blu-ray disc. ADDITION: BFI - Region 'B' - Blu-ray - September 2019': BFI are re-issuing their Blu-ray of Pier Paolo Pasolini’s Salò, or the 120 Days of Sodom with a new (2019) transfer and a 2-disc set. The feature starts with the MGM logo. This is on a dual-layered disc with a max'ed out bitrate and a second dual-layered disc with supplements. It compares better to the 2011 Criterion 1080P than BFI's own imperfect 2008 Blu-ray package where the visuals were fraught with digitization issues and a green overcast. The BFI transfer is minutely superior to the Criterion HD with a much high bitrate and colors look tighter in-motion - warmer skin tones - with a smooth, seamless, appearance. BFI have added a new commentary to the feature disc. There is also a trailer on the first BD and all the other extras are on the second Blu-ray. NOTE: The 2019 BFI Blu-ray includes short 25-second sequence during the first wedding ceremony (around 42-minutes), where one of the masters quotes a poem by Gottfried Benn. It is missing from the Criterion and Gaumont discs. BFI include both Italian-language and English-language versions in DTS-HD Master 1.0 channel mono tracks (both 24-bit) and this may be seen as another minor advancement over the Criterion, although the original Italian is equally robust, Criterion transferred the DUB in a lossy track. The BFI is Region 'B'-locked. All Blu-rays have optional English subtitles. For supplements, Kat Ellinger gives another 'must-listen' commentary initially describing Salo as a 'wonderfully profane delight' discussing how it is one of the most misunderstood films of its era, the intentionally formless characters, the unassuming opening music, how it was shot in Technicolor - although Pasolini wanted black and white, the circles Dante's Inferno, De Sade, Nazispolitation, is Salo really a horror film? and much more. It is, again, at her high level of analysis - as stated the feature Blu-ray also offers a trailer. The second Blu-ray has many of the older supplements as seen previously on various packages. From 2008 is the 41-minute The End of Salò where actors Antinisca Nemour and Paolo Bonacelli, screenwriter Pupi Avati, production designer Dante Ferretti, assistant director Fiorella Infascelli, assistant editor Ugo Maria De Rossi and others, discuss the film's production history and Pasolini's legacy and tragic death. OSTIA (The Death of Pasolini) runs 7-minutes is by Coil - the band's 1986 track with video accompaniment from 2008. Open Your Eyes! is also from 2008 and shows Pasolini and his actors at work on the set of Salò for over 20-minutes. Walking with Pasolini is a 2008 documentary featuring Neil Bartlett, David Forgacs, Noam Chomsky and Craig Lapper giving input for 22-minutes. Whoever Says the Truth Shall Die is a classic 1981 documentary on the life and death of Pasolini by Philo Bregstein - it has Pier Paolo Pasolini, writer Alberto Moravia, Laura Betti, Bernardo Bertolucci and runs just over 1-hour in Italian and some French with English subtitles. Fade to Black is a 2001 documentary by Nigel Algar exploring the ongoing relevance and power of Pasolini's masterpiece narrated by Mark Kermode. It runs short of 25-minutes. Ostia (1987) is a short, 26-minute film, by Julian Cole about Pasolini starring Derek Jarman with an optional director's commentary. It runs 27-minutes. Enfants de Salò has four French filmmakers including Gasper Noé, Claire Denis, Catherine Breillat and Bertrand Bonello deconstruct Salò. It runs 20-minutes and is from 2009. The package, for first pressing purchasers, has a booklet with introduction by Sam Rohdie, reviews, BBFC correspondence exploring the film's troubled history, stills and on-set photographs. Nice to see BFI, 'correct' and vastly improve upon their initial Blu-ray release. As it stands this 2019 double-disc Blu-ray BFI set is the definitive. I wouldn't be, at all, surprised to see it go out-of-print relatively quickly. The Kat Ellinger commentary alone would be worth the upgrade but the most robust video transfer, the addition of the lossless DUB, and couple of new extras beyond the previous BFI Blu-ray, the limited edition booklet etc. - make this essential for cinephiles. This is the one to own... *** ADDITION: Criterion - Region 'A' - Blu-ray - September 2011: This comparison need not be as confusing as we have made it. We have relied on our initial reference review(s) from well over a decade ago. As opposed to redoing the captures to match our current standards - I ended up selling my original Criterion DVD for some un-Godly amount of money many years ago - so it was not possible. To quote a ginormous understatement - the film always left a sour taste in my mouth <pun intended) and I only revisit to perpetuate this comparison page. I'll make some quick comments - and perhaps we can move on: 1) Yes, the Criterion Blu-ray shows edge-enhancement (just like the BFI - although less prominent). It was probably on the reissue DVD but the 1080 resolution makes it easier to identify. I suspect that it is on D1 master - no fault of the disc transfers. 