| As a youth I
fondly recall many hours of enjoyment immersing myself in the world of
super-spy Derek Flint. His satirical "coolness" was oblivious
to me, as I took him at face value as a secret agent in the "James
Bond" mold (not unlike Dean Martin's "Matt Helm").
I would camp myself in front of the television marveling at his high-tec
gadgets, depth of knowledge and assured confidence with the fairer sex.
Actually, not much has changed.
This film, the first of two Derek Flint adventures, captures a
certain 60's aura of allusive discipline, free love and wild, uninhibited
vibrant decor so perfectly, all while maintaining a style that seems
impossible to reproduce.
In this yarn, ripe with references to Bond and world powers of
evil, Derek is reluctantly brought on by his old boss Cramden (played by
Lee J. Cobb) and ZOWIE (Zonal Organization World Intelligence Espionage)
to save the world from weather-manipulating scientists.
Exhibiting abilities ranging from culinary expert detective,
master of disguise and Indian Fakir-like heart control, Derek,
surrounding by his entourage of intelligent beauties, appears up to the
task.
Its hard to imagine anyone but James Coburn in this role as he
essentially defined Flint with his portrayal.
Still
great fun to watch and nostalgically admire the psychedelic colors and
sexist tone of the film. I admit to still having a soft spot for this
genre and compared to other imitators, this is by far the king of the
hill.
The added touches make this film for me; the American eagle
trained to spot and attack Americans, Derek's code based on a
progression of 40-26-36 and a stethoscope built inside his shirt in
which the buttons become the earpieces.
Its not "Citizen
Kane", but it wasn't meant to be. With many of my previous film
selections it is obvious I am a big fan of style and this film has it in
abundance. out
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