Juraj Herz’s film The Cremator has been described in many ways - as surrealist-inspired horror, as expressionist fantasy, as a dark and disturbing tale of terror.

This brilliantly chilling film, a mix of Dr Strangelove and Repulsion, is set in Prague during the Nazi occupation. It tells the story of Karl Kopfrkingl (Rudolf Hrusínský), a professional cremator, for whom the political climate allows free rein to his increasingly deranged impulses for the ’salvation of the world’.

****

An enjoyably strange, undoubtedly original and occasionally terrifying film (9 1/2 out of 10)

On one level The Cremator can be enjoyed simply as something truly strange and different. Although it is live action, the film has much of the oddness and Gothic trappings of Czech animation. Director Juraj Herz actually studied puppetry rather than film, and is a friend of the Czech surrealist filmmaker Jan Svankmajer. This is a film full of strange angles and odd ways of looking at the world. At its heart is Karl Kopfrkingl (Rudolf Hrusínský) the cremator of the title. Though he loves his job dearly, his strangeness is emphasized in one of the film's key early passages, a trip to a fair during which he s perked up by a visit to an exhibition of gruesome waxworks.

But while you might expect a film this eccentric to be otherworldly, The Cremator is actually grounded in politics. In what isn't a terribly surprising twist given the late 30s setting, Kopfrkingl's interest in the purifying power of the oven chimes in with the rise of Nazism. But the clunky premise - that there is a fine line between rigid middle class conservatism and being a fascist - is less important than the extraordinary atmosphere the film creates, and Hrusínský's portrayal of the increasingly deranged Kopfrkingl.

Excerpt from Channel 4 located HERE