2) the dual-layered Criterion image seems to me to have more balanced colors. The BFI varies from overly pale to occasionally reddish. 3) There is movement in the frame but I think the BFI shows more information in the right and bottom edges. 4) The BFI frequently looks green - but have no idea of how authentic this is to theatrical. 5) Audio seems a wash with both having the PCM - exporting mono, but I honestly didn't do any testing. Ditto for both of the English DUBs. 6) The Criterion Blu-ray is still without the 25-second sequence at roughly 42-minutes into the film during the first wedding ceremony, where one of the masters quotes a poem by Gottfried Benn. Both Blu-ray editions have extensive supplements - both have 'The End of Salo' documentary and other, different extras. The BFI have most on a second disc PAL DVD where Criterion house the same ones as found on the Reissue DVD but now all on the lone dual-layered Blu-ray disc - in HD. With both editions being region-locked, I suspect the number of fans capable of 'choosing' for their home theater presentation is at the low end. Making a more black-and-white judgment than usual - I'd take the Criterion Blu-ray for image, the BFI for the extras - and for those in need of the missing 25-seconds - the BFI is there for your option. *** BFI RELEASE IS DEFINITELY REGION 'B" ONLY! BFI - Blu-ray - Region NOTE: I HAVE RECEIVED A CHECKDISC Blu-ray SCREENER FROM BFI - IT IS DEFINITELY REGION FREE ALTHOUGH WE'VE BEEN TOLD THAT THE FINAL Blu-ray RELEASE WILL BE REGION 'B' ONLY. THIS IS CONTRARY TO OUR INITIAL INFORMATION BUT I BELIEVE IT WILL BE CODED FOR THAT Blu-ray REGION ONLY! (Africa, Southwest Asia, Europe - except Russia and Kazakhstan - Oceania and their dependencies.) I was only sent the first disc - hence, this is all I can review at this point. The full listing of disc two is above. Detail on the single-layered BFI Blu-ray is as good as we expected. It towers above the new Criterion in that regard. It looks quite stunning although I did detect some edge enhancement (see below) in certain outdoor scenes. There is still some noise but I also see grain. The big difference is in the color scheme. Directly beside the Criterion - that edition look to have been boosted with the BFI showing a much softer palette. I prefer this more subdued look, which I suspect is more accurate, but I'd like to do some further analysis this weekend perhaps simultaneous viewings toggling back and forth between the 2 transfers. I'm sure I'll get abundant advice on which is more 'true' in email. The BFI Blu-ray has the missing scene (see capture #6 - 25-second sequence during the first wedding ceremony, where one of the masters quotes a poem by Gottfried Benn) and the UK Blu-ray has an immediate option for the English credit sequence (as well as that DUB). Extras include the 6:54 Death of Pasolini featurette that some may find as bewildering as the man himself. This is presented in HD - 1080P resolution. There is also an Italian trailer in HD (4:09). I will post more as soon as I have some of that rare commodity; time. Gary Tooze *** ADDITION - Criterion (REISSUE): Big thanks to CDNChris of Criterion Forum for extensive effort he went to for the, PC-obtained, screen grabs. NOTE: Our original comparison was done many years ago but the new captures were obtained utilizing the exact same method. It appears as though the Criterion has, both, the most detail and more information in the frame (side edges) - even more so than the BFI. It is cleaner and smoother - damage removed but is still missing the short 25-second sequence at 0:42:24 (see below) during the first wedding ceremony, where one of the masters quotes a poem by Gottfried Benn. The sequence is intact on the Region 2 BFI DVD. The Criterion seem to have used the 'Alchemist' method of transfer - with brief interlacing between chapter stops - as noted in the screen grab below. An optional English DUB is offered as well as extensive extras. We will comment further once we have it in our possession but the Criterion easily appears to be the definitive edition at present. Gary Tooze *** ON THE ORIGINAL CRITERION, Gaumont and BFI: the (old) Criterion and Gaumont have been slightly cropped on both vertical sides (see captures # 1-5) and the Criterion has deleted a scene (25-second sequence during the first wedding ceremony - see capture # 6). the Criterion shows more edge enhancement and the color is strangely yellow/greenish compared to the BFI version. The Gaumont is miles ahead of both of these version in image clarity and color adherence although looks slightly vertically stretched - see the titles below!. The BFI subtitles are clear. BFI DVD image shows the most damage (see 'black hole' in capture # 3) and occasional fluctuations in brightness. The Criterion image is sharper than the BFI which appears soft at times especially noticeable for a film with many medium to long shots. The BFI and Gaumont have just nine chapter stops, which are timed to coincide with Pasolini’s own chapter divisions. The Criterion has 29 chapters accessible in a nice DVD menu. The Criterion sub-titles are removable but not as clear as the BFI ones which are burnt in. The Gaumont only has French subtitles. |
Criterion (REISSUE
DVD) Package:
BFI Extras
DVD Menus
Criterion (REISSUE)
(Gaumont Columbia Tristar - Region 2 - PAL - LEFT vs. Criterion - Region 1 - NTSC - MIDDLE vs. BFI - Region 2 - PAL - RIGHT)
Criterion - Region 'A' - Blu-ray
BFI (2019) - Region 'B' - Blu-ray One
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BFI (2019) - Region 'B' - Blu-ray Two
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Edge enhancement HALO on the 2008 BFI
Blu-rayTitle
1) Gaumont Columbia Tristar - Region 2 - PAL TOP 2) Criterion (original) - Region 1 - NTSC - SECOND 3) BFI - Region 2 - PAL - T HIRD4) Criterion (REISSUE) - Region 1 - NTSC - FOURTH5) BFI (2008 Blu-ray) - Region 'B' title - English opening credits 1 (3:15) - FIFTH6) BFI (Blu-ray) - Region 'B' title - Italian opening credits 2 (3:15) - SIXTH7) BFI (2019 Blu-ray) - Region 'B' title - Italian opening credits 1 (3:15) - BOTTOM |
Criterion REISSUE DVD appears to have utilized 'alchemist' transfer method with combing between chapter stops!
Screen Captures
CLICK EACH BLU-RAY CAPTURE TO SEE ALL IMAGES IN FULL 1920X1080 RESOLUTION
1) Gaumont Columbia Tristar - Region 2 - PAL TOP 2) Criterion (original) - Region 1 - NTSC - SECOND 3) BFI - Region 2 - PAL - T HIRD4) Criterion (REISSUE) - Region 1 - NTSC - FOURTH5) BFI (2008) - Region 'B' - Blu-ray - FIFTH6) Criterion - Region 'A' - Blu-ray - SIXTH 7) BFI (2019) - Region 'B' Blu-ray BOTTOM
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1) Gaumont Columbia Tristar - Region 2 - PAL TOP 2) Criterion (original) - Region 1 - NTSC - SECOND 3) BFI - Region 2 - PAL - T HIRD4) Criterion (REISSUE) - Region 1 - NTSC - FOURTH5) BFI (2008) - Region 'B' - Blu-ray - FIFTH6) Criterion - Region 'A' - Blu-ray - SIXTH 7) BFI (2019) - Region 'B' Blu-ray BOTTOM
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1) Gaumont Columbia Tristar - Region 2 - PAL TOP 2) Criterion (original) - Region 1 - NTSC - SECOND 3) BFI - Region 2 - PAL - T HIRD4) Criterion (REISSUE) - Region 1 - NTSC - FOURTH5) BFI (2008) - Region 'B' - Blu-ray - FIFTH6) Criterion - Region 'A' - Blu-ray - SIXTH 7) BFI (2019) - Region 'B' Blu-ray BOTTOM
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1) Gaumont Columbia Tristar - Region 2 - PAL TOP 2) Criterion (original) - Region 1 - NTSC - SECOND 3) BFI - Region 2 - PAL - T HIRD4) Criterion (REISSUE) - Region 1 - NTSC - FOURTH5) BFI (2008) - Region 'B' - Blu-ray - FIFTH6) Criterion - Region 'A' - Blu-ray - SIXTH 7) BFI (2019) - Region 'B' Blu-ray BOTTOM
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Print damage Frame ( 0:05:56 ) - restored on Gaumont, Criterion and BFI Blu-ray
1) Gaumont Columbia Tristar - Region 2 - PAL TOP 2) Criterion (original) - Region 1 - NTSC - SECOND 3) BFI - Region 2 - PAL - T HIRD4) Criterion (REISSUE) - Region 1 - NTSC - FOURTH5) BFI (2008) - Region 'B' - Blu-ray - FIFTH6) Criterion - Region 'A' - Blu-ray - SIXTH 7) BFI (2019) - Region 'B' Blu-ray BOTTOM
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Capture # 6
Scene at around 42 minutes (below) is missing from the Criterion and Gaumont discs.
Report Card:
Image: |
BFI (2019) Blu-ray |
Sound: |
BFI (2019) Blu-ray (for lossless DUB) |
Extras: |
BFI (2019) Blu-ray (commentary etc.) |
Criterion Collection - Spine #17 (REISSUE) Region 1 - NTSC | BFI Video Region 'B' Blu-ray |
Criterion Collection - Spine # 17 Region 'A' Blu-ray | BFI Video
(2019) Region 'B' Blu-ray |
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Gary Tooze |
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